The easy answer is that writing novels is a lot more fun than practicing law.

You think publishing is tough but the music world is ten times tougher.

For me a thriller is a very carefully structured story.

It means working harder to do the research but I don't really mind - I don't think I have what it takes to chase criminals through back alleys and wade through blood at crime scenes.

I've often said that there's no such thing as writer's block; the problem is idea block.

Trying to write books with a subject matter or in a genre or style you're not familiar with is the best way to find the Big Block looming.

My books are primarily plot driven but the best plot in the world is useless if you don't populate them with characters that readers can care about.

But one does not make living writing poetry unless you're a professor, and one frankly doesn't get a lot of girls as a poet.

I write pretty much anywhere - on planes, in hotel rooms, anywhere in my house.

To answer that I have to describe what I think is my responsibility as a thriller writer: To give my readers the most exciting roller coaster ride of a suspense story I can possibly think of.

When you work alone, you need to socialize at some level.

Generally my typical books have lots of twists and turns a big surprise ending and then usually another surprise at the end and ideally, as in Garden of Beasts, we get to the very end and we find at the last few pages that there's yet another surprise.

The recent fascination, I think, reflects the shift in approach by law enforcement officials to embrace technology as wholeheartedly as the rest of the world.

Of course, I write crime stories, and I have to describe violence and the aftermath of violence.

When it comes time to write the book itself I'll shut the lights out, picture the scene I'm about to write then close my eyes and go at it. Yes, I can touch type.

I like the way words go together and I like the gamesmanship of writing poetry. It is such a challenge.

Hardcover books are fairly expensive these days and to read one requires a significant commitment of time in our busy society. So I want to make sure that when readers buy one of my books they get something they're familiar with.

In suspense novels even subplots about relationships have to have conflict.

The best way to learn about writing is to study the work of other writers you admire.

I spend about eight months researching and outlining my book.

Readers are paramount. I live to write books for them.

Ideally, I like to integrate the human issues into the suspense story itself.

Of course, all writers draw upon their personal experiences in describing day-to-day life and human relationships, but I tend to keep my own experiences largely separate from my stories.

I was editor of my high school literary magazine and a reporter for the school newspaper.

The easy answer is that writing novels is a lot more fun than practicing law.

So I work hard to present the human side of my characters while not neglecting the plot.

The outline is 95 percent of the book. Then I sit down and write, and that's the easy part.

Certainly going back to Sherlock Holmes we have a tradition of forensic science featured in detective stories.

I liked the challenge of writing in a very concise structure in which both meaning and form are important.

Rule one: Write about settings you're familiar with.

If you have a craftsman's command of the language and basic writing techniques you'll be able to write - as long as you know what you want to say.

I've always written, all my life, and when I was very young I developed an interest in poetry.

I also try very hard to create characters - both heroes and villains - with psychological depth.

In other words, the people who populate my books are more than caricatures.

I spend eight months outlining and researching the novel before I begin to write a single word of the prose.

In suspense novels even subplots about relationships have to have conflict.

We have years to converse with someone, to blurt and rant, to explain our desires and anger and regrets - and oh how we squander those moments.

We dominated Survivor - there is no way we would not dominate that, too. I can see it already, us making deals with people. That's the best part, and with the Race, it would be even more fun because I've got a lot of tricks up my sleeve.

If you want something that's going to provide you with a lot of challenges and a variety of different things to do, then you really can't beat a place like the Air Force. I don't mean this to sound like a recruiting pitch. But it's been a lot of fun.

About the only time losing is more fun than winning is when you're fighting temptation.

I'm definitely not ready to move into something else. I'm having so much fun.

I am a very open, social, friendly person, and when it comes to people approaching me and asking for an autograph, I am totally cool with doing any of that. It's a lot of fun.

I am playing with the assumptions that we have in our everyday life when we are tripped up or fooled and we learn something, that makes things exciting - I am having fun with that stuff, but you have to manage it so it doesn't get too cute, that's what I trying to work toward.

The idea of licking stamps seemed great fun for me.

If you watch a game, it's fun. If you play it, it's recreation. If you work at it, it's golf.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

We thought it would be fun to try to design a show that would work well internationally and so that' s what we're intending to do with Fraggle Rock, and we are indeed now selling it around the world.

Drums just always sounded like the most fun part of that good music for me.

What we're doing is fun - if you have any sense of humor at all!