But once we got them on its feet then they run themselves, unless there's corrections you have to make.

I still that that movie-goers like the experience of leaving their homes and going to have a communal experience, especially in comedies or interactive things where you can get an audience reaction to.

But once we got them on its feet then they run themselves, unless there's corrections you have to make.

Definitely, it's a fear of failure that drives me.

Well, I don't look back and celebrate. I just always worry about the next one.

And usually the studios they don't want you to have credit for your movies because they want to take credit for the movies because if you get credit for your movies they've got to pay you more.

I only make movies I want to go see.

We want to create these dramatic situations, whether they are real or not, to entertain audiences.

The whole world has changed after September 11th.

Sometimes we'll only get one script in a year that we want to make that we feel is good enough.

Dramatics are what keep you in the seats.

If I knew what makes a movie catch on then I'd make hit after hit.

In TV we've used something that I love... it's called process. I love process.

I love entertaining people and this is entertainment.

Because you can't do anything halfway, you've got to go all the way in anything you do.

What I do is try to stay away from the hot subjects.

Our military thought that they couldn't get to Pearl Harbor, that it was too long a journey from Japan to get there, and they proved us wrong.

If you have a crisis, whether on a ship or wherever, there are heroes who rise above it.

A lot of it had to do with when it's released and what's out in the marketplace, what's its competition.

We need a very strong military to protect the freedoms we do have.

Yeah sure, I'd love to have all my movies on DVD.

I just don't know what makes a movie catch on and other ones don't.

It's very difficult to release an X-rated movie.

I think we look to the military as something that protects our shores.

Although, I think you look back and you try to learn from your mistakes.

We know as filmmakers where you draw the line.

I like to make pictures about people who make a difference.

The director's who want to be innovative use the DVD as a tool to see what people have done in the past and you have other people who will actually take from better directors and that makes them better directors.

I make movies based on gut.

I mean if you put all of your eggs in one basket, boy, and that thing blows up you've got a real problem.

I don't make movies because I think audiences will want to go see them.

There are a lot of movies that inspire me to do what I do.

I love taking you inside a world that you're not apart of and showing how actually works.

They who love dancing too much seem to have more brains in their feet than in their head.

Basically, right before college I got into the Guinness book for my feet and started to do local commercials and little radio spots, just little things and found I really liked it.

My feet are like gnarled old tree branches.

The men are walking. They are fifty feet apart, for dispersal. Their walk is slow, for they are dead weary, as you can tell even when looking at them from behind. Every line and sag of their bodies speaks their inhuman exhaustion.

My feet are dogs.

Heaven is under our feet as well as over our heads.

A beautiful line of verse has twelve feet, and two wings.

My feet never touched the ground. Lots of good groups with crazy and unique images. It was wild. I spent all of my time doing gigs, TV appearances, interviews, or recording. I could write a book - and probably will.

My sister and I are opposites in many ways. She is six feet tall, while I'm five feet four.

In the 1950s in Columbia, South Carolina, it was considered OK for kids to play with weird things. We could go to the hardware store and buy 100 feet of dynamite fuse.

St Michaels Mount is a favourite place of mine; people will walk across to the Mount all day and assume they will be able to walk home. The spectacle of hundreds of people realising that the path they walked over on is disappearing under several feet of water is very amusing.

I had to weave and play around with a honey bear, you know, and I could wrestle with him a little bit, but there's no way you can even wrestle a honey bear, let alone a grizzly bear that's standing ten feet to eleven feet tall! Can you imagine? But it was fascinating to work that close to that kind of animal.

I wouldn't want the pressure of a Six Feet Under or the pressure of improvising like Curb Your Enthusiasm.

Although there exist many thousand subjects for elegant conversation, there are persons who cannot meet a cripple without talking about feet.

I think the secret of my light, quick, foot strike is related to the fact that I have fragile feet.

I'm convinced that the man who has learned to meditate upon the Lord will be able to run on his feet and walk in his spirit. Although he may be hurried by his vocation, that's not the issue. The issue is how fast his spirit is going. To slow it down takes a period of time.