I started in this racket in the early '70s, and when I was president of the Science Fiction Writers of America, of which I was like the sixth president, I was the first one nobody ever heard of.

In any ethical situation, the thing you want least to do is probably the right action.

You see, I used to do a certain amount of market research by going to the local drugstore and seeing what the truck drivers would put up. Now it's all just copies from the latest best-seller list and damn little of anything else.

One the other hand, the publishing trend is ghastly, isn't it? Two hundred and something distributors are now down to 10 or 12? And what's the recruiting drive?

There were probably, what, 300 science-fiction members in the SFWA, of whom probably a hundred were active members in the sense that they were selling something every year, or every couple years.

I have more information in one place than anybody in the world.

The hard part of writing at all is sitting your ass down in a chair and writing it. There's always something better to do, like I've got an interview, sharpening the pencils, trimming the roses. There's always something better to do. Going to a writer's club?

To doubt everything or to believe everything are two equally convenient solutions; both dispense with the necessity of reflection.

And in down times it shakes a lot of the bad SF out, a lot the stuff that was bought for literary reasons, which is neither entertaining nor great literature.

Heinlein never had a best-seller. Even, I think, with Stranger in a Strange Land, I don't think it was actually on the New York Times best seller list.

Because Tom Doherty and people like that are not stupid. If they could have streamlined their operation more to get more money out of it, they would have done it. It's not like they're a bunch of idiots.

I think it takes about a million words to make a writer. I mean that you're going to throw away.

We're basically after Joe's beer money, and Joe likes his beer, so you better make sure that what you give him is at least as pleasurable to him as having his six-pack of beer would be.

The importance of information is directly proportional to its improbability.

We do a hard fantasy as well as hard science fiction, and I think I probably single-handedly recreated military science fiction. It was dead before I started working in it.

You no longer have much in the way of knowing what to do in a big, epic novel about the future, because nobody knows what the hell is going to happen.

Somebody's always getting me to come lecture to their writing class, and I don't talk about writing at all, I talk about the business of making a living at this racket.

Asimov was the reason why we changed some rules in the SFWA, and I'm not convinced we changed it for the best.

I started in this racket in the early '70s, and when I was president of the Science Fiction Writers of America, of which I was like the sixth president, I was the first one nobody ever heard of.

And that's another piece of advice I'll give junior writers; when you get to the point where they take you to lunch, let the editor suggest where to go.

The Aztecs believe they started up in what's now New Mexico, and wandered for 10,000 years before they got down into where they are now, in Mexico City. That's a weird legend.

So, I guess the answer to your question is very few people can bring off a novel of the future because it's just so damn hard to make it look like the future.

Write a lot. And finish what you write. Don't join writer's clubs and go sit around having coffee reading pieces of your manuscript to people. Write it. Finish it. I set those rules up years ago, and nothing's changed.

And meanwhile, the storytellers like me and Anderson, Silverberg... we tell stories. People like them. They want to know how it comes out, they want to know what the ending is.

In any bureaucracy the people devoted to the benefit of the bureaucracy itself always get in control and those dedicated to the goals the bureaucracy is supposed to accomplish have less and less influence and sometimes are eliminated entirely.

In any ethical situation the thing you want least to do is probably the right action.

An isolationist America is no bloody use to anyone.

My focus is that firearms are handled safely and that we can continue to enjoy them here in North America.

America is false to the past, false to the present, and solemnly binds herself to be false to the future.

Generally students are the best vehicles for passing on ideas, for their thoughts are plastic and can be molded and they can adjust the ideas of old men to the shape of reality as they find it in villages and hills of China or in ghettos and suburbs of America.

Who cares about that stuff? This is America, not Jerusalem. I'm an American. Let Harry be a Jew.

Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

I'm about to become a member of the Chemists Society of America. I'm very proud of that.

It's a cyclical thing. When they make one, everyone loves them. Different genres come around in succession. People always welcome the western. It's America's genre.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

If we can just take a few companies, and use those as models, as examples, to show the rest of corporate America how they can become more competitive, that's what I'd like to do and that's what I hope to do.

The surest way to return to the people's business is to listen to the people themselves: We need to drop this whole scheme of federally controlled health care, start over, and work together on real reforms at the state level that will contain costs and won't leave America trillions of dollars deeper in debt.

Gary Smith, when I came to America, taught me a great deal about racing.

You know, nobody eats in England. Three or four pints of English beer a night fills you. I can't say I'm very impressed with the food in America. it's all sort of bland. Like turkey sandwiches.

Fascism is a worldwide disease. Its greatest threat to the United States will come after the war, either via Latin America or within the United States itself.

I've always thought that if Israel really wanted to solve the problem, they'd just start tomorrow and push right to the Jordan River, and anything in their way goes. They don't need America or someone else to help.

These old ballparks are like cathedrals in America. We don't have big old Gothic cathedrals like they do in Europe. But we got baseball parks.

American and Israel share a special bond. Our relationship is unique among all nations. Like America, Israel is a strong democracy, a symbol of freedom, and an oasis of liberty, a home to the oppressed and persecuted.

All the perplexities, confusion and distress in America arise, not from defects in their Constitution or Confederation, not from want of honor or virtue, so much as from the downright ignorance of the nature of coin, credit and circulation.

From the long range point of view, I do not know of anything we can do more important than to make some contribution to the preservation of religion as a vital force in America.

Our alliances and our credibility are crucial elements of our working capital in advancing America's interests in the world, and they have been eroded over the last four years.

In America it's live by the sword of freedom of expression and be will to die by it as well.

America is not a melting pot. It is a sizzling cauldron.