They gave it to us for about five bucks a week, and we just went there to live. Probably the first band that ever did that back then and it became the famous cottage.

So the name of a group has to say something. The name has to be strong.

You have to have a strong title. It's got to say something.

We played at a club called, the Elbow Room. Don Carlos, the nightclub owner, was very hip and a very important person who made a big impact on my life.

Mr. Fantasy was the only song that was scribbling on a piece of paper.

This kind of music was just hitting England, so we were getting this following in clubs in Birmingham just cause we were trying to do something different.

They gave it to us for about five bucks a week, and we just went there to live. Probably the first band that ever did that back then and it became the famous cottage.

We all ended up jumping up and down, hugging each other when Ali won;cause Ali is the greatest.

I turned everybody on so, psychologically, I guess I was pushing the boundaries creativity.

For me, naming bands was the forerunner to really writing lyrics, because I work off titles.

I was half asleep lying there writing this lyric in my head at about 3:30 in the morning. I woke Steve up with this idea and then we went into the living room where there was a little upright piano and finished the song. I wonder where that piano is now?

After that, I specifically started writing lyrics. I would like sweat and think and get it all together.

There I met Gordon Jackson and Dave Meredith who were playing in local bands.

We loved everything. We wanted to be able to do anything.

You try to be moody when you're young and it had a good ring to it.

Far From Home was also my idea from a magazine I'd seen.

But then you have to write a song, so at that point, I picked up the reins and started to write lyrics.

Traffic was very, very free. It was great.

We all had a desire and appreciation for such a wide range of music.

You know, I had the ability like a catalyst to really get everybody hyped up.

I have to confess that a strong contributing factor was that I had just taken what was probably the first acid ever made, given to me by a guy called Johnny Fellows, who had just returned from America.

I have always had a tremendous amount of energy and any band I was ever in from the age of fourteen, I would always be the one who would describe the future and vibe everyone up.

Guys would hang out in groups just to be with the music.

Because I would just tell everyone it was going to be great and just put that belief in them.

This was an important part of my life. But it was also sad that we didn't play there, cause we had such alot of fans that were waiting for us and Brazilians are great people. It's now my second home.

Everything that Traffic ever did, I'd give Steve a complete lyric, titled, written out with the verse, the bridge, the shape and rhyme and then Steve had to figure out how the meter of the words would fit musically.

I think you do better when you are really up for it, cause passion goes up.

We all ended up jumping up and down, hugging each other when Ali won; cause Ali is the greatest.

I don't like being recognised, I have no interest in being famous at all, I just do what I do. If I could be like Captain Kirk and beam myself up and then beam myself down, I would!

The real harm of term extension comes not from these famous works. The real harm is to the works that are not famous, not commercially exploited, and no longer available as a result.

I'm not in the business of becoming famous. And that's the advice I give to younger aspiring actors. Work onstage and do the little roles. In the end it's not important to be seen. It's important to do. There's a lot of disappointment in this business, but my family keeps me grounded.

The people I want are very famous and very rich, and all I can offer them is a bit of exposure on TV and a bit of cash, so it's a miracle we get any guests at all. But we have been very lucky.

When I was a kid, the idea of why I wanted acting to be the thing I do for the rest of my life was different. It was, Oh yeah, I'll get girls and be famous.

I don't want to be famous famous. I'm happy on the second tier, where I have autonomy on a professional level but I can still go out to the movies without being recognized.

To be famous and broke is hard.

Oh yeah, I was one of the first guys writing comic books, I wrote Captain America, with guys like Stan Lee, who became famous later on with Marvel Comics.

I fear that, in the end, the famous debate among materialists, idealists, and dualists amounts to a merely verbal dispute that is more a matter for the linguist than for the speculative philosopher.

Well I would say that we're regular people first of all and we're normal and it's obvious by some of the things that have happened just because our name is famous we're not immune to tragedy.

People are much more inclined to believe and say bad things about you if you're famous.

I don't want to be famous as a movie star and have the whole world love me, I want to be a creative actress.

I like photographing the people I love, the people I admire, the famous, and especially the infamous. My last infamous subject was the extreme right wing French politician Jean-Marie Le Pen.

Those who have known the famous are publicly debriefed of their memories, knowing as their own dusk falls that they will only be remembered for remembering someone else.

People hate me because I am a multifaceted, talented, wealthy, internationally famous genius.

My philosophy was, if I just do good work, someone will like it enough to employ me. It never made me famous. And I'm way, way too old now, mate. That boat's sailed.

And I want to be able to - you know, make Republicans and Democrats famous for keeping jobs in California.

I mean he's a very famous director... they're not going to put their... and he's very tough, he doesn't like interference at all, so he kept them at bay.

People should recognize who you are and how you can act rather then how famous you are.

Face it, I didn't become famous until I took my clothes off.

We played in Texas about a year ago, at Emo's, the famous country and western club in Austin. And I figured, well, if I'm finally gonna die onstage, that's where it's going to be!