Guys would hang out in groups just to be with the music.

So the name of a group has to say something. The name has to be strong.

You have to have a strong title. It's got to say something.

We played at a club called, the Elbow Room. Don Carlos, the nightclub owner, was very hip and a very important person who made a big impact on my life.

Mr. Fantasy was the only song that was scribbling on a piece of paper.

This kind of music was just hitting England, so we were getting this following in clubs in Birmingham just cause we were trying to do something different.

They gave it to us for about five bucks a week, and we just went there to live. Probably the first band that ever did that back then and it became the famous cottage.

We all ended up jumping up and down, hugging each other when Ali won;cause Ali is the greatest.

I turned everybody on so, psychologically, I guess I was pushing the boundaries creativity.

For me, naming bands was the forerunner to really writing lyrics, because I work off titles.

I was half asleep lying there writing this lyric in my head at about 3:30 in the morning. I woke Steve up with this idea and then we went into the living room where there was a little upright piano and finished the song. I wonder where that piano is now?

After that, I specifically started writing lyrics. I would like sweat and think and get it all together.

There I met Gordon Jackson and Dave Meredith who were playing in local bands.

We loved everything. We wanted to be able to do anything.

You try to be moody when you're young and it had a good ring to it.

Far From Home was also my idea from a magazine I'd seen.

But then you have to write a song, so at that point, I picked up the reins and started to write lyrics.

Traffic was very, very free. It was great.

We all had a desire and appreciation for such a wide range of music.

You know, I had the ability like a catalyst to really get everybody hyped up.

I have to confess that a strong contributing factor was that I had just taken what was probably the first acid ever made, given to me by a guy called Johnny Fellows, who had just returned from America.

I have always had a tremendous amount of energy and any band I was ever in from the age of fourteen, I would always be the one who would describe the future and vibe everyone up.

Guys would hang out in groups just to be with the music.

Because I would just tell everyone it was going to be great and just put that belief in them.

This was an important part of my life. But it was also sad that we didn't play there, cause we had such alot of fans that were waiting for us and Brazilians are great people. It's now my second home.

Everything that Traffic ever did, I'd give Steve a complete lyric, titled, written out with the verse, the bridge, the shape and rhyme and then Steve had to figure out how the meter of the words would fit musically.

I think you do better when you are really up for it, cause passion goes up.

We all ended up jumping up and down, hugging each other when Ali won; cause Ali is the greatest.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.