As a viewer, my own work elicits strong emotional reaction from me.

When I started working with mirrors, it seemed to be the perfect material to stand in for that waiting.

I wasn't interested in holding onto the evidence of things.

I work from a personal place, and the work has personal meaning for me.

My latest works are these things with light bulbs.

Landscape is a piece that is emotional and psychological.

Color is for me the purest form of expression, the purest abstract reality.

I was trying to write an autobiography using prints and patterns that reference emotional, psychological, and personal development in my work, as a person growing up, figuring out who I was. I used fabrics to stand in for occurrences.

For a while, I thought a lot about lineage. Where do I belong? Who am I standing next to?

There is a broad range of reaction to the work, as there is a broad range of work I make.

I was feeling a strong need to change, grow, and break with particular things that were going on in my life and my history, and the material was the perfect answer for that.

I think young people have a wonderful reaction to color because it's not screwed up by too many references.

When I make art, I think about its ability to connect with others, to bring them into the process.

I think that some works are more accessible than others.

But most people don't come up to me and express a lot of emotion.

As a viewer, my own work elicits strong emotional reaction from me.

I move very slowly. It's usually material first. I sit with the material for a long time.

It's as if I were collaborating with myself, revealing my relationship to the material. My hand would make the drawing. Then my mouth would transmit it.

However, some of my work is very subtle, and one should expect very subtle reactions to it.

Color is an intense experience on its own.

Often, I work out of my work. One work takes me to the next thing.

I'm an average person.

I did work out every day. I needed it to have the endurance to do what needed to be done and not get hurt. I have such a new respect for action stars now.

Work is the meat of life, pleasure the dessert.

This is God's work. Therefore it must be triumphant. There is no place for misgiving or despondency.

Yeah, that's what kind of, we get the idea a little bit yeah, because other people from different countries also try as hard as they can to get a medal or a gold medal in the Olympic Games. And you know, if they can work hard, we can work hard as well.

The work which is manipulated looks a little boring to me. I think life is pretty strange anyway. It is wooo, wooo, wooo!

I am not stopped by low funds, physical exhaustion, mental exhaustion, or temptations to stop and work on some other production that would be more financially rewarding.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

Corporate partners help UNICEF fund our programmes for children, advocate with us on their behalf, or facilitate our work through logistical, technical, research or supply support.

The productivity of work is not the responsibility of the worker but of the manager.

The kinds of shows that seem to work now, the comedy shows, are those which require very little attention. They're superficial and I like articulate comedy.

The work that we do during the winter is very important; we have a new bike and it's important to develop it during this time, and we start with this test.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

I work to stay alive.

When it is time to get to work, I go away completely and don't do anything except the work. And that can be 16 hours a day.

Some people don't like competition because it makes them work harder, better.

Concentrate all your thoughts upon the work at hand. The sun's rays do not burn until brought to a focus.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Style is as much under the words as in the words. It is as much the soul as it is the flesh of a work.

Yes, and I can sit down on a white piece of paper and work because I don't believe too much into inspiration, only I'm waiting for inspiration, work and then inspiration may come. It's a little too easy to say that.

I am always successful in my work.

Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.

Much of my work has come from being lazy.

People are not perfect... very often the relationships that are strongest are those where people have worked through big crises, but they've had to work through them. So the challenge to us is to work through that.

Evidently the merit depends on the result of the work.

I am playing with the assumptions that we have in our everyday life when we are tripped up or fooled and we learn something, that makes things exciting - I am having fun with that stuff, but you have to manage it so it doesn't get too cute, that's what I trying to work toward.

Even if I don't have a job, I work on plays and scenes.

Only time, education and plenty of good schooling will make anti-segregation work.