But what I did think would be interesting is if we created a fictitious story of our own, and then took these stories that we had collected and assigned them to characters who would be played by actors.

I am playing with the assumptions that we have in our everyday life when we are tripped up or fooled and we learn something, that makes things exciting - I am having fun with that stuff, but you have to manage it so it doesn't get too cute, that's what I trying to work toward.

But what I did think would be interesting is if we created a fictitious story of our own, and then took these stories that we had collected and assigned them to characters who would be played by actors.

I think there are some very evil things about gentrification.

One day I had an idea for a movie. Everything came after that.

I still haven't figured out how to have fun on a shoot.

Initially, it was about kids at the bottom rung of the social ladder, due to their looks and their class background. But they're also outsiders in terms of their peer group.

I was the first voice of Baltimore television in 1947.

If you're a kid who's not necessarily attractive, and you don't have money, and you're not hip and cool, chances are you're not going to feel good about yourself and want to be an actor.

How you define yourself is a major issue for young people and adults alike.

Kids - in a really good way - can talk about their differences without the baggage that adults have.

Dick Enberg is still around and still being as good as he ever was.

Of course the Munich tragedy was the biggest event in my career and the most terrible.

This thing that Colin Powell's son is expected to do is kind of scary when you think that television and radio and newspapers are what make people think what they think.

I studied secondary education.

Working on the film really made me confront my opinions about change and gentrification.

Well, this is the second time I've done New Directors.

Kids who have no money are still figuring out a way - somehow - to dress nicely.

There are a lot of people who like to think they don't have prejudices and that they're open people, and yet, we all have that in ourselves, oftentimes against people of our own race or our own gender or whatever.

On one hand, as a filmmaker, I don't want to make a movie with guns everywhere.

Right now the thing that I have learned the most is to be grateful that I have finally gotten to a point where I am being paid to make films, after eight years.

I think Bob Costas is terrific. He's so knowledgeable. He can talk about any subject, not just sports.

So, when you see a kid with ratty jeans on, wearing sneakers that aren't clean, you know they're in a certain place economically. I was interested in that experience.

When you make work, your goal might not be first and foremost to have as many people as possible see it, but it might be more about honing your craft as a storyteller or making art, but, there's no doubt about it, you want lots of people to see it.

Here were these college kids beating the Soviets and going on to the Olympic Gold Medal. To me, that's the greatest upset of all time in any sport that I can think of.

I like the way Wiseman builds a story in an unconventional way.

Toward the end of school I started watching movies. Got a job in a movie theater in Brookline, Massachusetts.

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.

What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

I've seen many actors go awry by making the wrong choices early on.

Actors are able to trick themselves into treating anything as if it's fantastic. It's a kind of madness really.

David Cronenberg knows what we actors do as artists.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

I'm not in the business of becoming famous. And that's the advice I give to younger aspiring actors. Work onstage and do the little roles. In the end it's not important to be seen. It's important to do. There's a lot of disappointment in this business, but my family keeps me grounded.

Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.

Comedians are not usually actors, but imitations of actors.

I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.

I've worked with a lot of really fine actors, both on stage and on screen. The level of their game lifts me up and brings the level of my game up to theirs. Always. It's like a constant upgrade.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

There's a constant flow of child actors. It's kind of funny to watch the new crew come through. I think, You poor little things. You're going to have to struggle for a long time.

I'll miss the relationships I have built with these actors. I'll miss the devotion we have to this work. Over this length of time, the tendency is to think it will never end.

After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.

An actors' tribute to me is in his work.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

This friend of mine said he was surprised to find that - I don't think it's quite a majority - a bigger percentage of actors are introverts than extroverts. It was a big surprise to him. Now, I know me, and I'll do anything if I'm playing a character. Or anything that's true to the character, anyway. But in real life I'm a little more withdrawn.

Plastic surgery and breast implants are fine for people who want that, if it makes them feel better about who they are. But, it makes these people, actors especially, fantasy figures for a fantasy world. Acting is about being real being honest.

When on the set of a film, you have to play natural for entire scenes in a very unnatural environment. You have to express emotions and interact with other actors and also use your voice.

If you watch the show and the characters don't look at each other while they're talking, the actors probably aren't getting along.