On one hand, as a filmmaker, I don't want to make a movie with guns everywhere.

I am playing with the assumptions that we have in our everyday life when we are tripped up or fooled and we learn something, that makes things exciting - I am having fun with that stuff, but you have to manage it so it doesn't get too cute, that's what I trying to work toward.

But what I did think would be interesting is if we created a fictitious story of our own, and then took these stories that we had collected and assigned them to characters who would be played by actors.

I think there are some very evil things about gentrification.

One day I had an idea for a movie. Everything came after that.

I still haven't figured out how to have fun on a shoot.

Initially, it was about kids at the bottom rung of the social ladder, due to their looks and their class background. But they're also outsiders in terms of their peer group.

I was the first voice of Baltimore television in 1947.

If you're a kid who's not necessarily attractive, and you don't have money, and you're not hip and cool, chances are you're not going to feel good about yourself and want to be an actor.

How you define yourself is a major issue for young people and adults alike.

Kids - in a really good way - can talk about their differences without the baggage that adults have.

Dick Enberg is still around and still being as good as he ever was.

Of course the Munich tragedy was the biggest event in my career and the most terrible.

This thing that Colin Powell's son is expected to do is kind of scary when you think that television and radio and newspapers are what make people think what they think.

I studied secondary education.

Working on the film really made me confront my opinions about change and gentrification.

Well, this is the second time I've done New Directors.

Kids who have no money are still figuring out a way - somehow - to dress nicely.

There are a lot of people who like to think they don't have prejudices and that they're open people, and yet, we all have that in ourselves, oftentimes against people of our own race or our own gender or whatever.

On one hand, as a filmmaker, I don't want to make a movie with guns everywhere.

Right now the thing that I have learned the most is to be grateful that I have finally gotten to a point where I am being paid to make films, after eight years.

I think Bob Costas is terrific. He's so knowledgeable. He can talk about any subject, not just sports.

So, when you see a kid with ratty jeans on, wearing sneakers that aren't clean, you know they're in a certain place economically. I was interested in that experience.

When you make work, your goal might not be first and foremost to have as many people as possible see it, but it might be more about honing your craft as a storyteller or making art, but, there's no doubt about it, you want lots of people to see it.

Here were these college kids beating the Soviets and going on to the Olympic Gold Medal. To me, that's the greatest upset of all time in any sport that I can think of.

I like the way Wiseman builds a story in an unconventional way.

Toward the end of school I started watching movies. Got a job in a movie theater in Brookline, Massachusetts.

I want to feel good, I want to feel proud, I want to feel that I give someone enough and that I get enough.

You should never feel comfortable. There is something wrong if you are. You should always feel under threat, on the edge of your seat and pushing yourself. Win one and you want to win more. It's never-ending.

I want to have babies one day but not right now. When I do it I want to do it really well. I want it to be my best project in life.

When producers want to know what the public wants, they graph it as curves. When they want to tell the public what to get, they say it in curves.

I want the municipality to be a helping hand to the man with a desire of sympathy, to help the fallen when it is not in their power to help themselves.

Get me inside any boardroom and I'll get any decision I want.

The avantgarde are people who don't exactly know where they want to go, but are the first to get there.

If I had to come up with something that just came to me, I think growing up in a small town, I want knowledge. I still think today, knowledge is one of the keys.

I want to thank all the fans for their support over the years. Keep supporting the Knicks, we're moving in the right direction here and we will be exciting to watch and competing against the best in the NBA. Come back to the Garden for those exciting games.

If you want something that's going to provide you with a lot of challenges and a variety of different things to do, then you really can't beat a place like the Air Force. I don't mean this to sound like a recruiting pitch. But it's been a lot of fun.

I want to spend more time with those kids. I want to dedicate my time to train those kids and teach them what it takes, what they need to do to get to this level.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

At one point in your life, you'll have the thing you want or the reasons why you don't.

It is the privilege of the gods to want nothing, and of godlike men to want little.

Teachers started recognizing me and praising me for being smart in science and that made me want to be even smarter in science!

I try to teach my heart not to want things it can't have.

Once you drink one glass, you want another.

If you want to grow old as a pilot, you've got to know when to push it, and when to back off.

I don't want any more vicissitudes, I don't want any more of this try, try again stuff. I just want out. I've had it. I am so tired. I am twenty and I am already exhausted.

Women don't like advice. They don't want you to fix their problems, they just want you to listen.

Since the beginning, I always loved the game. When you grow up in Montreal, one day you want to be a professional hockey player. When I was six or seven, I knew that was what I wanted.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.