All he wants to do is practice and that's all he does, all day long. That's what it takes if you want to change the face of music. You've gotta be committed to it.

If you put the right things out there the right things will happen.

The lyrics came out of necessity. When we started writing the record, we started in a more fusion environment and that got boring really quick and that wasn't what we were about on an organic level.

Had I joined a straight rock band, I'm sure my drumming would be a little bit different right now.

I can't take days off and play like I did last night. Maybe some people can, but I can't.

What I see for the band by the end of this year is the Complex live at the Montreux Jazz Festival. I want my guys to be comfortable. I'm certainly not in this for the money, but I'd really like to see my guys make some money off of this stuff.

I think that the jazzy approach that I have is based on the way that I hear music and in the way I play a supporting role to the other people in the band.

If you can get a twelve year-old kid to go listen to Thelonius Monk, what more do you want? Do you want a big pile of cash, too? That's a home run for me.

At first it was a bit daunting, but once I started to do it, the more I got into it, the more I started enjoying it and being able to say things lyrically that I would normally have to say musically.

I take my craft very seriously.

No one writes about the emotional things you go through.

I feel really good in the teacher role.

I've always seen my drumming as lyrical anyway.

The thing I try to do the most is to play in terms of the song and play in terms of what I'm hearing.

You start to look at it with a deeper respect and I think that deeper respect for what you do builds more self-respect.

When I'm at home I practice everyday.

My brother and I had a real love-hate relationship with my success. There was some bitterness there that I didn't understand until recently, but I told him that if I ever did a record I wanted him to play on it.

My brother was always in bands and on the road when I was a kid and he was my inspiration. He never made it with a big band, in fact he never made a record. Here he is fifty-something years old.

All he wants to do is practice and that's all he does, all day long. That's what it takes if you want to change the face of music. You've gotta be committed to it.

But back then the thing that saved me was the music, and it's certainly the music that saves me now. The music, my family and my friends and everybody around me.

People just expect you to show up, be a cartoon character of yourself, take your money and go home. But don't screw up to the point where you're gonna be out of the picture.

I left the Pumpkins in 2010, and I just took a year off to hang with my family and be with my daughter and my son and my wife, and just get acclimatised to being off the road. Then I started looking at what was going to be the next part of my career/legacy, whatever you want to call it.

Music is always going to be only as sophisticated as the culture that consumes it.

Music is my life. It is sacred.

Part of the reason that I left the Pumpkins is because it was becoming all-consuming. Being the only member of that band who had two kids and a wife, it was a hard decision, but ultimately it was a decision I'm comfortable with.

Today's consumer is less interested in possessing things and more in experiencing them. That's something the music industry needs to get its head around. Do we even need record companies any more?

U2 are a great band; they've given us an unbelievable body of work, and all of us musicians owe them at least something. I can honestly say that every time I have played the Red Rocks Amphitheatre in Colorado, as soon as my drums are set up, I go into the beat of 'Sunday Bloody Sunday.'

We used to think that revolutions are the cause of change. Actually it is the other way around: change prepares the ground for revolution.

I must stress here the point that I appreciate clarity, order, meaning, structure, rationality: they are necessary to whatever provisional stability we have, and they can be the agents of gradual and successful change.

Excuses change nothing, but make everyone feel better.

So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.

I wouldn't change Buffy for anything and I wouldn't change the course in which she has evolved but it is nice to be able to do something that is a little different.

For example, UNICEF works with governments to change legislation such as in India where a law was passed raising the age of compulsory school completion to keep children in school and away from the workplace for longer.

Great joy, especially after a sudden change of circumstances, is apt to be silent, and dwells rather in the heart than on the tongue.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

Don't knock the weather; nine-tenths of the people couldn't start a conversation if it didn't change once in a while.

You don't have to be the Dalai Lama to tell people that life's about change.

I knew that my staying up would not change the election result if I were defeated, while if elected I had a hard day ahead of me. So I thought a night's rest was best in any event.

It will always be a battle a day between those who want maximum change and those who want to maintain the status quo.

Being a father, well, I don't know if this is a change, but it makes me want to get out of here faster. Get off the clock. Just 'cause the baby is my reason for living, my reason for coming to work.

A liberal knows that the only certainty in this life is change but believes that the change can be directed toward a constructive end.

I was born not knowing and have had only a little time to change that here and there.

In their search for quality, people seem to be looking for permanency in a time of change.

The game has kept faith with the public, maintaining its old admission price for nearly thirty years while other forms of entertainment have doubled and tripled in price. And it will probably never change.

One day I actually took the list into the bathroom and I put it up against my face and looked in the mirror and I realized I had one of two choices, change the list or change myself.

But the real focus should be on people who are buying today because the base is so big it will take a long time for any change materialize on an overall basis.

Markets change, tastes change, so the companies and the individuals who choose to compete in those markets must change.

The psychological basis of the metropolitan type of individuality consists in the intensification of nervous stimulation which results from the swift and uninterrupted change of outer and inner stimuli.

Headteachers and governing bodies run schools and that won't change.