I definitely don't subscribe to the theory that more instruments, or more vocal tracks, harmony, or double tracking the voice, is a good thing. People do their early albums very stripped down, then each album becomes bloated.

I wasn't interested in writing music that wasn't beautiful for me to listen to.

I have a deep rooted folk sensibility that I can't get away from completely.

In high school, we studied a lot of poetical forms. I was really interested in the math that was involved and the strange live break ups. That gave me a great amount of respect for a rhymed stanza.

I give away CDs at shows if someone wants a CD but doesn't have any money. I wouldn't want to do that forever.

You should listen to a lot of different music.

I am consciously not trying to bring in World Music elements. The ways that I work and feel are completely different in how they sound than someone playing the Kora in Africa would play it.

I have a recording that I did of instrumental songs.

The very first Walnut Whales recording was recorded just a few weeks after I had started singing, out of the blue, started singing. And the voice, you can hear how uncomfortable I am with it, and how terrified I am with it.

I want to make music that somehow connects to the things that I love in America music.

Well, yeah, I wanted to resist the urge to thicken everything up with instrumentation, because I just felt like I was interested in seeing how the songs did on their own.

It's totally different. I usually don't tell people about the Pleased if they know me from the harp. And if they are there to see the Pleased, I usually don't tell them about the harp. I am nervous that these people will expect something similar.

I did spend a year in high school being obsessed with Fleetwood Mac.

I would happy for someone to download my music.

I can't play my songs on the smaller harp. I have a Celtic harp. I can't do the key changes.

I definitely don't subscribe to the theory that more instruments, or more vocal tracks, harmony, or double tracking the voice, is a good thing. People do their early albums very stripped down, then each album becomes bloated.

I am not doing something that it is experimental music in relation to classical music.

I am always trying to write.

People in San Francisco and the East Bay have shown interest, done interviews, and have come to shows. I guess that the news travels fast out of this island that we are on.

I started playing harp about fourteen years ago.

The way that words fit together is always interesting to me. I love words.

I recorded harp first or singing first. I recorded it all together. Part of the reason is that I don't know how to play the songs without also singing. I forget how they progress. I don't think that any of them are verse, chorus, verse, and so on. They are not simple.

I can understand someone not liking the voice or the songs.

Lyrics are very different. There is a clear line between that and a poem. Something that has been a source of great excitement and delight for me is this idea that I get to rhyme.

I have writing songs on my own for about six years.

I wanted to write songs which I think is a different thing. I wanted to write music that is informed by folk music. The chord progressions are obvious references.

I am producing sounds that people are not used to hearing from the harp.

It's valid that the Strokes and the Pleased have been influenced by some of the same bands. But it's invalid in the sense that we listen to the Strokes and try to sounds like them. I think that they are a good band.

I played piano for about two years when I was a kid. I didn't play long enough to be really great.

People are often afraid for me. They think that I am going to break. I can make it through a set.

I am consciously trying not to make it sound Celtic or African.

With an eye made quiet by the power of harmony, and the deep power of joy, we see into the life of things.

The association promotes a way of life, not causes; a harmony in living, not political faiths; a bilateral loyalty, not commercial or social projects. Yet it is an association for as noble a purpose as any involved in any prior decisions.

It was also during my tenure of office that the Japanese Government agreed to the conclusion of a Nuclear Non-Proliferation Treaty and signed it, pursuing a policy in harmony with the avowed desire of the people.

Art is a harmony parallel with nature.

We are not going to toy with our religion or any other. Nor are we going to barter. We are here to extend our hands to build peace and harmony.

Let there be no illusions about the difficulty of forming this kind of a national community. It's tough, difficult, not easy. But a spirit of harmony will survive in America only if each of us remembers that we share a common destiny.

Color is a plastic means of creating intervals... color harmonics produced by special relationships, or tensions. We differentiate now between formal tensions and color tensions, just as we differentiate in music between counterpoint and harmony.

Poetry is a beautiful way of spoiling prose, and the laborious art of exchanging plain sense for harmony.

I studied harmony and composition in a very spontaneous manner.

A band is sort of like a star. It reaches a peak and burns out. To have five guys working in perfect harmony longer than a couple years is difficult.

Happiness is not a matter of intensity but of balance, order, rhythm and harmony.

Harmony is pure love, for love is complete agreement.

Truth is not a matter of fact but a state of harmony with progress and hope. Enveloped only in its wings will we ever soar to the promise of our greater selves.

I would say that the surest measure of a man's or a woman's maturity is the harmony, style, joy, and dignity he creates in his marriage, and the pleasure and inspiration he provides for his spouse.

Marriage is an institution fits in perfect harmony with the laws of nature; whereas systems of slavery and segregation were designed to brutally oppress people and thereby violated the laws of nature.

Each and every master, regardless of the era or the place, heard the call and attained harmony with heaven and earth. There are many paths leading to the top of Mount Fuji, but there is only one summit - love.

They are unique in the simplicity, the diversity, the related harmony of the forms of life that they enclose.

The principle of subordination is the great bond of union and harmony through the universe.