When I speak to students and they ask how much money you can make in art, as if that is a reason to persue it, I tell them to do something else.

Since this was the first and only series I had ever produced, I was unaware of what the "Normal" environment was for a studio. I tried to run it as I did in my SF studio.

Anyone who knows me, knows I don't walk away from a commitment, but I had a commitment to myself. Yes, there were times Nickelodeon made it more difficult than it needed to be, but there were also times they made it easier.

I was shocked. They were going to give me money to make this really odd show? Well, I still had little thought of it going to series, but I thought it was great that my next short film was going to be paid for.

We're the real estate industry - not the manufacturers.

When I speak to students and they ask how much money you can make in art, as if that is a reason to persue it, I tell them to do something else.

Sometimes a serendipitous reaction occurs when a network asks you if you have any ideas for a series, at a time when your creative flow is working in that direction.

I do not feel any artist can produce great art without putting great personality into it. It is always a piece of you that goes on the screen or the canvass.

I am constantly getting letters from inconsistancies in the back stories of these characters.

Marriage should be a duet - when one sings, the other claps.

I think cheese smells funny, but I feel bananas "are" funny. I'm assuming Swamp told the whole story of the executives seriously asking us to replace the banana with cheese because they thought it was funnier.

Somebody said us artists have trouble with success because art is derived from struggle. I disagree with that, because truely doing your art is success, whether you make money from it or not.

The friend that I based Heffer on was adopted, and it all played into his total personality.

Sometimes things just click. The one contribution I tried to do, was shield the staff from the corporate politics that occur on any show. But yes, we all got along very well.

When an executive walked on our floor, it was at their own risk. As far as what others thought of working for me, I know I was very tough at times, and would storm down the hall after watching some bad animation from Korea. But overall, I feel we had a good time.

I had worked on dogs for a couple of years developing a renal transplant operation. We had dogs running around with kidneys we had transplanted back into themselves.

I have never personally seen a hand transplant that is more useful than a prosthesis.

I still have a vivid memory of my excitement when I first saw a chart of the periodic table of elements.

I think cheese smells funny, but I feel bananas 'are' funny. I'm assuming Swamp told the whole story of the executives seriously asking us to replace the banana with cheese because they thought it was funnier.

I was performing skin grafts and became interested in why skin wouldn't graft permanently.

Post-operatively the transplanted kidney functioned immediately with a dramatic improvement in the patient's renal and cardiopulmonary status.

Removal of an organ is difficult and dangerous. There have been several deaths of healthy donors. I think myself, I would be hesitant to participate as a liver donor. It's a very tricky operation.

Since this was the first and only series I had ever produced, I was unaware of what the 'Normal' environment was for a studio. I tried to run it as I did in my SF studio.

To the patient, any operation is momentous.

Two days prior to the Herrick operation I repaired a double cleft lip, resected a recurrent cancer of the mouth, corrected lop ears in a child, and closed a burn of the buttocks.

With Charles Woods, it was the first time I had ever seen tissue from a dead person used to save a human life. It piqued my curiosity.

Work is a prayer, and I start off every morning dedicating it to our Creator.

Art teaches nothing, except the significance of life.

The principal rule of art is to please and to move. All the other rules were created to achieve this first one.

I grew up with art from the innocent age of ten - with art, but with no sense of identity.

One does not devote one's life in art to shock an audience.

The other great development has been in photography, but that too was influenced by Conceptual art.

My art became very public.

Riding a race bike is an art - a thing that you do because you feel something inside.

The idea is, if I can't heal from my art, then how can you heal?

But in the finished art of the song the use of words has no connection with the use of words in poetry.

One does not need buildings, money, power, or status to practice the Art of Peace. Heaven is right where you are standing, and that is the place to train.

I don't believe in art. I believe in artists.

Art cannot be modern. Art is primordially eternal.

Without art, the crudeness of reality would make the world unbearable.

We have often been attracted to the story of the other, the outcast. And he and I just loved working together, so it just kept happening, and our relationship is completely bound up with our work. We enjoy each other's art.

Where the spirit does not work with the hand, there is no art.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design.

Art is an expression of who you are. Parts that I play are my sculptures.

There has always been quite a strong black and white art tradition in Australia, with quite a large contingent of cartoonists, given the size of the population.

There is probably nothing wrong with art for art's sake if we take the phrase seriously, and not take it to mean the kind of poetry written in England forty years ago.

A man who exposes himself when he is intoxicated, has not the art of getting drunk.

What motivates me in art is the ugly and beautiful nature of the truth. It has to be truthful and honest, even if it is ugly and grotesque.