My art became very public.

My art became very public.

But I learned first-hand how the news media operates by watching how they interpreted, changed, and misrepresented my intentions.

Any journalist worth his or her salt wouldn't trust me.

When I create a false reality, I always try to create a plausible structure to help convince people.

Most important to any fake story is a plausible, realistic edge with a satirical twist that is topical.

But my favorite work is always my next piece.

I learned more complex ways to manipulate the manipulators, to bring attention to issues about which I felt passionate.

My challenge as a satirical artist is how to present ideas to people to enable them to question and reexamine their beliefs. My hope is, that my work provokes people to look at things in a new way.

If I'm successful in fooling a wire service, I don't really have to do anything else to promote the story.

Any deviation is looked upon as a perversion, is feared, and is usually a target of hatred and prejudice.

I've always been a fine artist.

What do we believe? Why do we believe it?

It is the fool who thinks he cannot be fooled.

The media's job is to question a premise.

Most reporters who come to me get their stories directly from press releases. Very few do what one would consider to be their professional duty.

We function in a pack mentality. This is our tribe. And this is how we are exploited - sold a bill of goods and a household of products.

It would make life much easier if I could have total faith and not question everything all the time, but I can't do it and I won't do it.

Celebrations of anniversaries of disasters, such as nuclear power plant meltdowns or political assassinations, provide opportunities, as do holidays.

Art teaches nothing, except the significance of life.

The principal rule of art is to please and to move. All the other rules were created to achieve this first one.

I grew up with art from the innocent age of ten - with art, but with no sense of identity.

One does not devote one's life in art to shock an audience.

The other great development has been in photography, but that too was influenced by Conceptual art.

My art became very public.

Riding a race bike is an art - a thing that you do because you feel something inside.

The idea is, if I can't heal from my art, then how can you heal?

But in the finished art of the song the use of words has no connection with the use of words in poetry.

One does not need buildings, money, power, or status to practice the Art of Peace. Heaven is right where you are standing, and that is the place to train.

I don't believe in art. I believe in artists.

Art cannot be modern. Art is primordially eternal.

Without art, the crudeness of reality would make the world unbearable.

We have often been attracted to the story of the other, the outcast. And he and I just loved working together, so it just kept happening, and our relationship is completely bound up with our work. We enjoy each other's art.

Where the spirit does not work with the hand, there is no art.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design.

Art is an expression of who you are. Parts that I play are my sculptures.

There has always been quite a strong black and white art tradition in Australia, with quite a large contingent of cartoonists, given the size of the population.

There is probably nothing wrong with art for art's sake if we take the phrase seriously, and not take it to mean the kind of poetry written in England forty years ago.

A man who exposes himself when he is intoxicated, has not the art of getting drunk.

What motivates me in art is the ugly and beautiful nature of the truth. It has to be truthful and honest, even if it is ugly and grotesque.

A great thing happening now in art is that artists are using the figure, the body, clothing, life.

I was the executive editor on a little magazine called Greek Accent, whose only claim to fame is that its art director went on to be the art director of Discover for many years.

I always feel like the art's there and I just see it, so it's not really a lot of work.

I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.

And, moreover, it is art in its most general and comprehensive form that is here discussed, for the dialogue embraces everything connected with it, from its greatest object, the state, to its least, the embellishment of sensuous existence.

A blind man can make art if what is in his mind can be passed to another mind in some tangible form.

I regard it as a waste of time to think only of selling: one forgets one's art and exaggerates one's value.

A frenzied passion for art is a canker that devours everything else.