I've been so good in so many movies that nobody saw.

They actually bought me for Daredevil 2, but they have to exercise the option.

When you work for Bruckheimer, you don't get it any better. He's the ultimate producer. I've had the good fortune of working with some great producers over the years.

What the hell did I do in the 80's? Midnight Run. A perfect movie. Just a perfect movie.

They've been talking about Pi, which I haven't seen, they've been comparing it to Usual Suspects, Sixth Sense, and Fight Club, and I didn't see that either.

I've been saying in the press that being a NY Post investigator reporter is an oxymoron.

There aren't any small parts, only small paychecks.

Living in the projects helped me with this role.

When we were making The Fugitive, we all thought it was going to bomb.

One thing that's great about being a character actor is that a movie doesn't rest on your shoulders. If it bombs, it won't hurt my career.

Who owns the NY Post? 20th Century Fox. Talk about vertical integration.

When I got the script for Memento, I read it and I got killed off on page one and I fired my agent.

The amateur porn business makes $11 billion a year. They don't get bad reviews.

The greatest leading man, in my opinion, will always be Cary Grant.

Let's face it, 80 percent of the work I do my kids can't see.

I've worked with Steven Spielberg three times. I'm proud to say that I'm one of those actors that continues to get hired by the same directors.

I think one of the geniuses of Bound and The Matrix and Memento is the complete collaboration of the effort. There were no rotten apples.

Bad Boys II has knocked everyone's socks off.

It's all about people. It's all about the subjectivity of what people love.

That's another reason I did Daredevil: I didn't get killed off in it.

When I interview somebody, I look at their resume to see what they've done, who they've worked with, and how many times. If they've gotten repeat work. Those are the kinds of actors I want to hire.

Actors always have opinions.

You'll never see me in the red leather. I don't have the chin for it.

The Moguls is a story about guys that have all grown up together and are now in their late 40s, early 50s.

I've been so good in so many movies that nobody saw.

We have to promote a movie. It's just extraordinary that everybody I'm talkin' to loves this movie.

I wanted to play a good guy after doing this lunatic on The Sopranos for two years. And then they did the sequel to Bad Boys, where I get to play the barking captain again.

I've been very successful doing voices in movies. I did Olive, the Other Reindeer, with Drew Barrymore, and I did Cats and Dogs. My children came to some of the sessions.

The camera looks into your soul.

Twelve to 15 years of acting school, and I am being a bird.

I've been on jobs where there's that one actor who is just a miserable, miserable no-good, dirty bastard, and it just turns the whole process sour.

In private some critics have come up to me afterwards and told me they honestly enjoyed the movie. Then they'd tell me that they're still going to have to write it up negatively.

I don't like directors that just say, Stand there and now do this.

Good actors are a dime a dozen, but I want actors that are gonna be part of my team and collaborative.

We should do another 10 Bad Boys movies. I could come in in one of those electric wheelchairs, like Peter Sellers in Dr Strangelove, just shouting away.

It's such a luxury to be able to be happy about going to work in the morning.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.

My mom took me to see Carnal Knowledge and The Wild Bunch and all these kind of movies when I was a kid.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

I enjoy about 1 out of 100 movies, it's about the same proportion to books published that I care to read.

Sure, 'Twilight' is really huge right now and everybody's freaking out over it, but it will go away soon and I will be back to doing what I'm used to doing: weird little movies that nobody sees.

There are many kinds of movies in Hong Kong. Some are commercial and others are more artistic.

Making movies is eating candy. It's a very expensive candy, so you value when you can do it. So when you can do it twice at once, it's like, you know, a kid in a candy store!

It just proves good movies don't need 100 million dollars to be good.

In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.