When I went to Bosnia, I was there to tell someone else's story and I was more methodical.

And I think I find, I know a lot of people around, in different cities, and so it's not - it might sound strange - but it's not that hard to say good-bye, because I know there's other people where I'm going. I can sort of fit in in a lot of places.

It's a visual world and people respond to visuals.

I think any journalist who spends time in a place realizes that there are lots of stories around beyond their primary story. You meet so many interesting people and have all kinds of experiences.

Of course, I'm drawn to a place like Iraq because It's the biggest story of our generation.

And, in some ways I like traveling, in other ways I'm sort of fed up by the whole notion.

When I was there, something clicked in my head; I found myself interviewing people, searching out facts and figures. Later on I became much more self-conscious of what I was doing.

I will interview bigwigs if I get the chance, but you are seldom surprised by people in power - you've got to get awfully damn close to get anything new.

I'm not a good tourist, I don't like tourism.

There's probably one more story about Bosnia that I'd like to do, because I spent a fair amount of time on the Serb side of the lines, which isn't apparent in the other books.

I tried to draw people more realistically, but the figure I neglected to update was myself.

I'd rather go to a place and spend a couple of months, get to know it, get to know the people.

My guide had a copy of Palestine on my last trip to Gaza. He'd bring it out and show people what I was trying to do. That usually went over pretty well.

I don't often go to a place just to check out all the cultural sites of a city.

When I went to Bosnia, I was there to tell someone else's story and I was more methodical.

I'd much rather hang out in a cafe. That's where things are really happening.

With comics you can put interesting and solid information in a format that's pretty palatable.

Oh, it's essential. I mean, you have to - if I'm writing about the Middle East, I have to go there, and if possible, stay long enough to get a real feeling for what's going on.

Robert Crumb is an influence on how I draw, but not on the subject matter I take or my approach. One thing I do like about Crumb is that he's chronicled his age, his times, and I think that is what artists should do.

I try to ask visual questions. I'll ask what someone was wearing, if that seems relevant. If possible, I'll walk over the same ground that they're depicting. Of course, I can never get it precisely as it was.

I think I'm generally a good listener anyway.

I don't like just traveling in for a short time. I've done that before, because sometimes you work for magazines and they have a budget, and if you're working for them, they want something by a certain time.

It became clear to me that I had to push it toward a more representational way of drawing.

Cherish your health family friends and vocation for none of these things are permanent.

Be humble and grateful for what you have and the universe will reward your gratitude.

It is great to be introspective, self analysis can be useful, but only if it results in action.

Look inside, without anyone else's validation understand that you are valuable, talented, unique, and worthy.

I've made 122 movies, and I daresay there's a picture of mine showing somewhere in the world every day.

To work is to feel alive.

The ridiculous is closer to life's source than the sensible.

The individual activity of one man with backbone will do more than a thousand men with a mere wishbone.

If you don't know exactly where you're going, how will you know when you get there?

I seem to play a lot of troubled kids.

I was honored to have served in the Army for my country. I was at Anzio during WWII, and it makes you realize how very precious life is.

We have a lot of friends who are hunters. And you know what? Come hunting season, man, they head to the woods, you know. And again, this country was built on God and guns, folks. I mean, it really was.

I've always worked on bipartisans, whether it's on healthcare, drug reform, et cetera. All my work is bipartisan, because what I'm - as nonpartisan actually, because I look for solutions. I'm very practical.

I honestly think being single's great. Being in a relationship's great. It's all about the timing.

In Japan, people don't really sing about sexual content.

What is reading but silent conversation?

We need the ability to buy healthcare insurance across state lines that would increase competition and drive down cost.

A man travels the world over in search of what he needs, and returns home to find it.

The job of singing is to stay open to the river of soul in all its manifestations, the dark and the light, without letting your ego get in the way. I never want to be bigger than the song. I just want you to receive it.

I always remember loving 'Even Stevens' - that show was so brilliant and funny and smart.

People don't believe in positive changes anymore.

Statistical thinking will one day be as necessary a qualification for efficient citizenship as the ability to read and write.

Whatever position I occupied, it was the result of colleagues - of my comrades in the movement - who had decided in their wisdom to use me for the purpose of focusing the attention of the country and the international community on me.

Fashion is that thing that saved me from being sad.

I like the idea of dating, but I'm not dating anyone exclusively, particularly right now. It's hard to be in a relationship unless you're ready to go public with it. So it's a lot easier for me to not be in a relationship. I really don't want that part of my life to be tabloid fodder.

If it were not for government regulation of big corporations, executives at companies like Enron, WorldCom, Tyco, they could have cheated investors out of millions.