Poetry is but another form of inquiry into the nature of phenomena, using with its own unique procedures and tools.

To me many short poems read and write like beginnings that simply whet my appetite; I want to get over that.

My obsession with time informs my poetry so completely it is hard for me to summarize it. We want time to pass, for new things to happen to us, we want to hold on to certain moments, we don't want our lives to end.

An experienced reader uses the poem as an agent of inquiry. This makes poetry very exciting, unstable, and interactive.

Reading should be a repeat performance.

The point of an experiment is not to arrive at a predetermined end point, to prove or disprove anything, but to deliver a poem that reveals much about the process taken.

Writing can sometimes be exploitative. I like to take a few steps of remove in order to respect the privacy of the subject. If readers make the link, they have engaged with the poem.

I have been told by a member of the board of one of Canada's most prominent literary magazines that a submission of mine once caused a great deal of controversy.

No poem is easily grasped; so why should any reader expect fast results?

I have become intrigued with the combining of seemingly unrelated ideas or images, or the drawing upon the many, sometimes dissimilar, meanings a word might have.

I would not say I chose to write long poems on a conscious level. The long poem has been a relative constant.

The community of poets I belong to is not as close as it used to be, if only for the fact that our lives have become busier: jobs, children, and the like.

I have always been very obsessed with time. Time's passage makes us all very vulnerable and because we all experience it in our own way, it can make us feel very alone.

I consider a poem to be a kind of experiment where a number of elements are brought together under test conditions to see how they will interact to create meaning or relevance.

The experiment of the poem is mostly intuitive. I write the first draft, pulling in the various elements that interest me, in the hope that their being combined will lead to some kind of insight.

Most victims of my autobiographical verse are either far too polite, remarkably understanding unaware that I have written poems about them.

Some readers allow their prejudices to blind them. A good reader knows how to disregard inappropriate responses.

Poetry is but another form of inquiry into the nature of phenomena, using with its own unique procedures and tools.

The poet must decide not to impose his feelings in order to write without sentimentality.

Sometimes poetry is inspired by the conversation entered into by reading other poems.

Poets have to be sensitive to their audience, but it does not mean that they censor themselves. I realise my audience is diverse. Some will read with empathy and curiosity while others will take offense.

The reader's challenge is to replicate the experiment by reading the poem and to draw their own conclusions.

Who is the ideal reader? God only knows.

If poetry alters the way in which the reader views the world, then it has had its desired effect.

A literary journal is intended to connect writer with reader; the role of the editor is to mediate.

In the past, poetry came in the form of spells and chants used to effect change.

Poets can't resist the dramatic pull of their lives and so inevitably write autobiographical verse.

We are comfortable with the fact that we cannot know personally what happened in the world before we were born, yet we are uncomfortable with the notion that we will stop engaging with time at some point in the future.

You can never step into the same book twice, because you are different each time you read it.

I became intrigued with colour theory. The absurd pronouncements of the Colour Institute, a group that decides what colours are hot each year or season, amused me.

I feel very connected to poets across the country.

I find it exhausting to administer a magazine without an office or paid staff.

I sometimes like to tinker with poems that have failed, ones that I have sent aside. Even years afterward, I will revisit them if there is something about them that I cannot give up on.

To insult someone we call him "bestial." For deliberate cruelty and nature, "human" might be the greater insult.

Vegetation is the basic instrument the creator uses to set all of nature in motion.

The gross heathenism of civilization has generally destroyed nature, and poetry, and all that is spiritual.

I'm inspired by nature. Other artist's work is important for developing my perception.

There were no temples or shrines among us save those of nature.

All men are by nature equal, made all of the same earth by one Workman; and however we deceive ourselves, as dear unto God is the poor peasant as the mighty prince.

Nature is a temple in which living columns sometimes emit confused words. Man approaches it through forests of symbols, which observe him with familiar glances.

Thus first of all in His own person He sanctified, restored, and blessed human nature.

Consistency is found in that work whose whole and detail are suitable to the occasion. It arises from circumstance, custom, and nature.

It was he who impressed, time and again, the necessity of singing as nature intended, and - I remember - he constantly warned, don't let the public know that you work. So I went slowly. I never forced the voice.

Our purpose is simply to ask how theological principles can be shown to have usable secular analogues that throw light upon the nature of language.

What motivates me in art is the ugly and beautiful nature of the truth. It has to be truthful and honest, even if it is ugly and grotesque.

I was 48-years old before anybody talked me into it for medicinal purposes, instead of some of these drugs that they give you that will lead you to heart surgery and things of that nature.

Shuffling is the only thing which Nature cannot undo.

We are all several different people. There are different aspects of our nature that are competing.

Because the quality of living with nature and allowing it to manifest itself is different than the quality of living in a city, especially a dense city.