I became intrigued with colour theory. The absurd pronouncements of the Colour Institute, a group that decides what colours are hot each year or season, amused me.

To me many short poems read and write like beginnings that simply whet my appetite; I want to get over that.

My obsession with time informs my poetry so completely it is hard for me to summarize it. We want time to pass, for new things to happen to us, we want to hold on to certain moments, we don't want our lives to end.

An experienced reader uses the poem as an agent of inquiry. This makes poetry very exciting, unstable, and interactive.

Reading should be a repeat performance.

The point of an experiment is not to arrive at a predetermined end point, to prove or disprove anything, but to deliver a poem that reveals much about the process taken.

Writing can sometimes be exploitative. I like to take a few steps of remove in order to respect the privacy of the subject. If readers make the link, they have engaged with the poem.

I have been told by a member of the board of one of Canada's most prominent literary magazines that a submission of mine once caused a great deal of controversy.

No poem is easily grasped; so why should any reader expect fast results?

I have become intrigued with the combining of seemingly unrelated ideas or images, or the drawing upon the many, sometimes dissimilar, meanings a word might have.

I would not say I chose to write long poems on a conscious level. The long poem has been a relative constant.

The community of poets I belong to is not as close as it used to be, if only for the fact that our lives have become busier: jobs, children, and the like.

I have always been very obsessed with time. Time's passage makes us all very vulnerable and because we all experience it in our own way, it can make us feel very alone.

I consider a poem to be a kind of experiment where a number of elements are brought together under test conditions to see how they will interact to create meaning or relevance.

The experiment of the poem is mostly intuitive. I write the first draft, pulling in the various elements that interest me, in the hope that their being combined will lead to some kind of insight.

Most victims of my autobiographical verse are either far too polite, remarkably understanding unaware that I have written poems about them.

Some readers allow their prejudices to blind them. A good reader knows how to disregard inappropriate responses.

Poetry is but another form of inquiry into the nature of phenomena, using with its own unique procedures and tools.

The poet must decide not to impose his feelings in order to write without sentimentality.

Sometimes poetry is inspired by the conversation entered into by reading other poems.

Poets have to be sensitive to their audience, but it does not mean that they censor themselves. I realise my audience is diverse. Some will read with empathy and curiosity while others will take offense.

The reader's challenge is to replicate the experiment by reading the poem and to draw their own conclusions.

Who is the ideal reader? God only knows.

If poetry alters the way in which the reader views the world, then it has had its desired effect.

A literary journal is intended to connect writer with reader; the role of the editor is to mediate.

In the past, poetry came in the form of spells and chants used to effect change.

Poets can't resist the dramatic pull of their lives and so inevitably write autobiographical verse.

We are comfortable with the fact that we cannot know personally what happened in the world before we were born, yet we are uncomfortable with the notion that we will stop engaging with time at some point in the future.

You can never step into the same book twice, because you are different each time you read it.

I became intrigued with colour theory. The absurd pronouncements of the Colour Institute, a group that decides what colours are hot each year or season, amused me.

I feel very connected to poets across the country.

I find it exhausting to administer a magazine without an office or paid staff.

I sometimes like to tinker with poems that have failed, ones that I have sent aside. Even years afterward, I will revisit them if there is something about them that I cannot give up on.

Entropy theory is indeed a first attempt to deal with global form; but it has not been dealing with structure. All it says is that a large sum of elements may have properties not found in a smaller sample of them.

My theory is if you have a religion, it's a good one. Because some people don't have any at all.

There's a statistical theory that if you gave a million monkeys typewriters and set them to work, they'd eventually come up with the complete works of Shakespeare. Thanks to the Internet, we now know this isn't true.

My object will be, first, to show by what connections the history of the fossil bones of land animals is linked to the theory of the earth and why they have a particular importance in this respect.

No theory is good unless it permits, not rest, but the greatest work. No theory is good except on condition that one use it to go on beyond.

From this bestial view that the human mind consists of only sense certainty, pleasure and pain, Locke developed an equally bestial theory of the nation. Man originally existed in a State of Nature of complete liberty.

Science is organized common sense where many a beautiful theory was killed by an ugly fact.

Theory not only formulates what we know but also tells us what we want to know, that is, the questions to which an answer is needed.

The theory of evolution is totally inadequate to explain the origin and manifestation of the inorganic world.

Your theory is crazy, but it's not crazy enough to be true.

Being used to scientific terminology and theory it was always natural for me to push this stuff into songs.

They do not merely collect texts; they must also gather data about the context and the informant and, above all, write an analysis of the items based upon the course readings and lecture material on folklore theory and method.

A political theory seeks to find from history the limits of the politically possible.

Land: A part of the earth's surface, considered as property. The theory that land is property subject to private ownership and control is the foundation of modern society, and is eminently worthy of the superstructure.

I have a theory about that, if you have to say something, if you have encourage for one second a prospective acting student - he should not go in to acting.

What has any poet to trust more than the feel of the thing? Theory concerns him only until he picks up his pen, and it begins to concern him again as soon as he lays it down.