I want prose fiction to be recognized as that, and I'm not interested in writing as it becomes more personal.

I used to carry about with me a German map-case filled with poems.

I remember my mother finding mud somehow and putting it on the sting.

When I started writing fiction, I knew how good it was immediately.

To be anywhere near an enormous ocean liner when you are just like a fish in the water is frightening.

My father's parents were Irish. Only a year before my father died, he and I went back to Ireland for a week to look at the old homestead.

On the night before we were married, all of the anxiety in the world came down upon me.

I'm only interested in fiction that in some way or other voices the very imagination which is conceiving it.

The only thing that exists is torment, lyricism, and the magnificence of language.

As in The Lime Twig dream and illusion are right at the center of Charivari.

Really, I didn't like Alaska. It rained, almost every day, at least 300 days out of the year.

It's hard to tell whether the ship or airplane - they're all the same, I'm convinced - is male or female; it may shift back and forth.

In The Lime Twig I took two very young people and made them very old.

I do not feel an exile from America in any sense.

My mother wanted very much to play tennis; she wanted, most of all, to be a singer and play the piano.

I had to go to Sunday school once or twice in my life, and that's where I commented someplace on hearing.

I want prose fiction to be recognized as that, and I'm not interested in writing as it becomes more personal.

I was not typical. Whatever typical or normal is, I was somehow separated and different.

I didn't for a moment doubt the choice, but if life is ever fearsome, it is truly fearsome then.

I didn't know what kind of jobs, because how was I prepared? At best, I would be an AB in English.

When we lived in Juneau, Alaska, it was a town of about 7,000 people, and totally isolated; the only way to get to it was by ship.

I don't really have special rituals, but I don't try to write fiction unless I have a minimum of a few hours. For me, it takes a while to settle into a mode where I'm truly concentrating.

The fact that it's science fiction gives you the license to do anything you want to do.

For someone who writes fiction, in order to activate the imagination and the unconscious, it's essential to be free.

Fiction came quite a while later. I began with short stories and fiction for children.

Mr. Henry James writes fiction as if it were a painful duty.

I'd have been a filmmaker or a cartoonist or something else which extended from the visual arts into the making of narratives if I hadn't been able to shift into fiction.

For truth is always strange; stranger than fiction.

We were given clear concrete tools. The course did a great job demystifying the art of fiction writing and fostering confidence. The instructor brought complex concepts down to earth. I will miss coming here every week.

The biographies and autobiographies are on the whole more impressive than the fiction of the last two decades, but the freakish best sellers among them are least likely to withstand the test of time.

I have never been a critic of science fiction as a whole.

Fiction was invented the day Jonas arrived home and told his wife that he was three days late because he had been swallowed by a whale.

I think if I had been writing fiction, where the work is entirely dependent on the writer's creativity and the potential directions the narrative might take are infinite, I might have frozen.

I have always loved science fiction. One of my favorite shows is 'Star Trek.' I like the trips, where it drops my mind off, because they give you a premise and all of a sudden, you say, 'Oh!' and I'm fascinated by it.

I spent several years acquiring the obsessive, day-to-day discipline that's needed if you want to write professionally, then several more, highly valuable years studying fiction writing at the University of Iowa.

For people who have no critical acumen, a state is a mythical entity, for those who think critically it is a rational fiction, created by man in order to facilitate human coexistence.

There is an element of autobiography in all fiction in that pain or distress, or pleasure, is based on the author's own. But in my case that is as far as it goes.

For the last 30 years our cinemas have been ruled by science fiction and horror. We've had some very good Fantasy films in that time period, but for my tastes I still haven't seen fantasy done to absolute perfection. That is the hope I have in this project.

I dig science fiction, though it was never really my thing.

I have a kind of standard explanation why, which goes like this: Science fiction is one way of making sense out of a senseless world.

I'm not a great science fiction fan myself. I probably feel that way about Westerns. Like I used to play Cowboys and Indians, they can act out Will and the Robot.

A masterpiece of fiction is an original world and as such is not likely to fit the world of the reader.

In writing biography, fact and fiction shouldn't be mixed. And if they are, the fictional points should be printed in red ink, the facts printed in black ink.

In fiction, you have a rough idea what's coming up next - sometimes you even make a little outline - but in fact you don't know. Each day is a whole new - and for me, a very invigorating - experience.

We have escapist fiction, so why not escapist biography?

Like everybody at that age, I read an awful lot of pulp fiction. But at the same time, I also read quite a bit of history and read that as much for pleasure as part of a curriculum.

I think the thing is with a movie that has this much science fiction in it; you need characters who are more science fact, if you know what I mean, than they are human.

I think that it's more likely that in my 60s and 70s I will be writing poetry rather than fiction.

Yes, he wanted me to do Funny Games before, which I didn't want to do because the film was very theoretical - the way people experience violence on screen. There was very little space for fiction, it was more like a sacrifice for the actors than anything else.