Evil hiding among us is an ancient theme.

Evil hiding among us is an ancient theme.

One could make money and get a career going with a low-budget horror film about killers attacking on holidays. It is always flattering to have somebody copy you.

What scares me is what scares you. We're all afraid of the same things. That's why horror is such a powerful genre. All you have to do is ask yourself what frightens you and you'll know what frightens me.

In Halloween, I viewed the characters as simply normal teenagers. Laurie, Jamie Lee's character, was shy and somewhat repressed. And Michael Myers, the killer, is definitely repressed. They have certain similarities.

In England, I'm a horror movie director. In Germany, I'm a filmmaker. In the US, I'm a bum.

It's a very good time for horror. This business certainly has changed, but there's still room for serious horror films. Look at 28 Days Later, that's not a tongue-in-cheek picture.

To make Michael Myers frightening, I had him walk like a man, not a monster.

I made a decision back in 1978 that, in a trade off for money when I directed Halloween, I would have my name above the title in order to basically brand these movies my own.

Film buffs who don't live in Hollywood have a fantasy about what it's like to be a director. Movies and the people who make movies have such glamour associated with them. But the truth is, it's not like that. It's very different. It's hard work.

First of all, I was a wrestling fan when I was young. Even when I figured out what wrestling was, I was still a fan.

I can play just about any keyboard but I can't read or write a note.

I don't want to be a part of the demographics. I want to be an individual. I wear each of my films as a badge of pride. That's why I cherish all my bad reviews. If the critics start liking my movies, then I'm in deep trouble.

I don't watch my films. I've seen 'em enough after cutting them and putting the music on. I don't ever want to see them again.

I enjoyed 'The Avengers.' I couldn't do that kind of movie though. Superheroes aren't my deal.

I have two different categories of favorite films. One is the emotional favorites, which means these are generally films that I saw when I was a kid; anything you see in your formative years is more powerful, because it really stays with you forever. The second category is films that I saw while I was learning the craft of motion pictures.

I love making movies.

I stopped directing in 2001 for four or five years, until I did the TV series 'Masters Of Horror.' I had been working steadily as a director since 1970. That's a long time. I was burned out.

I think there are certain subjects I don't want to tackle, that I don't think I could do a good job with. I don't think I'd be good with... broad comedy? I don't know. Maybe I would.

I've gone through various periods with superheroes. They work in the right hands, but they don't work in other hands. It's tricky. But any movie is tricky. It's impossible to say, 'This is what you do in any situation.'

One of my heroes is a composer named James Bernard, and oh my God... I can still listen to his music today and be stirred and moved by it. But I think that you fall in love with... Well, again, when you're young, it really is more powerful. Much more terrifying.

There are a lot of movies that I don't care about, especially not remakes.

There are two different stories in horror: internal and external. In external horror films, the evil comes from the outside, the other tribe, this thing in the darkness that we don't understand. Internal is the human heart.

Way back in the '70s, I was approached to talk about the story I'd write for a Spider-Man movie. They also talked to me about Batman. I had to think about it, but that was way, way back when.

Well, 'They Live' was a primal scream against Reaganism of the '80s. And the '80s never went away. They're still with us. That's what makes 'They Live' look so fresh - it's a document of greed and insanity. It's about life in the United States then and now. If anything, things have gotten worse.

When I was a kid, I loved 'The Curse of Frankenstein,' 'The Creeping Unknown,' 'X: The Unknown.' I love 'Forbidden Planet,' 'The Thing from Another World.' They were science fiction/horror movies, generally.

When somebody who makes movies for a living - either as an actor, writer, producer or director - lives to be a certain age, you have to admire them. It is an act of courage to make a film - a courage for which you are not prepared in the rest of life. It is very hard and very destructive. But we do it because we love it.

You have to fight really hard for a private life, and sometimes you don't have one. It just gets to you after a while. It's tough.

Boldness and decision command, often even in evil, the respect and concurrence of mankind.

For those whose wit becomes the mother of villainy, those it educates to be evil in all things.

Words - so innocent and powerless as they are, as standing in a dictionary, how potent for good and evil they become in the hands of one who knows how to combine them.

Some things must be good in themselves, else there could be no measure whereby to lay out good and evil.

Destroy the seed of evil, or it will grow up to your ruin.

Once to every person and nation come the moment to decide. In the conflict of truth with falsehood, for the good or evil side.

Into every soul, however purged and fenced, evil appears to have as much freedom of entrance as God Himself.

What I have learned from my work up to now, is to try to be open, but also protect myself by not letting the good and the evil get too much importance.

Mankind is not likely to salvage civilization unless he can evolve a system of good and evil which is independent of heaven and hell.

One who is injured ought not to return the injury, for on no account can it be right to do an injustice; and it is not right to return an injury, or to do evil to any man, however much we have suffered from him.

The 20th century taught us how far unbridled evil can and will go when the world fails to confront it. It is time that we heed the lessons of the 20th century and stand up to these murderers. It is time that we end genocide in the 21st century.

Every war results from the struggle for markets and spheres of influence, and every war is sold to the public by professional liars and totally sincere religious maniacs, as a Holy Crusade to save God and Goodness from Satan and Evil.

A great book is like great evil.

May the forces of evil become confused on the way to your house.

Be assured those will be thy worst enemies, not to whom thou hast done evil, but who have done evil to thee. And those will be thy best friends, not to whom thou hast done good, but who have done good to thee.

Hatred is gained as much by good works as by evil.

Neither gods nor men can foresee when an evil deed will bear its fruit.

Wisdom is the knowledge of good and evil, not the strength to choose between the two.

I am in politics because of the conflict between good and evil, and I believe that in the end good will triumph.

Every Christian will allow that sin is an evil, and that it is our duty not to commit sin.

But other vampire stories? Well, no, I really haven't read too many, and I can't say I'm crazy about romantic vampires anyway - to me the vampire is simply an evil monster.