As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate.

I had done a lot of rock 'n' roll photography when I was in college. I was one of many photographers who worked for The Doors, Jefferson Airplane, and all of these rock 'n' roll bands.

I like engineering, but I love the creative input.

We stayed there 24 hours a day. We lived and ate and slept that movie. We were enthusiastic, not just because of the movie, but because we had such a great collaborative team. We had a really good time. It was very much a family.

It's an embarrassment of riches because you have directors who don't better. You end up with so much stuff going on the screen that you don't know where to look, and that's what I consider self-indulgent.

Once the image was in the digital environment, one of the problems was, we had no means to reproduce the color spectrum, grey scale, and contrast that film produces, without converting the digital file to film, evaluating it, then going back and changing the digital image.

Film, as far as I'm concerned, is my area of artistic endeavor, so I never think of a movie that gets released as being all done-it's just when they took it away from you.

As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate.

You had to make a camera look like it's traveling at 300 mph, but you couldn't make it actually travel at 300 mph so you had to slow everything down and build devices to do that. So you were constantly engineering.

It's very much like filmmaking always is-you're always asked to do something that you're not sure you know how to do. So you make an educated guess as to what you think will work and you hope between that and plan B, that you can end up with a product that's really good.

I was involved in the color correction and the digital color correction. In an odd way, you end up making a film many times-the DVD, the archival record of a high-definition master, and so on.

In the first Spider-Man, at the end of the movie, Peter Parker had to deny himself a relationship with a girl that he's in love with. The very next thing that happens is that he's swinging through the city.

Because I come from that old-school optics environment, I know stuff about depth of field and camera movement and things that are not necessarily a part of the curriculum for people who started on a box and have never done anything that wasn't on a box.

If you can imagine it, we can make it.

Digital imaging has untied our hands with regards to technical limitations. We no longer have to be arbiters of technology; we get to participate in the interpretation of technology into creative content.

George Lucas wanted this moving camera for all of the photography in Star Wars. He was willing to take a risk with the concepts that I advanced with regard to ways for doing that.

The system that enables the most people to earn the most success is free enterprise, by matching up people's skills, interests, and abilities. In contrast, redistribution simply spreads money around. Even worse, it attenuates the ability to earn success by perverting economic incentives.

Contrast that with the call of the Liberal Democrats in April, when they were prepared to call upon the British people to participate in a 24-hour strike. It shows how far to the right the Labour Party's gone.

As a means of contrast with the sublime, the grotesque is, in our view, the richest source that nature can offer.

In contrast, traditional classical music starts from an abstract musical schema. This is then notated and only expressed in concrete sound as a last stage, when it is performed.

Michigan is two radically different places - the North and the South which makes for good drama and contrast.

In order to accommodate to change and to the contrast of phenomena, the intellect does not require any shocks and inner upheavals; it is only through such upheavals that the more conservative mind could accommodate to the metropolitan rhythm of events.

I know that when I make a record like The Delivery Man as a contrast to even Il Sogno, this is going to reach a wider audience, because it communicates in that very direct way.

In contrast, fear societies are societies in which dissent is banned.

I have run large organizations, I know what it takes to create a healthy business climate, and I have more experience than Jerry Brown doing that. So it'll be a stark contrast, a career politician vs. someone who has met a payroll, gotten a return on investment, knows how to use technology to do more with less.

The duty of a toastmaster is to be so dull that the succeeding speakers will appear brilliant by contrast.

In cloning, in contrast, reproduction is asexual - the cloned child is the product not of two but of one.

In Mozart and Salieri we see the contrast between the genius which does what it must and the talent which does what it can.

Democracy forever teases us with the contrast between its ideals and its realities, between its heroic possibilities and its sorry achievements.

The cultural contrast I saw between religions... Catholics have a lot of mediators, going through saints and Mary or whatever. Protestants in general say things to God directly.

There are dark shadows on the earth, but its lights are stronger in the contrast.

Which is probably the reason why I work exclusively in black and white... to highlight that contrast.

In contrast to what most prosecutors do, we try to treat all individuals with complete fairness. We do not go out and hold press conferences and the like.

I try to contrast; life today is full of contrast... We have to change.

The home stands in contrast to all other capitalist institutions as the last stronghold of pre-capitalist isolation.

There is no quality in this world that is not what it is merely by contrast. Nothing exists in itself.

One could not be a successful scientist without realizing that, in contrast to the popular conception supported by newspapers and mothers of scientists, a goodly number of scientists are not only narrow-minded and dull, but also just stupid.

Within this widest concept of object, and specifically within the concept of individual object, Objects and phenomena stand in contrast with each other.

I had always owned them to be the Word of God... the careful reading of the Acts afforded me a practical picture of the early church; which made me feel deeply the contrast with its actual present state; though still, as ever beloved by God.

But in Christianity, by contrast, the freedom of the children of God was also freedom from all important worldly interests, from all art and science, etc.

Sublime upon sublime scarcely presents a contrast, and we need a little rest from everything, even the beautiful.

What a revolting contrast exists in England between the slavery of women and the intellectual superiority of women writers.

Once the image was in the digital environment, one of the problems was, we had no means to reproduce the color spectrum, grey scale, and contrast that film produces, without converting the digital file to film, evaluating it, then going back and changing the digital image.

In the photographs themselves there's a definite contrast between the figures and the location - I like that kind of California backyard look; clapboard houses, staircases outdoors.

With today's fast films, you can light the way your eye sees the scene. You can abuse the film and create subtleties in contrast with light and exposure, diffusion and filters. That's what makes it an art.

Contrast is what makes photography interesting.

The little may contrast with the great, in painting, but cannot be said to be contrary to it. Oppositions of colors contrast; but there are also colors contrary to each other, that is, which produce an ill effect because they shock the eye when brought very near it.

It was easy to present figures demonstrating the contrast between lead work in the United States under conditions of neglect and ignorance, and comparable work in England and Germany, under intelligent control.

Simultaneous contrast is not just a curious optical phenomenon - it is the very heart of painting.