I had a big background in listening to classical music and I started trying to compose, like I was playing the guitar but I heard an orchestra in my head.

I also know that I am not a great technician.

But I say these things in an objective dispassionate manner because, you know, and I can't explain why, but being one of the greatest guitarists in the world simply is not very important to me.

Well folks, that's about it for the show tonight.

The other thing in composition is opening up the unconscious.

Well when I made my first record I thought it would be a good joke to have me on one side, have the lable say John Fahey on one side, and this guy Blind Joe Death on the other side.

I was using them as teachers for technique but I was never trying to be a folk.

Regarding fame, fortune and Oregon I do wish I had more money.

See my father knew a lot about music, he played the piano and he would do theory and stuff like that, but I didn't learn anything from him, but I played that for him and he liked it a lot.

Early Bluegrass is my favorite kind of music, not to many people know that.

As soon as the groupie finds out that you make errors in everyday life like everybody else does and that you are human, they turn on you and hate you.

I just want to be treated like an average guy.

As for fame, it can go to your head and you can become full of yourself.

How can I be a folk? I'm from the suburbs you know.

I thought I'd be wasting my time to go to commercial record companies and make demos for them, because don't forget, I was doing what I was doing and nobody understood what I was doing.

Well I was on the one hand, the more I played the guitar the more I began to really love the guitar and to love virtually any kind of music that anybody played well on guitar.

When I play, I very quickly put myself into a light hypnotic trance and compose while playing, drawing directly from the emotions.

From a social perspective, I am looking for friends, not acolytes.

So I learnt a few country western songs, I bought a chord book, and right away I started writing my own stuff, which nobody else did that, I don't know why.

I had a big background in listening to classical music and I started trying to compose, like I was playing the guitar but I heard an orchestra in my head.

Being worshipped is a horrible experience.

I had given up the guitar between '75 and '78. I completely lost interest. I was sick of hearing other guitar players and I was tired of my tunes.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

I play piano and guitar. Acoustic guitar. I tried studying classical guitar when I was 16 but it got really hard. I could never play a lead to save my life.

Oh yeah, I mean, it wasn't a very good guitar, most good guitars have got thrust rods in the necks that you can adjust or that'll keep them in shape, you know keep them straight. This one just, well it turned into a bow and arrow after a couple of months.

In OK Computer, the guitar was already moving towards a tone generator as well as a riff generator.

Cool things happen. Ace's guitar flies through space, goes through a hole, and blows up. I throw drumsticks and they come flying at you.

Yes, I took up the guitar when I was about 14 or 15, in high school.

I keep a guitar around while writing and will improvise music. I do this for several reasons, such as that it's fun, and sometimes it helps me with the meter.

I like to play guitar, jam out, play the blues, go watch movies. I love movies.

Arranging is the way I put my stamp on my music as much as my guitar playing.

Look what venison does to a goofy guitar player from Detroit? I'm going to be 54 this year and if I had any more energy I'd scare you.

An uncle of mine emigrated to Canada and couldn't take his guitar with him. When I found it in the attic, I'd found a friend for life.

Because I don't play guitar any more, African harmonies and rhythms have been an inspiration to me. I love the raw origin of the sound. It complements my voice and words naturally.

I think its so cool that you can pick up the guitar and create something that didn't exist 5 minutes ago. You can write something that no ones ever heard before. You have music at your fingertips.

So, my big brother was playing guitar and I figured I'd try it too.

I don't understand why some people will only accept a guitar if it has an instantly recognizable guitar sound. Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off.

I didn't want to get attached to one guitar; I didn't want to have an instrument that was irreplaceable.

I don't really know why I chose bass except that it was different than guitar.

Except for a few guitar chords, everything I've learned in my life that is of any value I've learned from women.

I told my father I wanted to play the banjo, and so he saved the money and got ready to give me a banjo for my next birthday, and between that time and my birthday, I lost interest in the banjo and was playing guitar.

I just like simplicity. I like simple songs, I like simple chords, simple vocals, simple lead guitar. I just like simplicity. That's just the way I like it.

I took the rhythm place, which a lot of people didn't know how to do the way I could, and this was really the first time that Johnny had a rhythm guitar player.

Dorsey played the upright bass and steel guitar, as well as acoustic guitar. Johnny played acoustic guitar and together they were fabulous songwriters and singers.

I'd like to have a beer-holder on my guitar like they have on boats.

When I joined the band, being that I was going to take this up as a profession, I realized that there were no two finer guitar players in the world that I'd rather play with.

It was my 16th birthday - my mom and dad gave me my Goya classical guitar that day. I sat down, wrote this song, and I just knew that that was the only thing I could ever really do - write songs and sing them to people.

There happened to be guitar classes at the college, and there was a guitar teacher there with whom I used to play. In addition, I also would go out into country schools and teach little kids basic guitar and singing a few times a week.

We were really interested in music from all over the world. We realized that what we were doing was very close to contemporary classical music because of the lack of tonality in the guitar- the fact that I play guitar the way I play.