The same music is playing on the radio in San Francisco, New York, Washington DC and Annapolis. Everywhere you go there's the same artists and same songs by them, over and over again. At some stations they play the same songs 50 to 60 times a week.

More negatives write than call. It's a cheap shot for me to go on the air with the critical letters or E-mail I get because the reaction of the listeners is always an instantaneous expression of sympathy for me and contempt for the poor critic.

I think everyone holds back. I am always censoring myself and I'm sorry about it. But I always have to consider whether my remarks might cause someone pain.

I've had two callers ask, 'Did you ever work for someone who is poorer than you are?' Their idea is it takes a rich person to give you a job because jobs are something that are given to you, an inferior, from on high.

There's one political party in this country, and that's the corporate party.

As a person who is not confrontational by disposition I tend to see that the quality of being confrontational is a positive attribute.

Anytime you open your mouth there's going to be someone who's put off. I try to deal with that by keeping the topical portions of my show brief. I realize that some people wish my comments were briefer.

Most people see through these issues but the corporate media doesn't reflect these sentiments.

I would hope to inspire in my listeners a feeling of freedom - of speech, thought and political activity.

The same music is playing on the radio in San Francisco, New York, Washington DC and Annapolis. Everywhere you go there's the same artists and same songs by them, over and over again. At some stations they play the same songs 50 to 60 times a week.

But I found a lot of artists at the Cedar Bar were difficult for me to talk to.

Journeys, like artists, are born and not made. A thousand differing circumstances contribute to them, few of them willed or determined by the will-whatever we may think.

I got to sit down with people who I admired, and have conversations with some of the greatest thinkers and artists and performers. It's a huge privilege for me to be a journalist.

I don't believe in art. I believe in artists.

David Cronenberg knows what we actors do as artists.

The truth is, we haven't really figured out yet how artists are going to thrive in modern mass societies. We're all experiments.

Many of the artists who have represented Negro life have seen only the comic, ludicrous side of it, and have lacked sympathy with and appreciation for the warm big heart that dwells within such a rough exterior.

A great thing happening now in art is that artists are using the figure, the body, clothing, life.

The number of contemporary artists who appeal to me is infinitesimal.

I have to plead basic ignorance of most new jazz artists here.

Music is art, art is life, and we are who we are, and all of these aforementioned women, unless they should choose not to, will be performing well into the next many decades because they are great artists.

Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think.

Artists are like everybody else.

When artists make art, they shouldn't question whether it is permissible to do one thing or another.

My proudest achievement has been the success of the shows and artists I have been involved with, because they were made in Britain.

The refusal to rest content, the willingness to risk excess on behalf of one's obsessions, is what distinguishes artists from entertainers, and what makes some artists adventurers on behalf of us all.

I didn't want to save art - I respected the older artists too much to think art needed saving. But I knew it was finished, even though, at that time, I didn't know what I would do.

Music is more emotional than prose, more revolutionary than poetry. I'm not saying I've got the answers, just a of questions that I don't hear other artists asking.

Lesser artists borrow, great artists steal.

I've never understood why artists, who so often condescend to the cliches of their own culture, are so eager to embrace the cliches of cultures they know nothing about.

I want to run for the Senate from Tennessee. Not now, but when I'm 50, when music dies down a little bit. I know lots of artists and actors have those delusions of grandeur, but ever since I was a kid, it's been of interest to me.

Let's look at people as artists and try to support them; just because Picasso painted a couple of bad paintings, that's no reason to say he's a lousy painter.

Idol has pretty much taken me out of my recording and out of my choreography. I have managed to slip in some choreography jobs. And I've been writing songs for other artists.

Great artists are people who find the way to be themselves in their art. Any sort of pretension induces mediocrity in art and life alike.

I hate artists who are not of their time.

Labels only confuse people. The smarter people recognize artists who transcend categories. But I always try to entertain. It's in my nature; writers are born to entertain. If that means working ostensibly within a genre, fine.

I hope and believe we are paving a better future for female artists to come.

For I must tell you that we artists cannot tread the path of Beauty without Eros keeping company with us and appointing himself as our guide.

One of the makeup artists once dyed my dog blue with vegetable blue.

I made it easier for many artists to play in certain areas.

Success breeds volume, and it's just amazing how many young writers, artists, and musicians there are in town.

It's something I've always loved doing. I'm not one of the artists who comes in and just does my bit. I'm there every second of every day. That's my hands-on situation.

I think there is an element of nihilism about, but I don't think most artists feel their work is meaningless.

An artist may have burdens the ordinary citizen doesn't know, but the ordinary citizen has burdens that many artists never even touch.

I was being an artist, being sensitive and technical as artists are. I'm sure Leonardo Da Vinci did that. Artists don't always feel the same as others feel about their work.

In the UK and the US especially you've got a lot of throwaway artists who have their 40 million dancers and they do their show. There's many artists who would not do a live show because they know they can't.

The artist is something of an outsider in America. I have always felt that America does not value its artists, certainly not in the sense that the Europeans do.

To the extent that '60s guys own things, yes... but I don't have the publishing, just like most '60s guys, and that was an error, you know... part ownership in publishing was the kind of era that started a little bit later, when real businessmen started to manage artists.

Because artists can be extremely eccentric and insane, and unfortunately, the people they hurt the most are the people that are closest to them.