One guy records the voices, another guy times the storyboard, another guy times the sheets, one guy is the story editor. All these jobs should be covered by the director.

The generic Canadian style of illustration is different from the generic American style.

My intended audience was everybody. I just want to make cartoons for human beings.

If you're a kid wanting to be a cartoonist today, and you're looking at Family Guy, you don't have to aim very high.

One guy records the voices, another guy times the storyboard, another guy times the sheets, one guy is the story editor. All these jobs should be covered by the director.

There's tons of people with talent; it's the system that's all screwed up.

I'll let you in on a secret: I can't stand Jay Ward. I hate being compared to Rocky and Bullwinkle. It's just a different style of humor.

I influenced the BG style by not being able to draw perspective. The BG artists developed cool graphic painting styles to make my bad backgrounds look like they were that way on purpose.

I find it very hard to sit down and create an idea or especially a new character on command. Usually my characters evolve by accident out of some story context.

From 20 years of experience hiring artists out of the schools, I know-they get worse every year. They're absolutely ridiculously retarded now.

I don t think cartoons are only for kids, but I think kids will love anything as long as it's visually interesting.

Not very many people can draw who are illustrators today.

You buy any book on color theory today, and it's just complete poppycock. Everybody comes out of school painting pink, purple and green. The whole damn cartoon industry has pink purple and green on their mind.

In old movies, the cinematography is a thousand times better than anything today. Writing, a thousand times better.

You can draw Family Guy when you're 10 years old. You don't have to get any better than that to become a professional cartoonist. The standards are extremely low.

George Liquor is really the richest character I have. I'm amazed there aren't 365 episodes about him on TV already.

To make something look real and alive, nothing can be symmetrical because nothing in real life is symmetrical. You have to make it look organic.

Mel Blanc has been gone for 30 years, even though he's still around.

My style is very strong poses and expressions.

All artists get better with age. The more you draw, the better you're going to get.

Kids cannot follow stories. They don't know what the hell is going on in a cartoon. They like to see funny visual things happening.

Most cartoons are those colors. They have been for 35 years.

As soon as I found out how compartmentalized the industry was, I realized, Well, no wonder the cartoons are so bad.

The storyboard department doesn't talk to the layout department, which doesn't talk to the writing department. They're all jealous of each other.

The only character I ever remember actually creating in a flash of inspiration was George Liquor. God planted that in my head in an instant.

Open a magazine from the 1930s and '40s and look at the illustrations in it. There's nobody alive that could touch the way they could draw back then.

Schools are really bad now. Schools are not only bad in reading, writing and arithmetic, they're worse in cultural aspects, like in music and art. They don't teach you anything.

Joe Barbera's s always complaining that he can't get humor into cartoons anymore. Just do it. You've got your money. Why do they let the networks run their lives?

Cartoonists are untrained artists, while illustrators are more trained.

In 1975 I decided that there was no future in flying (airline jobs were impossible to get, and who wants a job where you are judged only by seniority?) and headed off to grad school.

In the middle of a recession no tax increase is justified because it kills jobs, and any tax increase is a job-killing measure and should be defeated.

I started going back and forth, New York, London, New York, London. I wasn't looking back at all. I was doing tons of jobs. Working, working, working, working.

We have stabilized our economy. We took over a very sick economy, and we were hemorrhaging 750,000 jobs a month. We have stopped the hemorrhaging. In fact, we had 140,000 job growth last month. And that's what I call progress.

We need to work together, on a bipartisan basis, to create new jobs, increase job training, enact real and substantive middle class tax relief, and reward companies that create jobs at home.

I think that obstacles lead to growth and ultimately, the most learning I've done in my life is between jobs.

I would certainly choose my jobs depending on the actions of the character. I won't do anything that has to do with child abuse or women's abuse.

Today, unless women gain jobs and athletic scholarships commensurate with their percentage of the population, feminists scream discrimination.

A great deal has been said about my commitment not to raise taxes. It's a core value - it's common sense - it's important to keeping and growing jobs - and it's mainstream!

But generally speaking, people weren't fired, art jobs were very hard to get, so something really calamitous had to happen to a person who was working there in order for you to find a space.

Investing in industries and technology for the 21st century generates high-skilled, high-wage jobs for industries of the future.

Government does not create jobs, it only creates the conditions that make jobs more or less likely.

Life with a scientist who is often changing jobs and is frequently away at meetings and on lecture tours is not easy. Without a secure home base, I could not have made much progress.

The stark reality facing us today is that without the labour reforms, workers will get neither the income nor jobs in the face of cut-throat global economic competition.

All my jobs have been with food in one way or another since 1948. My parents were in the hotel business, and I just loved the warm hearted people who worked so hard with such good humor.

Idol has pretty much taken me out of my recording and out of my choreography. I have managed to slip in some choreography jobs. And I've been writing songs for other artists.

Then, of course, I played alto and tenor, wherever there were jobs.

You can make more money on unemployment than you can going down and getting one of those jobs that is an honest job, but it doesn't pay as much. And so, that's what's happened to us is that we have put in so much entitlement into our government, that we really have spoiled our citizenry and said you don't want the jobs that are available.

Good schools, good jobs, good government. These are not unreasonable demands. But sadly, some of our people have already lost heart and have left Hawaii to look for these things elsewhere.

Some go on to trade schools or get further training for jobs they are interested in. Some go into the arts, some are craftsmen, some take a little time out to travel, and some start their own businesses. But our graduates find and work at what they want to do.