Then, of course, I played alto and tenor, wherever there were jobs.

Then, of course, I played alto and tenor, wherever there were jobs.

The recording industry has changed; they're enjoying such incredible success in the pop field.

When I began listening to saxophones, I was first attracted to Coleman Hawkins.

If you've only got one horn playing, I still want the sense of ensemble.

The other saxophones, except as solo instruments, really don't have much point in the orchestra.

The Russian composers, especially, tricked the symphony orchestra into the kind of dynamic, rhythmic thing.

I've appeared on some other people's albums.

So I played alto for quite a while until I saved up the money for the baritone.

I like what I hear other guys doing, but the thing that really attracts me is melodic playing.

Actually, it is a fact that I've been doing more writing than playing in recent years.

This life of being a transient human being has gotten to a point when it's very hard to bear.

In a way, I started out to be a baritone player.

People are approaching electronic levels in music; although not all of it happens to tickle my fancy.

Now, the instrumentation in the jazz band and the jazz dance band has gone through many evolutions. For instance, in the 'twenties the tradition was two or three saxophones.

I'm fascinated with the electronic devices that we can mess around with.

When we've finished the current tour I'm going to go back to Italy and see if I can do some more writing.

Eliminating the piano means that I've always worked closer with the bass than most players.

You can make a saxophone into an electric organ; you can do everything with it.

New York is still where I live most of the time.

Because if you've got the wit, you can make anything into a melody, ultimately.

People talk about innovations and evolutions and that kind of thing; I don't understand about that nonsense. It's like, all instruments are there to use all the time.

The baritone can serve functions that the alto and tenor cannot, in orchestral voicing.

In fact, I heard Bird first, and had got well into listening to him. You know, it's the kind of accidental thing that awareness of a player is: what's available, what somebody happens to play for you.

The first reason for starting to do the symphony concerts was to play this new piece of mine.

You start way down on a low B flat on the tuba and you have a chromatic scale; you can match the colours all the way up, till you get to the top of the trumpet.

Miles Davis is one who writes songs when he plays.

Only the French, I guess, really use tenor and alto to any great extent in the orchestra.

It's true I've always been attracted to the jazz band in an orchestral way, rather than a band way.

I've always wanted a C trumpet on top, to have that same kind of facility without shouting.

In 1975 I decided that there was no future in flying (airline jobs were impossible to get, and who wants a job where you are judged only by seniority?) and headed off to grad school.

In the middle of a recession no tax increase is justified because it kills jobs, and any tax increase is a job-killing measure and should be defeated.

I started going back and forth, New York, London, New York, London. I wasn't looking back at all. I was doing tons of jobs. Working, working, working, working.

We have stabilized our economy. We took over a very sick economy, and we were hemorrhaging 750,000 jobs a month. We have stopped the hemorrhaging. In fact, we had 140,000 job growth last month. And that's what I call progress.

We need to work together, on a bipartisan basis, to create new jobs, increase job training, enact real and substantive middle class tax relief, and reward companies that create jobs at home.

I think that obstacles lead to growth and ultimately, the most learning I've done in my life is between jobs.

I would certainly choose my jobs depending on the actions of the character. I won't do anything that has to do with child abuse or women's abuse.

Today, unless women gain jobs and athletic scholarships commensurate with their percentage of the population, feminists scream discrimination.

A great deal has been said about my commitment not to raise taxes. It's a core value - it's common sense - it's important to keeping and growing jobs - and it's mainstream!

But generally speaking, people weren't fired, art jobs were very hard to get, so something really calamitous had to happen to a person who was working there in order for you to find a space.

Investing in industries and technology for the 21st century generates high-skilled, high-wage jobs for industries of the future.

Government does not create jobs, it only creates the conditions that make jobs more or less likely.

Life with a scientist who is often changing jobs and is frequently away at meetings and on lecture tours is not easy. Without a secure home base, I could not have made much progress.

The stark reality facing us today is that without the labour reforms, workers will get neither the income nor jobs in the face of cut-throat global economic competition.

All my jobs have been with food in one way or another since 1948. My parents were in the hotel business, and I just loved the warm hearted people who worked so hard with such good humor.

Idol has pretty much taken me out of my recording and out of my choreography. I have managed to slip in some choreography jobs. And I've been writing songs for other artists.

Then, of course, I played alto and tenor, wherever there were jobs.

You can make more money on unemployment than you can going down and getting one of those jobs that is an honest job, but it doesn't pay as much. And so, that's what's happened to us is that we have put in so much entitlement into our government, that we really have spoiled our citizenry and said you don't want the jobs that are available.

Good schools, good jobs, good government. These are not unreasonable demands. But sadly, some of our people have already lost heart and have left Hawaii to look for these things elsewhere.