When I was preparing for the film for tree weeks, with David Cronenberg, I had a lady friend come over.

I grew up with art from the innocent age of ten - with art, but with no sense of identity.

I don't want to sound pompous, but I really think your gender doesn't necessarily dominate your sexual activity.

I never grew up with a mother's hand - that's why I will forever be insecure, I think, in that primal way.

I didn't have parents, so I lived in people's homes... And because I grew up with no parental role models, I learned to become my own friend, eventually my own father and my own mother.

I know people look at me and try to make conclusions about me immediately, based on the obvious, let's say.

I'm not involved with the female world.

I have not lived so abundantly, full of family, full of continuity and history.

If you come from a normal family, you immediately start playing the role of a boy, a girl a man or a woman, but I'm sure you'll agree with me that those are only roles, limited roles, at that.

I really need to be alone. I can't deal with someone sleeping next to me.

But as a woman, I really started feeling vulnerable on the set, and I really felt that it was important that I should not be open for invitation or making myself look as though I was waiting for something.

An extraordinary diva would never sit by herself.

I have no prejudice against male or female.

When I was preparing for the film for tree weeks, with David Cronenberg, I had a lady friend come over.

So, I lived at the Beijing Opera, I ate there, I learned a craft. And the money we made went into the company.

The beauty of it is when you can just show up and hit the notes.

I wasn't playing a drag queen - I was playing an extraordinary performer.

I am not well educated or bright enough to be politically clued in, but I hope in the film that I'm going to shock a few people, win a lot of people over.

The point I'm trying to make is, I'm really quite neutral. I have not been conditioned.

But I really want to be an artist, so therefore I have to live a little bit like a monk.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I have a movie coming out called Spun, which will be at the Toronto Film Fest.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.

And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.

A good film script should be able to do completely without dialogue.

My advice to young film-makers is this: don't follow trends, start them!

The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.

It's really rare for film directors to be that interested in things other than themselves.

When I said I was going to audition for a film, I got a hearty laugh from all my family.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

We're making a commercial Hindi film catering to all types of audiences.

They all matter to me, whether I'm working on a Sam Jackson film for a week or I'm the star of my own TV series - I take it all very seriously, and I have a healthy respect for the work in general, despite the role.

There are no black film composers doing the likes of Star Wars, doing the likes of E.T., doing the likes of Jurassic Park. There are none, nor will there ever be one. That ain't about to happen!

I've explored the worship side, the pop side, and the film scoring side of me.

After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.