I also feel that the only thing more gratifying than working with someone who you've worked well with is working with someone new and coming up with something great.

I don't think it's sacrilegious to remake any movie, including a good or even great movie.

I also feel that the only thing more gratifying than working with someone who you've worked well with is working with someone new and coming up with something great.

When Silence of the Lambs did well commercially it was more than anything. My partner Ed Saxon and I were just so relieved that finally we had made a movie that had made some money!

I only work with actors who take full responsibility for their characters.

I was a sort of rock journalist - whatever that is - in London in the late '60s.

I had very strong feelings, so the chance to make a film that deals in an imaginative way with stuff you care tremendously about is a real high. It's a really amazing thing to be able to do.

I don't think of Storefront Hitchcock or Stop Making Sense as documentaries, I think of them more as performance films.

A trilogy is a pretty abstract notion. You can apply it to almost any three things.

As a kid, a little kid, I loved going to the movies, and now I love making movies.

As much as I love acoustic Neil Young - and I do deeply - I may be more passionate about the electric. Luckily it's not a contest, and we never have to make that choice. But Neil Young on an electric guitar - I feel like I've never seen or heard anything like it.

Documentaries - my God, there is so much going on in our country and in the world today that every time you open the newspaper or turn on the radio or watch the news on TV there is another documentary subject. We're getting the headlines for a second, shaped by corporate delivery most of the time, but what's really the story there?

Every film deserves its own unique look.

Everything I've made - it doesn't mean they've all been good - but everything I've made so far, big or little, fiction or documentary, has been something that I've been really enthusiastic about.

Extraordinary people are the Green Berets and the Navy Seals and the Olympic athletes - these are the ones who can face these extraordinary physical challenges and be triumphant.

I felt from time to time that shooting live music is the most purely cinematic thing you can do. Ideally, the cinema is becoming one with the music. There is little artifice involved. There's no acting. I love it.

I like finding a great shot and then just staying with it for a long time, not trying to pump things up with some kind of artificial energy by cutting.

I love doing fiction. I love doing performance films and I love doing documentaries that don't have music. I love to shoot and I love to shoot things I'm enthusiastic about.

I love the idea of documentaries. I love seeing documentaries, and I love making them. Documentaries are incredibly easy to shoot. The ease with which you can hear something's going on, somebody's going to be somewhere: That sounds so interesting. Pick up your camera and go.

I remember the Neil Young brand hitting me very hard immediately. He wasn't an acquired taste. I loved him immediately.

I'm guided by my enthusiasm.

I'm of Neil Young's generation. Neil Young's songs have spoken to what it's like to be at least a white male of his generation over the years. Endlessly, he's sung about the stuff that I really care about. He's put into words the feelings that hit you at different transitional moments in life.

I've never fallen into what I consider to be a trap of trying to figure out something analytically that could be a very popular film. I would hope my enthusiasm could match up with something with that potential.

If you're doing a music film, you've got to be singing about something.

It's such a rich experience when you enter into a subject from a documentary point of view. It's hard for fiction to compete with that.

Nothing beats a live performance. Nothing.

They're out there, this appalling idea that there are companies that profit - not just profit but profit enormously - through war.

Jealousy is never satisfied with anything short of an omniscience that would detect the subtlest fold of the heart.

Believing takes practice.

If i was a dove i wud daily bring you peace. A sheep I would bring you miracles an angel I would bring you love but since Im only human I can only wish you the best. Good afternoon.

Never to lie is to have no lock on your door, you are never wholly alone.

I went through the whole number, you know. The swing era, the boogie woogie era, the bebop era. Thelonious Monk is still one of my favorites. So a lot of these people had their effect on me.

The biggest thing is no matter what level I've played at, there is something I can bring to them.

My father will anticipate everything. He will leave you and me no chance to do a great and brilliant deed.

God wants us to serve willingly and obediently.

I think that with podcasts, a lot of things are about fostering and having a direct connection with the community.

If your choice enters into it, then taste is involved - bad taste, good taste, uninteresting taste. Taste is the enemy of art, A-R-T.

Growing apart doesnt change the fact that for a long time we grew side by side our roots will always be tangled. Im glad for that.

I've got more in common with a three-toed sloth than I have with Winston Churchill. There is no easy comparison with any modern politician. The more you read about him, the more completely amazed you are about what he did - his energy, his literary fecundity, his ability to work - just unbelievable energy.

Somebody told me long ago that in acting, it's okay to steal, just steal from the best.

I'm so glad I'm not a dentist. How many times does someone say, 'Oh, Doc, it felt so good when you were drilling my teeth'? Never. But when you give someone a wonderful cookie, you put a little of yourself in, and you see someone's face light up - that's immediate approval.

I had to get out of America to get a professional life going where I could actually make a living.

I put a lot of pressure on myself, but I also have what I call an X-factor.

I made a lot mistakes that I'm grateful for, because I won't make them again and I won't let my artists make them, or I'll tell them, 'Don't do this.' A lot of them still make them anyway, but you can't be told things when you're doing your own thing.

I love all of my books. They were labors of love; I was striving to create something well done, and I do feel I succeeded.

A house isn't really understandable until it settles into the site: until it's built, furnished and lived in for four or five years. The reality is not on paper but in how a building sits on the land - how it relates to trees, to slopes, to water, to gardens.

I cry in movies a lot, and over books.

It is a bit embarrassing to have been concerned with the human problem all one's life and find at the end that one has no more to offer by way of advice than 'try to be a little kinder.'

I'm vaguely embarrassed by myself sometimes.