When Silence of the Lambs did well commercially it was more than anything. My partner Ed Saxon and I were just so relieved that finally we had made a movie that had made some money!

I don't think it's sacrilegious to remake any movie, including a good or even great movie.

I also feel that the only thing more gratifying than working with someone who you've worked well with is working with someone new and coming up with something great.

When Silence of the Lambs did well commercially it was more than anything. My partner Ed Saxon and I were just so relieved that finally we had made a movie that had made some money!

I only work with actors who take full responsibility for their characters.

I was a sort of rock journalist - whatever that is - in London in the late '60s.

I had very strong feelings, so the chance to make a film that deals in an imaginative way with stuff you care tremendously about is a real high. It's a really amazing thing to be able to do.

I don't think of Storefront Hitchcock or Stop Making Sense as documentaries, I think of them more as performance films.

A trilogy is a pretty abstract notion. You can apply it to almost any three things.

As a kid, a little kid, I loved going to the movies, and now I love making movies.

As much as I love acoustic Neil Young - and I do deeply - I may be more passionate about the electric. Luckily it's not a contest, and we never have to make that choice. But Neil Young on an electric guitar - I feel like I've never seen or heard anything like it.

Documentaries - my God, there is so much going on in our country and in the world today that every time you open the newspaper or turn on the radio or watch the news on TV there is another documentary subject. We're getting the headlines for a second, shaped by corporate delivery most of the time, but what's really the story there?

Every film deserves its own unique look.

Everything I've made - it doesn't mean they've all been good - but everything I've made so far, big or little, fiction or documentary, has been something that I've been really enthusiastic about.

Extraordinary people are the Green Berets and the Navy Seals and the Olympic athletes - these are the ones who can face these extraordinary physical challenges and be triumphant.

I felt from time to time that shooting live music is the most purely cinematic thing you can do. Ideally, the cinema is becoming one with the music. There is little artifice involved. There's no acting. I love it.

I like finding a great shot and then just staying with it for a long time, not trying to pump things up with some kind of artificial energy by cutting.

I love doing fiction. I love doing performance films and I love doing documentaries that don't have music. I love to shoot and I love to shoot things I'm enthusiastic about.

I love the idea of documentaries. I love seeing documentaries, and I love making them. Documentaries are incredibly easy to shoot. The ease with which you can hear something's going on, somebody's going to be somewhere: That sounds so interesting. Pick up your camera and go.

I remember the Neil Young brand hitting me very hard immediately. He wasn't an acquired taste. I loved him immediately.

I'm guided by my enthusiasm.

I'm of Neil Young's generation. Neil Young's songs have spoken to what it's like to be at least a white male of his generation over the years. Endlessly, he's sung about the stuff that I really care about. He's put into words the feelings that hit you at different transitional moments in life.

I've never fallen into what I consider to be a trap of trying to figure out something analytically that could be a very popular film. I would hope my enthusiasm could match up with something with that potential.

If you're doing a music film, you've got to be singing about something.

It's such a rich experience when you enter into a subject from a documentary point of view. It's hard for fiction to compete with that.

Nothing beats a live performance. Nothing.

They're out there, this appalling idea that there are companies that profit - not just profit but profit enormously - through war.

A sudden silence in the middle of a conversation suddenly brings us back to essentials: it reveals how dearly we must pay for the invention of speech.

The intellectual debility of contemporary conservatism is indicated by its silence on all important matters.

Music is the silence between the notes.

We will remember not the words of our enemies, but the silence of our friends.

I think the cinema you like has more to do with silence, and the theater you like has more to do with language.

Soon silence will have passed into legend. Man has turned his back on silence. Day after day he invents machines and devices that increase noise and distract humanity from the essence of life, contemplation, meditation.

When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.

Silence is the sure sign that you're on your way out in Hollywood.

With their souls of patent leather, they come down the road. Hunched and nocturnal, where they breathe they impose, silence of dark rubber, and fear of fine sand.

Choose silence of all virtues, for by it you hear other men's imperfections, and conceal your own.

Everything has its wonders, even darkness and silence, and I learn, whatever state I may be in, therein to be content.

It was still quiet in the house, and not a sound was heard from outside, either. Were it not for this silence, my reverie would probably have been disrupted by reminders of daily duties, of getting up and going to school.

Well-timed silence is the most commanding expression.

And Silence of the Lambs is a really smart book.

Silence remains, inescapably, a form of speech.

Silence is the virtue of fools.

I drank the silence of God from a spring in the woods.

Every now and then, when you're on stage, you hear the best sound a player can hear. It's a sound you can't get in movies or in television. It is the sound of a wonderful, deep silence that means you've hit them where they live.

Who tells a finer tale than any of us. Silence does.

Women have seldom sufficient employment to silence their feelings; a round of little cares, or vain pursuits frittering away all strength of mind and organs, they become naturally only objects of sense.

Everything in life is speaking in spite of it's apparent silence.

Silence is only frightening to people who are compulsively verbalizing.