The BBC produces wonderful programmes; it also produces a load of old rubbish.

That test should not be about ratings. What should weigh is the knowledge that a public broadcaster delivers programmes that matter.

I honestly believe that TV generally is obsessed with the ratings battle to the point of cutting its own throat.

The BBC produces wonderful programmes; it also produces a load of old rubbish.

It's absolutely fine to think of new ways of doing things, and I'm not just asking for the traditional reporter to look into our living rooms night after night.

I had no expectation that the Prince would offer me the unprecedented and unfettered access to the original and entirely untapped sources on which this biography is based.

I ought to rejoice in the fact that our principal rival has died, but I don't.

I was disappointed not to be able to interview Mr. Clinton. I met him two years ago. I was looking forward to talking with him about issues from Africa to terrorism.

Programme names have been changed, and we have Andrew Neil saying he won't be using long words.

The long, forensic interview really matters.

I fail to understand how you can justify a poll tax on the entire population, yet exclude a significant proportion of that population from programmes that this tax is paying for.

The moment seemed right to me for a full and, if possible, authoritative portrait of the life and character of the Prince of Wales.

Over the last two years, I have been able to comb through The Prince's archives. I have been free to read his journals, diaries and many thousands of the letters.

While I have corrected agreed factual errors, I have not been inhibited from writing what I felt to be the truth about The Prince of Wales.

I deplore the loss of arts on BBC One and Two.

You have to be damn certain you're putting something better in its place.

Not every programme dealing with issues of global significance has to be fronted by last week's winner of Have I Got News For You-but I suppose you might be wrong.

I'm not certain that the BBC can claim to be making a wide enough range of distinctive programmes to make the case convincingly.

The challenge is the culture. You have to have a vision for the BBC-it can't merely be that it's big and has a place in the market.

The BBC has the obligation to think big. And at the moment, that clarion call sounds an uncertain note to me.

At home in Devon, my wife Jessica does a huge proportion of the cooking - I do the basics. My timing is extremely good, particularly when it comes to vegetables, perhaps because in my work, timing is everything. I know exactly what fits into a minute when broadcasting, and I apply the same to carrots.

Food is about communal togetherness. Our family does sit at the table. I think it's a great tragedy if a family doesn't have a table, as there is such an atmosphere of good will and warmth when we have eight people sitting around it.

Food is important to me, but I wouldn't say that I'm a gourmet. I don't like tricksy food.

I have a great deal of joy in my life, and I'm very fortunate. That combination makes you aware of just how wonderful life can be on the one hand and how dreadful it can be for people on the other. You can't be happy in isolation.

I have to grit my teeth sometimes, knowing I am going to be written about. But I think it is my life, and I don't want to get people interested in debating it. But I do feel that if you are going to put yourself about as a public person on a television screen, there's a curiosity.

My two great treats in life are baked beans and vanilla ice-cream.

Travelling to make television programmes means I have some unusual food memories. In Pasto, Colombia, I was taken to a restaurant where I chose my meat for the evening from a cage of white rats. It tasted perfectly good - like rabbit.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The Ancient Mariner would not have taken so well if it had been called The Old Sailor.

If we're not on them, they go back to their old ways.

If you want to grow old as a pilot, you've got to know when to push it, and when to back off.

Generally students are the best vehicles for passing on ideas, for their thoughts are plastic and can be molded and they can adjust the ideas of old men to the shape of reality as they find it in villages and hills of China or in ghettos and suburbs of America.

In those days, when you got boxed, that was it. A lot of old people were there because somebody wanted the farm. It was about property. People are treated like property.

I think people feel starved of nice, glamorous entertainment. They want to see costumes and gaiety and a singer; old-fashioned entertainment - it won't die easily.

Not that I wouldn't have been equally happy to see the old buddies and see it all start up again that way. But this was more of a work situation, and a very good one.

Yippee! I can't believe I made it. It feels like a long haul to get here. I'm so fine with it. People want you to have some sort of breakdown, but I'm relieved to be 40 years old, and I've lived a life.

There is a contest old as Eden, which still goes on - the conflict between right and wrong, between error and truth. In this conflict every human being has a part.

I was on TV for almost sixteen weeks during American Idol. It's at the point now where it's old.

I'm not an old, experienced hand at politics. But I am now seasoned enough to have learned that the hardest thing about any political campaign is how to win without proving that you are unworthy of winning.

Land began to be seen as something to be owned privately and exploited for private interests, and never was entirely reconciled with the old ideas that land should be utilized in common for the good of all.

I like to take pictures of lots of things: people-such as my nephews, my dogs, and just interesting objects that I see. For instance, I might take a picture of flowers by the side of the road, an old sign or a fence.

I was in the game for love. After all, where else can an old-timer with one leg, who can't hear or see, live like a king while doing the only thing I wanted to do?

So the old Copenhagen interpretation needs to be generalized, needs to be replaced by something that can be used for the whole universe, and can be used also in cases where there is plenty of individuality and history.

For me, the great problem growing up in England was that I had a very narrow concept of what God can be, and it was damn close to an old man with a beard.

Our society must make it right and possible for old people not to fear the young or be deserted by them, for the test of a civilization is the way that it cares for its helpless members.

I would not be gotten into a schoolhouse until I was eight years old. Nor did I accomplish much after I started. I doubt if I had gone to school six months in all when my father died. I was fourteen at the time.

Do what you love to do and give it your very best. Whether it's business or baseball, or the theater, or any field. If you don't love what you're doing and you can't give it your best, get out of it. Life is too short. You'll be an old man before you know it.

My life would have been different without Paul Stanley or Ace Frehley. They would have to be the greatest on my list as an influence to my life at 11 years old.

I was 48-years old before anybody talked me into it for medicinal purposes, instead of some of these drugs that they give you that will lead you to heart surgery and things of that nature.