I used to think it was hard to write, and I still find the process more or less unpleasant, but if I know what I'm doing it rattles along, then the rewrite whips it into shape rather quickly.

When I finally gave up any hope of doing anything representative of the American family, I actually seemed to have tapped into other people's weirdness in that way.

If you're interested in how people behave, if you're interested in the way they talk about themselves, the way the conceive of themselves, it's very hard to ignore drugs nowadays, because that is so much part of the conversation.

The real pleasure in writing this, for me, was discovering how little you need.

And Silence of the Lambs is a really smart book.

I voluntarily inflicted a certain level of insanity on myself.

It's not surprising to see in my own work, looking back, and in the work of some of my peers, an attention to family. It's nice to write a book that does tend toward significance and meaning, and where else are you sure of finding it?

I was about 13, in some ways, when I wrote the first book. Approximately 18 when I wrote the second.

The Mekons were kind of like the background music of my life.

But as far as being popular, yeah, I think Dave Barry is really funny.

It's just a matter of writing the kind of book I enjoy reading. Something better be happening at the beginning, and then on every page after, or I get irritated.

I really enjoy doing both, but I didn't write nonfiction until 1994.

I used to think it was hard to write, and I still find the process more or less unpleasant, but if I know what I'm doing it rattles along, then the rewrite whips it into shape rather quickly.

We may freak out globally, but we suffer locally.

It seems to me self-evident that if you have a life, things happen in it, and certain things do change; certain things end. People you know die.

I was unwise enough to actually mention this in public a few times, and in fact to point out that there were two versions of the book now. One of them had somebody else's name on the cover, one had my name on the cover.

's one of the perversities of the age: I'm embarrassed by its success, but I'm happy it's selling.

I wrote two plotted books, got some of the fundamentals of storytelling down, then... it's sort of like taking the training wheels off, trying to write a book that's fun in the same way without relying on quite such mechanical or external beats.

It's very liberating for me to realize that I don't have to step up to the plate with a plot that involves the U.N. Security Council.

I was a late child from my parents, so I grew up surrounded by people a lot older than me. I think even when I was 21, I felt like I was a 70-year-old man.

I hate that word dysfunction.

I look at my father, who was in many ways an unhappy person, but who, not long before he got sick, said that the greatest source of satisfaction in his life had been going to work in the company of other workers.

I feel as if I'm clearly part of a trend among writers who take themselves seriously - and I confess to taking myself as seriously as the next writer.

Brooklyn was like Philadelphia made better by its proximity to Manhattan.

Nice people dont necessarily fall in love with nice people.

Whether anybody was home meant everything to a house. It was more than a major fact it was the only fact ... The family was the houses soul.

As with all forms of liberation, of which the liberation of women is only one example, it is easy to suppose in a time of freedom that the darker days of repression can never come again.

The personality susceptible to the dream of limitless freedom is a personality also prone, should the dream ever sour, to misanthropy and rage.

Popularity has become its own justification.

The writer’s life is a life of revisions.

If in the twilight of memory we should meet once more, we shall speak again together and you shall sing to me a deeper song.

I have to say, I grew up with fashion because my mother was a seamstress, and she had an atelier. She would cut the first pattern, and then she had people working for her. So I grew up in an atelier, watching people all around me sewing. I was fascinated.

I want everyone to know there is always someone there for you.

Obedience is a foundational stepping-stone on the path of God’s will.

Remember this your body is your slave it works for you.

The presence of a king engenders love Amongst his subjects, and his royal friends.

I wanted to be a professional baseball player.

While sanctions against Iran and Syria are intended to constrain those countries' governments, they have had the unfortunate side effect of constraining activists' access to free online software and services used widely across the Middle East, including browsers, online chat applications, and online storage services.

Life's too short for chess.

How do you cut off the human side and just maintain being professional? So what I've done is I've incorporated that with Kojak - there's times when he allows the human condition, the human experience, to integrate into him as a professional.

I understand that a lot of girls feel encouraged by what I have been able to do, but I've never felt like I'm a role model. I'm not concerned with building a great legacy or anything because I'll be dead so it won't matter.

I'm an artist, and the need to get inside myself and be creative and be other people is a part of who I am. I don't imagine I'll abandon that completely.

I did archery when I was in high school. In our gym class we had two weeks of archery, and I remember taking the bow and arrow and firing it up and across the street into a car parking lot.

A sold-out house my first night back. Do you have any idea what kinda pressure that is? I could have been at home in my warm bed, playing Nintendo.

O, how glorious would it be to set my heel upon the Pole and turn myself 360 degrees in a second!

Setting a movie in an earlier age gives it a mythical quality.

For reasons that baffle me still, my high school sports coaches put me in the first division of the rugby, cricket, and soccer teams.

Anyone with a little computer experience knows that anything can be copied bit by bit with the right equipment.

When I was shooting 'The Bourne Identity,' I had a mantra: 'How come you never see James Bond pay a phone bill?' It sounds trite, but it became the foundation of that franchise.