I used to think it was hard to write, and I still find the process more or less unpleasant, but if I know what I'm doing it rattles along, then the rewrite whips it into shape rather quickly.

When I finally gave up any hope of doing anything representative of the American family, I actually seemed to have tapped into other people's weirdness in that way.

If you're interested in how people behave, if you're interested in the way they talk about themselves, the way the conceive of themselves, it's very hard to ignore drugs nowadays, because that is so much part of the conversation.

The real pleasure in writing this, for me, was discovering how little you need.

And Silence of the Lambs is a really smart book.

I voluntarily inflicted a certain level of insanity on myself.

It's not surprising to see in my own work, looking back, and in the work of some of my peers, an attention to family. It's nice to write a book that does tend toward significance and meaning, and where else are you sure of finding it?

I was about 13, in some ways, when I wrote the first book. Approximately 18 when I wrote the second.

The Mekons were kind of like the background music of my life.

But as far as being popular, yeah, I think Dave Barry is really funny.

It's just a matter of writing the kind of book I enjoy reading. Something better be happening at the beginning, and then on every page after, or I get irritated.

I really enjoy doing both, but I didn't write nonfiction until 1994.

I used to think it was hard to write, and I still find the process more or less unpleasant, but if I know what I'm doing it rattles along, then the rewrite whips it into shape rather quickly.

We may freak out globally, but we suffer locally.

It seems to me self-evident that if you have a life, things happen in it, and certain things do change; certain things end. People you know die.

I was unwise enough to actually mention this in public a few times, and in fact to point out that there were two versions of the book now. One of them had somebody else's name on the cover, one had my name on the cover.

's one of the perversities of the age: I'm embarrassed by its success, but I'm happy it's selling.

I wrote two plotted books, got some of the fundamentals of storytelling down, then... it's sort of like taking the training wheels off, trying to write a book that's fun in the same way without relying on quite such mechanical or external beats.

It's very liberating for me to realize that I don't have to step up to the plate with a plot that involves the U.N. Security Council.

I was a late child from my parents, so I grew up surrounded by people a lot older than me. I think even when I was 21, I felt like I was a 70-year-old man.

I hate that word dysfunction.

I look at my father, who was in many ways an unhappy person, but who, not long before he got sick, said that the greatest source of satisfaction in his life had been going to work in the company of other workers.

I feel as if I'm clearly part of a trend among writers who take themselves seriously - and I confess to taking myself as seriously as the next writer.

Brooklyn was like Philadelphia made better by its proximity to Manhattan.

Nice people dont necessarily fall in love with nice people.

Whether anybody was home meant everything to a house. It was more than a major fact it was the only fact ... The family was the houses soul.

As with all forms of liberation, of which the liberation of women is only one example, it is easy to suppose in a time of freedom that the darker days of repression can never come again.

The personality susceptible to the dream of limitless freedom is a personality also prone, should the dream ever sour, to misanthropy and rage.

Popularity has become its own justification.

The writer’s life is a life of revisions.

If you have to ask how much it costs, you can't afford it.

When you sing R&B songs in front of an audience, you look out and there's 85% women. I think R&B music is sort of designed for a man singing to a woman. I don't sing it like the sexy thing, but sort of pseudo-sexy. We rally the women together because it's about being independent and things like that.

I'm pretty obsessed with Stevie Nicks from her style to her voice. I like watching her on YouTube and her old performances, the way she moves and everything.

I find that I am much slower in the beginning of a book. I am thinking of the plot, of the characters and who they are, and where they are going. I often throw out a lot of the writing I start with, because the characters and plot improve as I write. Or perhaps I should say it is my hope they will improve as I write.

I stand for simple justice, equal opportunity and human rights. The indispensable elements in a democratic society - and well worth fighting for.

Things aren't always clear at the beginning of a relationship. Be up-front. Don't play on her confusion or vulnerability. Women want and appreciate clarity.

Dialogue is the fundamental unfolding of a gift of oneself to another.

I'd love to stay in baseball, but I won't beg. I'd love to work with young umpires. I think I could teach them, help them develop. I can spot flaws, help them get over the hump. You're striving for perfection every game, yet you never achieve it. If baseball wants me, I'm available.

It made a good daydream, but I've learned that if you want dreams to come true, you have to take action.

Cross-cultural learning and studying abroad can be transformative.

I like listening to books as well, as that way you can iron at the same time.

If you want to decrease housing costs in Norway, the most important thing is to build more.

When everything is going well, the role of the state in the economy should be limited. When we are in a crisis, it's different.

Two sittings a day of my models and I'm totally exhausted.

I'm a humble guy, okay?

The Romantics were whipping boys of the New Criticism, but they appealed to me anyway. I was recalcitrant. It was clear to me that they had thought innovatively.

My parents had us very young. We lived in a modest house. We built forts, we hiked, we went camping and they wanted us to be independent. It's how children grew up in the 1940s and 50s: outside all the time, playing in the dirt, riding your bike around.

As soon as I go out into the world, I belong, in a way, to everyone else. It's legal to follow me. It's legal to stalk me at the beach. And I can't call the police or ask them to leave.

The basic principles of the gospel of Jesus Christ are simple, and they are universal. Faith in the Savior is the same in Boston as it is in Accra.