I used to think it was hard to write, and I still find the process more or less unpleasant, but if I know what I'm doing it rattles along, then the rewrite whips it into shape rather quickly.

When I finally gave up any hope of doing anything representative of the American family, I actually seemed to have tapped into other people's weirdness in that way.

If you're interested in how people behave, if you're interested in the way they talk about themselves, the way the conceive of themselves, it's very hard to ignore drugs nowadays, because that is so much part of the conversation.

The real pleasure in writing this, for me, was discovering how little you need.

And Silence of the Lambs is a really smart book.

I voluntarily inflicted a certain level of insanity on myself.

It's not surprising to see in my own work, looking back, and in the work of some of my peers, an attention to family. It's nice to write a book that does tend toward significance and meaning, and where else are you sure of finding it?

I was about 13, in some ways, when I wrote the first book. Approximately 18 when I wrote the second.

The Mekons were kind of like the background music of my life.

But as far as being popular, yeah, I think Dave Barry is really funny.

It's just a matter of writing the kind of book I enjoy reading. Something better be happening at the beginning, and then on every page after, or I get irritated.

I really enjoy doing both, but I didn't write nonfiction until 1994.

I used to think it was hard to write, and I still find the process more or less unpleasant, but if I know what I'm doing it rattles along, then the rewrite whips it into shape rather quickly.

We may freak out globally, but we suffer locally.

It seems to me self-evident that if you have a life, things happen in it, and certain things do change; certain things end. People you know die.

I was unwise enough to actually mention this in public a few times, and in fact to point out that there were two versions of the book now. One of them had somebody else's name on the cover, one had my name on the cover.

's one of the perversities of the age: I'm embarrassed by its success, but I'm happy it's selling.

I wrote two plotted books, got some of the fundamentals of storytelling down, then... it's sort of like taking the training wheels off, trying to write a book that's fun in the same way without relying on quite such mechanical or external beats.

It's very liberating for me to realize that I don't have to step up to the plate with a plot that involves the U.N. Security Council.

I was a late child from my parents, so I grew up surrounded by people a lot older than me. I think even when I was 21, I felt like I was a 70-year-old man.

I hate that word dysfunction.

I look at my father, who was in many ways an unhappy person, but who, not long before he got sick, said that the greatest source of satisfaction in his life had been going to work in the company of other workers.

I feel as if I'm clearly part of a trend among writers who take themselves seriously - and I confess to taking myself as seriously as the next writer.

Brooklyn was like Philadelphia made better by its proximity to Manhattan.

Nice people dont necessarily fall in love with nice people.

Whether anybody was home meant everything to a house. It was more than a major fact it was the only fact ... The family was the houses soul.

As with all forms of liberation, of which the liberation of women is only one example, it is easy to suppose in a time of freedom that the darker days of repression can never come again.

The personality susceptible to the dream of limitless freedom is a personality also prone, should the dream ever sour, to misanthropy and rage.

Popularity has become its own justification.

The writer’s life is a life of revisions.

I refused to do a lot on mobile Internet until around 2009. But because we didn't start early, it took us some time to figure out what's the important thing, what's the most relevant thing for Baidu.

Nature is neutral.

Some of the best art in the world is collaborative, a mix of voices that are stronger together than separate. Take the Beatles, for example. Or every great movie ever made. We like to say they're the director's vision, but really, they're huge collaborations between directors, writers, actors, even producers.

There's so much bullying with young people and them feeling like they can't come out, and they don't know what to do. And it's something that you have to work through. And, you know, for me, it was - I came out, and then I went back in for a minute. And then I came out, and I was like, 'You know what? This is who I am.'

I went to work in 1962, and by '64 I was writing all the time, every night and every weekend. It didn't occur to me that, having read nothing and knowing nothing, I was in no position to write a book.

Fashion choices are never arbitrary. Even if you say you don't care, that's a decision. There's something you're trying to say.

I was doing television and films for a good five years, and then I booked 'Cry-Baby.'

The orchestration of press, radio and television to create a continuous, lasting and total environment renders the influence of propaganda virtually unnoticed precisely because it creates a constant environment.

We know that in 2001 it was believed 78 stem cell lines existed. But now we know there are only 22 that are viable, and they have been contaminated with mouse stem cells.

When I was with the Yankees in 1978, we were playing Baltimore at Yankee Stadium, and the score was 3 - 3 going into the bottom of the ninth inning. I led off against Tippy Martinez - a little left-hander who always gave me trouble - and the count went to three-and-oh.

The only thing I knew how to do without a lot of money was repairing tools. I actually started making and repairing tools for machines.

I guess the biggest surprise I got going to Iran was that the Iranians really liked me as an American.

If you've got them by the balls their hearts and minds will follow.

Do you know the difference between a beautiful woman and a charming one? A beauty is a woman you notice, a charmer is one who notices you.

That's the way it is with entrepreneurial people. You try one thing, it doesn't work, you try another.

That was the hard thing about grief and the grieving. They spoke another language and the words we knew always fell short of what we wanted them to say.

All the strength and force of man comes from his faith in things unseen. He who believes is strong; he who doubts is weak. Strong convictions precede great actions.

Scotland has chosen to remain in partnership with our neighbours in the U.K. But Scotland is distinct, and colleagues must recognise that.

A life that is defended by Excuses has become comfortable in defeat it has settled for mediocrity and is destined for failure.