I hate that word dysfunction.

When I finally gave up any hope of doing anything representative of the American family, I actually seemed to have tapped into other people's weirdness in that way.

If you're interested in how people behave, if you're interested in the way they talk about themselves, the way the conceive of themselves, it's very hard to ignore drugs nowadays, because that is so much part of the conversation.

The real pleasure in writing this, for me, was discovering how little you need.

And Silence of the Lambs is a really smart book.

I voluntarily inflicted a certain level of insanity on myself.

It's not surprising to see in my own work, looking back, and in the work of some of my peers, an attention to family. It's nice to write a book that does tend toward significance and meaning, and where else are you sure of finding it?

I was about 13, in some ways, when I wrote the first book. Approximately 18 when I wrote the second.

The Mekons were kind of like the background music of my life.

But as far as being popular, yeah, I think Dave Barry is really funny.

It's just a matter of writing the kind of book I enjoy reading. Something better be happening at the beginning, and then on every page after, or I get irritated.

I really enjoy doing both, but I didn't write nonfiction until 1994.

I used to think it was hard to write, and I still find the process more or less unpleasant, but if I know what I'm doing it rattles along, then the rewrite whips it into shape rather quickly.

We may freak out globally, but we suffer locally.

It seems to me self-evident that if you have a life, things happen in it, and certain things do change; certain things end. People you know die.

I was unwise enough to actually mention this in public a few times, and in fact to point out that there were two versions of the book now. One of them had somebody else's name on the cover, one had my name on the cover.

's one of the perversities of the age: I'm embarrassed by its success, but I'm happy it's selling.

I wrote two plotted books, got some of the fundamentals of storytelling down, then... it's sort of like taking the training wheels off, trying to write a book that's fun in the same way without relying on quite such mechanical or external beats.

It's very liberating for me to realize that I don't have to step up to the plate with a plot that involves the U.N. Security Council.

I was a late child from my parents, so I grew up surrounded by people a lot older than me. I think even when I was 21, I felt like I was a 70-year-old man.

I hate that word dysfunction.

I look at my father, who was in many ways an unhappy person, but who, not long before he got sick, said that the greatest source of satisfaction in his life had been going to work in the company of other workers.

I feel as if I'm clearly part of a trend among writers who take themselves seriously - and I confess to taking myself as seriously as the next writer.

Brooklyn was like Philadelphia made better by its proximity to Manhattan.

Nice people dont necessarily fall in love with nice people.

Whether anybody was home meant everything to a house. It was more than a major fact it was the only fact ... The family was the houses soul.

As with all forms of liberation, of which the liberation of women is only one example, it is easy to suppose in a time of freedom that the darker days of repression can never come again.

The personality susceptible to the dream of limitless freedom is a personality also prone, should the dream ever sour, to misanthropy and rage.

Popularity has become its own justification.

The writer’s life is a life of revisions.

I hate wasting people's time.

I hate failure and that divorce was a Number One failure in my eyes. It was the worst period of my life. Neither Desi nor I have been the same since, physically or mentally.

You either love or you hate. You live in the middle, you get nothing.

I used to smoke two packs a day and I just hate being a nonsmoker... but I will never consider myself a nonsmoker because I always find smokers the most interesting people at the table.

I hate the crazy, neurotic characters beyond a certain point.

I hate Stanley Clark, but I have to admit he's playing Jazz whether I like it or not.

In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.

In a war, you must hate somebody or love somebody; you must have a position or you cannot stand what goes on.

Listen kid, take my advice, never hate a song that has sold half a million copies.

The man of knowledge must be able not only to love his enemies but also to hate his friends.

The high point of civilization is that you can hate me and I can hate you but we develop an etiquette that allows us to deal with each other because if we acted solely upon our impulse we'd probably go to war.

I hate leaving home. I love what I do, but I'd love to go home every night.

I hate it when people talk about Buffy as being campy... I hate camp, I don't enjoy dumb TV. I believe Aaron Spelling has single-handedly lowered SAT scores.

When people say 'love to hate', they actually mean 'love to be appalled by' - if they truly hated them, they'd never repeat a catch phrase.

I hate getting bored.

Don't hate the media, become the media.

The middlebrow, I hate.

If a university official's letter accusing a speaker of having a proclivity to commit speech crimes before she's given the speech - which then leads to Facebook postings demanding that Ann Coulter be hurt, a massive riot and a police-ordered cancellation of the speech - is not hate speech, then there is no such thing as hate speech.

We must make it clear that a platform of 'I hate gay men and women' is not a way to become president of the United States.