It's actually very freeing to be given permission as an artist to let that ride and to really let it ride, to actually experience it and bring it out of you. It's been uncomfortable and it's freeing at the same time.

I know that the work is good and they're excited over at ABC and Disney and it's getting some really good feedback. It's not just a little, insignificant kind of role. It's meaty, which is good.

I grew up on a dirt road with brothers.

I just didn't have time to deliver a Buffalo accent in a day, so I didn't even try it.

I'm a private kind of person.

We're actually doing something scripted that's totally, you know, we kind of know what's going on, however, we're having to live life and death as the art.

I get to actually experience what it would be like to be a psycho, which is not a fun one, or to be a cowboy, or to be a weird character of some sort. For me, it suits me. It suits my personality. I'm an emotional kind of person anyway.

When our minds as people normally starts to wrap around things, we start to attach all these ideas to it that really aren't that necessary to the core of it, if you just experience it and kind of go through it.

I get readings, I sometimes get five a week. You'll feel like a schizophrenic by the end of that week. I don't know who I am any more. You'll be in conversation with a friend and start spitting out dialogue.

Fortunately and unfortunately, people don't see me as a character actor. They see me as a leading man or nothing, which makes it really hard to get work.

I want to stay in Hawaii a little while. I'm kind of liking it over there.

It's actually very freeing to be given permission as an artist to let that ride and to really let it ride, to actually experience it and bring it out of you. It's been uncomfortable and it's freeing at the same time.

They put their feelers out for all the names and then they'll cast you up to the point a name steps up, and then it doesn't matter how much they love you, there's a certain marketing value on that name, and there you go.

I've been doing this for seven and a half years. I've been just bustin' it, trying to break in as an artist in this business. For me, it's still just about the work. I get the scripts and I'm all about that. I don't really even have an idea what that's going to be like.

Being Southern and being the guy I've been all my life, I've lived more on the lighter side of life. I have a dark side, but that's not where I come from. A lot of artists like to come from that.

To establish yourself as a leading man, you're shooting for the smallest point on the target, and you get a lot of judgment thrown at you. It takes a lot for them to get past everything and just watch your art and what you're doing.

Remember Star Trek? They're on this huge ship and they've got all these people, right? But you only see them, maybe they go on some mission and one of them gets killed.

I'm an outdoorsman kind of person, so I don't like the buzz of the crowd, crowd, crowd and all that so much. I mean I don't mind it, but I don't seek it out.

I did seven indies because the independent market used to be a lot better before all the stars were doing independents. As a beginning actor, that's where you started.

TV tends to try and fit everyone into a TV mold.

I wanted to do everything. I wanted to be a pilot. I wanted to be a secret agent. I wanted to be a fireman and a doctor, all that. So I related that through movies and stuff.

I have three brothers and they're all into computers. They're all intellects. My mother would pay me a quarter a page to read a book and I couldn't make 50 cents. I just couldn't do it.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

I'm inspired by nature. Other artist's work is important for developing my perception.

There is only one position for an artist anywhere; and that is upright.

The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

What do you say when someone has truly inspired you? How do you express to an artist how deeply their work has affected you?

An original artist is unable to copy. So he has only to copy in order to be original.

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.

You have to find what makes you stable in the storm. Then, no matter what's happening round you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.

The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.

I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade.

Art is a private thing, the artist makes it for himself; a comprehensible work is the product of a journalist. We need works that are strong, straight, precise, and forever beyond understanding.

The most colorful section of a bookstore is the display of SF books, with art by people like Wayne Barlow, who is a terrific artist.

Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.

Let not a man do what his sense of right bids him not to do, nor desire what it forbids him to desire. This is sufficient. The skillful artist will not alter his measures for the sake of a stupid workman.

I so much appreciate it when anybody tries to make something and tries to be an artist - I'm happy to see the work.

The artist is seen like a producer of commodities, like a factory that turns our refrigerators.

I've also been willing to share any help that I could give to any other artist.

An artist, under pain of oblivion, must have confidence in himself, and listen only to his real master: Nature.

What is it they want from the man that they didn't get from the work? What do they expect? What is there left when he's done with his work, what's any artist but the dregs of his work, the human shambles that follows it around?

No artist work is so high, so noble, so grand, so enduring, so important for all time, as the making of character is a child.

I left Jamaica for a while, because as an artist I need to experience different things, see the world, have different energies. Living in one place is not good for me.

A young and vital child knows no limit to his own will, and it is the only reality to him. It is not that he wants at the outset to fight other wills, but that they simply do not exist for him. Like the artist, he goes forth to the work of creation, gloriously alone.

Though the artist must remain master of his craft, the surface, at times raised to the highest pitch of loveliness, should transmit to the beholder the sensation which possessed the artist.