I know that the work is good and they're excited over at ABC and Disney and it's getting some really good feedback. It's not just a little, insignificant kind of role. It's meaty, which is good.

I know that the work is good and they're excited over at ABC and Disney and it's getting some really good feedback. It's not just a little, insignificant kind of role. It's meaty, which is good.

I grew up on a dirt road with brothers.

I just didn't have time to deliver a Buffalo accent in a day, so I didn't even try it.

I'm a private kind of person.

We're actually doing something scripted that's totally, you know, we kind of know what's going on, however, we're having to live life and death as the art.

I get to actually experience what it would be like to be a psycho, which is not a fun one, or to be a cowboy, or to be a weird character of some sort. For me, it suits me. It suits my personality. I'm an emotional kind of person anyway.

When our minds as people normally starts to wrap around things, we start to attach all these ideas to it that really aren't that necessary to the core of it, if you just experience it and kind of go through it.

I get readings, I sometimes get five a week. You'll feel like a schizophrenic by the end of that week. I don't know who I am any more. You'll be in conversation with a friend and start spitting out dialogue.

Fortunately and unfortunately, people don't see me as a character actor. They see me as a leading man or nothing, which makes it really hard to get work.

I want to stay in Hawaii a little while. I'm kind of liking it over there.

It's actually very freeing to be given permission as an artist to let that ride and to really let it ride, to actually experience it and bring it out of you. It's been uncomfortable and it's freeing at the same time.

They put their feelers out for all the names and then they'll cast you up to the point a name steps up, and then it doesn't matter how much they love you, there's a certain marketing value on that name, and there you go.

I've been doing this for seven and a half years. I've been just bustin' it, trying to break in as an artist in this business. For me, it's still just about the work. I get the scripts and I'm all about that. I don't really even have an idea what that's going to be like.

Being Southern and being the guy I've been all my life, I've lived more on the lighter side of life. I have a dark side, but that's not where I come from. A lot of artists like to come from that.

To establish yourself as a leading man, you're shooting for the smallest point on the target, and you get a lot of judgment thrown at you. It takes a lot for them to get past everything and just watch your art and what you're doing.

Remember Star Trek? They're on this huge ship and they've got all these people, right? But you only see them, maybe they go on some mission and one of them gets killed.

I'm an outdoorsman kind of person, so I don't like the buzz of the crowd, crowd, crowd and all that so much. I mean I don't mind it, but I don't seek it out.

I did seven indies because the independent market used to be a lot better before all the stars were doing independents. As a beginning actor, that's where you started.

TV tends to try and fit everyone into a TV mold.

I wanted to do everything. I wanted to be a pilot. I wanted to be a secret agent. I wanted to be a fireman and a doctor, all that. So I related that through movies and stuff.

I have three brothers and they're all into computers. They're all intellects. My mother would pay me a quarter a page to read a book and I couldn't make 50 cents. I just couldn't do it.

My kids enjoy the Disney program, Lizzy McGuire.

I wanted to be a part of the Disney history.

Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.

One of the best animated films I've seen come out of Disney was the Tarzan movie. I wasn't crazy about the story or the design on Tarzan's face, but the traditional animation was spectacular.

I have a 6-year-old, and his thing is to turn on Radio Disney in the car, and I get such an allergic reaction to listening to that music and the context into which it falls. I'm really working on him about that.

I'm saddened to see that some have been misled into believing that Mr. Disney was something other than a kind, caring man.

Disney made a fortune out of inventing the businessman's idea of the imaginary as the contradictory of the businessman's idea of the real.

Florida has tons of entertainment opportunities because Walt Disney World and Universal Studios are there.

We've been able to access deals that under our former relationship with Disney - with tax advantages and strategic partners - that we just weren't able to do.

That's always at the heart and soul of Disney's features, the feeling of a family values.

Someone at Disney heard one of the records and called me in to do the sounds of Lucifer the Cat in Cinderella.

I had the great good fortune to interview Peggy Lee. Her memories of working with Walt Disney and his team were warm and upbeat.

This is a Disney animated feature; it's eternal, it's history. What's there to think about'

Disney has the best casting. If he doesn't like an actor he just tears him up.

I know that the work is good and they're excited over at ABC and Disney and it's getting some really good feedback. It's not just a little, insignificant kind of role. It's meaty, which is good.

Look what Disney's done to their animation department. There wasn't an animator in charge of their animation unit!

I mean when I was working shall we say with Disney, you know they sent me the script for the film Hercules and I had to imagine what all the characters looked like. And to develop those characters, so nothing exists visually when I get the script.

The cool part about working for Disney is that they've allowed me to be a change agent.

Pixar is going in the direction of the early Disney. And it's also corporate, where they have four or five projects in the works. I don't want to get into that subject.

Disney is thrilling and informative and important and beautiful and suspect. Butts was a detail I observed later and definitely ties in. I suppose I was programmed, yeah.

I joined Walt Disney, went to work, December 2nd 1935, so obviously, I'm not too young!

Walt Disney was my great hero.

Well let's see; I'm not obsessed with... I like Walt Disney except that you know, except for the horrible fascism. I love the art of it. I like a lot of things I don't agree with and that's one of them.

My daughter is one of the associate producers on two shows for Disney. I am really proud of her.

Being on Disney, a lot of young people look up to me.

I'm a lifelong Disney nut.

Is Walt turning over in his grave? A man named Joe Roth runs Disney right now-he gave me the go-ahead and total freedom to do whatever I wanted to do.