The trap is that you then just start doing stuff about Hollywood, which I don't really want to do.

I want every character be an outsider in some way.

We just happened to come along at time where there hadn't been a new young adult drama that also could appeal to adults as well in quite some time. We sort of found a little bit of a niche.

As The O.C. started up again, I started to feel myself potentially getting pulled away.

There is always drama and there will always be drama, but its the way its presented in my head that makes it so interesting. Everyone gets their time in the middle of the drama.

We don't hold anything back. We go for broke, and if we have a good idea for a story line, we just use it because you never know and because the dynamics of the show are going to change.

You gotta strike while the iron's hot.

If it happened to me, it can happen to anyone.

I am the kind of person that takes everything as is and then look at it from the outside looking in.

You have to act like a responsible professional in the industry regardless of your age.

Ten-year plan? No, three-year plan! I'm in a hurry.

There's got to be a little bit of reality show fatigue happening.

Certainly there's got to be a little bit of reality show fatigue happening.

The trap is that you then just start doing stuff about Hollywood, which I don't really want to do.

It is my goal to learn as much about the people I'm surrounded by. I am slowly widening who I am close with, and at the same time, growing further away from others.

I'd started working when I was 21 and had been very determined about my career, very focused, even as a little kid, so it was something I had been working at for a long time.

The characters are that vague TV high school age, but they'll be in high school as long as we need them to be.

The best years are behind me.

Year Two is a critical year for any television show.

It's really hard in this day and age, with radio and MTV being so consolidated, to get new music out there. I think we've become a really legitimate, viable avenue for getting new music out there.

Last year, at the beginning of the year, we couldn't get arrested, so I'll take this. Feast versus famine.

The support that we have from the network in terms of watching us at an unusual time in the year and playing our episodes three times in a given week until we built an audience... is exceptional.

I think our show is very different from Orange County.

Certainly the experiences of Seth and his relationship to his parents and his point of view of the world are very similar to my own and very much based on my experiences at the University of Southern California.

The press always ends up being much nicer than I expect. A lot of times they say something snarky about you, but then you meet them in person and they couldn't be nicer.

I think you're only as good as the work that you do.

It's my experience that the fluidity of sexuality with younger people is more accepted.

Like they said about The West Wing, you can't do a show about Washington until you can.

The girls in high school who watched 90210? I was watching Seinfeld.

He was conservative in the old fashioned sense of cautious.

We all respect sincerity in our friends and acquaintances, but Hollywood is willing to pay for it.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

I've always thought John Travolta is one of the greatest movie stars Hollywood has ever produced.

It could be my downfall, but I don't think it is - Hollywood is run on perception, and if you stray off the path of what you want to do with your career, it's suicide.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

Growing up in Hollywood it seemed like every kid was the child of some star. We had no idea that other people would think we were special, because there was no other lifestyle to compare it to.

I remember having to take detours around the Hollywood sign to avoid having to see this grotesque poster of myself on Sunset Boulevard.

Hollywood is kind of a bad world.

It's so crazy in Hollywood.

I don't think I ever understood Hollywood.

I came across awful characters when I got some kind of status and came to Hollywood. Then you have directors trying to sleep with you, assuming that you will do things because of the way you dress.

Hollywood is sexist and age-ist, and that covers all the bases, I guess.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

Hollywood today is all about being consistent. All thinking in mainstream film business takes place in one box.

Everyone is treating it like a Hollywood story. In Madison, it's a neighborhood story.

Hollywood is what you make it; you have to choose company with care because you become what they are.

Hollywood is a world all its own.

Silence is the sure sign that you're on your way out in Hollywood.