Year Two is a critical year for any television show.

I want every character be an outsider in some way.

We just happened to come along at time where there hadn't been a new young adult drama that also could appeal to adults as well in quite some time. We sort of found a little bit of a niche.

As The O.C. started up again, I started to feel myself potentially getting pulled away.

There is always drama and there will always be drama, but its the way its presented in my head that makes it so interesting. Everyone gets their time in the middle of the drama.

We don't hold anything back. We go for broke, and if we have a good idea for a story line, we just use it because you never know and because the dynamics of the show are going to change.

You gotta strike while the iron's hot.

If it happened to me, it can happen to anyone.

I am the kind of person that takes everything as is and then look at it from the outside looking in.

You have to act like a responsible professional in the industry regardless of your age.

Ten-year plan? No, three-year plan! I'm in a hurry.

There's got to be a little bit of reality show fatigue happening.

Certainly there's got to be a little bit of reality show fatigue happening.

The trap is that you then just start doing stuff about Hollywood, which I don't really want to do.

It is my goal to learn as much about the people I'm surrounded by. I am slowly widening who I am close with, and at the same time, growing further away from others.

I'd started working when I was 21 and had been very determined about my career, very focused, even as a little kid, so it was something I had been working at for a long time.

The characters are that vague TV high school age, but they'll be in high school as long as we need them to be.

The best years are behind me.

Year Two is a critical year for any television show.

It's really hard in this day and age, with radio and MTV being so consolidated, to get new music out there. I think we've become a really legitimate, viable avenue for getting new music out there.

Last year, at the beginning of the year, we couldn't get arrested, so I'll take this. Feast versus famine.

The support that we have from the network in terms of watching us at an unusual time in the year and playing our episodes three times in a given week until we built an audience... is exceptional.

I think our show is very different from Orange County.

Certainly the experiences of Seth and his relationship to his parents and his point of view of the world are very similar to my own and very much based on my experiences at the University of Southern California.

The press always ends up being much nicer than I expect. A lot of times they say something snarky about you, but then you meet them in person and they couldn't be nicer.

I think you're only as good as the work that you do.

It's my experience that the fluidity of sexuality with younger people is more accepted.

Like they said about The West Wing, you can't do a show about Washington until you can.

The girls in high school who watched 90210? I was watching Seinfeld.

He was conservative in the old fashioned sense of cautious.

Fortunately, I happened to go east at a time when live television was centered in New York.

I'm not up on today's television for children, because it's mostly cartoons that don't seem to interest me.

The young people look great on television. They're youthful and have a lot of zip and energy, but when you see them live, they can only do about 20 minutes because they haven't got the training to hold an audience for an hour and a half or so.

At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design.

It's about the power of design and the power of the human spirit. It's above paying anybody to do something stupid for money like reality television does - like ambushing people.

Baseball hasn't been the national pastime for many years now - no sport is. The national pastime, like it or not, is watching television.

Networks decide who will have a chance to do shows, but it is the viewers who make the final decision of who stays and who goes. I am very fortunate, in that the television viewers of our country have decided that Bob Barker can stay.

Twin Peaks was special because it was so groundbreaking. In the early '90s it really changed television a lot. A bunch of weird shows, like Northern Exposure, came on after that.

We're just dealing with the kind of warp and woof of television ratings.

I did I Love My Wife on Broadway in 1978, and then went into television land. Now things are starting to come together in the way I thought they might when I was a kid.

I think what we need is a more welcoming mode from the people who put on a hundred million country-western shows on television. How about a monthly jazz show?

Television is a device that permits people who haven't anything to do to watch people who can't do anything.

I've directed a fair amount of television series - so I'm always trying to learn new things. One episode was all hand-held and I'm trying to get better at when you should do things and when you should just shut up and watch what the people are saying.

Television's Mr. Filth: that's me.

I'd really been wanting to do a television series. I was looking for a comedy.

It gets kinda monotonous, but that's television. There are plus sides and down sides. The positive side is that you have steady work for nine months of the year for however many years your show is on TV,.

Without television and mass communication, that knowledge wouldn't exist. So I think it actually has the possibility of turning people into more understanding and more empathetic people.

It is a significant acknowledgment that the way people are watching television is changing and the model is quickly changing.

If there's anything unsettling to the stomach, it's watching actors on television talk about their personal lives.