You see, I have many friends in the Hindi film industry.

You see, I have many friends in the Hindi film industry.

I have never pressurized a producer to do me any favor.

You are probably right when you say that I could get a role in any producer's film if I just asked.

The average Englishman has no idea of the dynamism in the music scene here.

I'm not the sort to wallow in nostalgia about the good old days.

Men are like mascara, they run at the slightest display of emotion.

I also said, men are like curling irons, they never get out of your hair. And they are like government bonds, they take so long to mature.

Delhi is my emotional home. I still dream of owning a home there.

I love the stage, I love the process of acting in theatre, but unfortunately, it doesn't pay the bills.

I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film.

Acting is the most insecure profession in the world - you're insecure if you're successful, you're insecure if you're not. A tightrope walk without a net. It's a miracle I'm still standing!

Acting was merely a pastime; I wanted to make films. But theatre, ah - now that was a labour of love. Can there be anything better than performing without retakes and cuts, in front of people you can see, hearing them breathe in the darkness of the hall?

Every relationship comes with a shelf life; that duration could be a minute or even a lifetime. If, for whatever reasons, a relationship cannot last a lifetime, contrary to what the two people imagined, then both the individuals have to be communicative and have to understand and accept the reality.

Everything has a place and time.

Honestly, I'm willing to experiment with far more variety in roles than I'm given. But ultimately, it's the producer's decision. But, I've done a variety of roles - the evil don, the evil husband... I've done villainous roles, supporting roles, etc.

I adore 'The Chipmunks.'

I don't believe in murder.

I have the greatest love for the rituals of organised religion - the sense of community and belonging it can confer to people. But me, I'm more a questioner than a follower; not by whim or fashion, but as a decision painfully arrived at after much, much thought.

I turned into a monk when my mother went to learn Buddhism in Burma. While she learnt at the monastery, I used to roam around with a begging bowl and ask for food.

I'm an international actor, but at the same time, I'm also a Bollywood actor, even though most of my career has been abroad. However, I've always kept in touch with Hindi cinema.

I'm constantly complimented for my voice, even by random people at the airport!

I've dubbed for my roles in Hindi, English, and Italian. Therefore, I'm used to the process. But, dubbing is hard, especially when you are dubbing for a prominent actor.

In the 30 years of my career, I have explored all possible mediums, except radio.

Love is a beautiful feeling.

Love just happens, you know.

Vamps no longer exist. Stars have taken their roles.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I have a movie coming out called Spun, which will be at the Toronto Film Fest.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.

And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.

A good film script should be able to do completely without dialogue.

My advice to young film-makers is this: don't follow trends, start them!

The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.

It's really rare for film directors to be that interested in things other than themselves.