I've come to understand my role. On some level, I provide the context for them to shine. I also know my role is the steward of the songs, and the center point, the artist that the stuff all revolves around. But I really try to honor that.

So all of these things are going on that make you wake up and realize you are a mortal person. You can choose to cruise through your life, but if you do, you're going to open your eyes at some point, and it's gone.

We rob ourselves of so much by focusing on the wrong stuff. And the ability to get into the moment and deal with what is, that's the real opportunity.

So I had to just kind of go back to the hotel, take a shower, sit quiet, dig down deep, warm up, and allow myself to move into some kind of zone. And then I remembered that a lot of my favorite musical moments are not about perfection.

I jump into the process, and the record begins to gel at some point. Then I begin to get a picture of where I'm going. But it's not always something I know on the front-end.

Can you blame them? We have to filter so much information these days. But it does make it difficult for an artist. I'm 46 years old now. I've had a lot of life experience and my voice has changed. People who expect the same old me are bound to be disappointed.

When you keep the caliber of musicians very high in the band, people are going to come and go. Some of them will be people who have to try various things, it's natural.

Whenever someone leaves, the next person that gets pulled in is somebody with similar values.

Chocolate's okay, but I prefer a really intense fruit taste. You know when a peach is absolutely perfect... it's sublime. I'd like to capture that and then use it in a dessert.

You find yourself in this place where you really get to find out what you're made of, and what I found was that when I was at my time of greatest need, there were people who appeared in my life, and helped me through it.

There's nothing more fun than sitting in a circle playing with people who are really into it.

I don't live in as much fear as I used to. I'm not afraid of the music business. Life is too damn short. I know what's important, and the tasks are very clear.

You have to write badly to write at all. If it's crappy, I will rewrite it later. But it will be mine. You can hear the resonance of an artist who goes into herself.

I would step into a place of being lined up with a sense of purpose and my inner compass, and everything was going in the same direction. Then I'd get lazy and get off the track. And then things would start to fall apart, and I'd back up and get it together again.

You know, your speaking voice comes back, but your singing voice you use in a different way.

I guess the biggest thing is that I committed to a spiritual center before I do anything else. And I put some daily things in my life into practice and I maintain that, to make sure that I don't drop the ball.

Your voice is vibrant for only a certain part of your life. There are some records I've always wanted to make, and I don't know if I want to waste this time beating on the door of the charts.

Or if I have my head in the results, I can't work with what I have, because I'm trying to force something to happen. And with singing, any time you force it, you tighten up. If you tighten up, you're screwed, nothing will work.

So I really did stop and change what I saw I was about, and really try to put that principle into play as the center of everything - my friendships, my marriage, my career, my family, my way of being in the world. And that changed everything for me.

I've come to understand my role. On some level, I provide the context for them to shine. I also know my role is the steward of the songs, and the center point, the artist that the stuff all revolves around. But I really try to honor that.

What is hard to remember when you're in the middle of it is that when you get through to the other side, you always walk away with a gift. If you can stand in there and not walk away from it, you get transformed by it.

You have to listen to what resonates within your own gut. You find your direction there. Your voice comes out.

A gourmet meal without a glass of wine just seems tragic to me somehow.

And in fact, I think the more we start to worship perfection the more soul leaks out of art.

I can't even say I've begun yet, but I'm trying on the idea that there is a book in my future.

If you say that you're all about a certain something, and look back and see that the choices that you've made don't reflect that, then there's something for you to look at.

Anyway, our family went into complete crisis mode. I have two older brothers, and we rallied as a family.

That's the great paradox of living on this earth, that in the midst of great pain you can have great joy as well. If we didn't have those things we'd just be numb.

I really think that's what music and art is about. It's another way to connect to the divine. It's a real pure way of touching that deeper reality beneath our life.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

I'm inspired by nature. Other artist's work is important for developing my perception.

There is only one position for an artist anywhere; and that is upright.

The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

What do you say when someone has truly inspired you? How do you express to an artist how deeply their work has affected you?

An original artist is unable to copy. So he has only to copy in order to be original.

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.

You have to find what makes you stable in the storm. Then, no matter what's happening round you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.

The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.

I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade.

Art is a private thing, the artist makes it for himself; a comprehensible work is the product of a journalist. We need works that are strong, straight, precise, and forever beyond understanding.

The most colorful section of a bookstore is the display of SF books, with art by people like Wayne Barlow, who is a terrific artist.

Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.

Let not a man do what his sense of right bids him not to do, nor desire what it forbids him to desire. This is sufficient. The skillful artist will not alter his measures for the sake of a stupid workman.

I so much appreciate it when anybody tries to make something and tries to be an artist - I'm happy to see the work.

The artist is seen like a producer of commodities, like a factory that turns our refrigerators.