When you keep the caliber of musicians very high in the band, people are going to come and go. Some of them will be people who have to try various things, it's natural.

So all of these things are going on that make you wake up and realize you are a mortal person. You can choose to cruise through your life, but if you do, you're going to open your eyes at some point, and it's gone.

We rob ourselves of so much by focusing on the wrong stuff. And the ability to get into the moment and deal with what is, that's the real opportunity.

So I had to just kind of go back to the hotel, take a shower, sit quiet, dig down deep, warm up, and allow myself to move into some kind of zone. And then I remembered that a lot of my favorite musical moments are not about perfection.

I jump into the process, and the record begins to gel at some point. Then I begin to get a picture of where I'm going. But it's not always something I know on the front-end.

Can you blame them? We have to filter so much information these days. But it does make it difficult for an artist. I'm 46 years old now. I've had a lot of life experience and my voice has changed. People who expect the same old me are bound to be disappointed.

When you keep the caliber of musicians very high in the band, people are going to come and go. Some of them will be people who have to try various things, it's natural.

Whenever someone leaves, the next person that gets pulled in is somebody with similar values.

Chocolate's okay, but I prefer a really intense fruit taste. You know when a peach is absolutely perfect... it's sublime. I'd like to capture that and then use it in a dessert.

You find yourself in this place where you really get to find out what you're made of, and what I found was that when I was at my time of greatest need, there were people who appeared in my life, and helped me through it.

There's nothing more fun than sitting in a circle playing with people who are really into it.

I don't live in as much fear as I used to. I'm not afraid of the music business. Life is too damn short. I know what's important, and the tasks are very clear.

You have to write badly to write at all. If it's crappy, I will rewrite it later. But it will be mine. You can hear the resonance of an artist who goes into herself.

I would step into a place of being lined up with a sense of purpose and my inner compass, and everything was going in the same direction. Then I'd get lazy and get off the track. And then things would start to fall apart, and I'd back up and get it together again.

You know, your speaking voice comes back, but your singing voice you use in a different way.

I guess the biggest thing is that I committed to a spiritual center before I do anything else. And I put some daily things in my life into practice and I maintain that, to make sure that I don't drop the ball.

Your voice is vibrant for only a certain part of your life. There are some records I've always wanted to make, and I don't know if I want to waste this time beating on the door of the charts.

Or if I have my head in the results, I can't work with what I have, because I'm trying to force something to happen. And with singing, any time you force it, you tighten up. If you tighten up, you're screwed, nothing will work.

So I really did stop and change what I saw I was about, and really try to put that principle into play as the center of everything - my friendships, my marriage, my career, my family, my way of being in the world. And that changed everything for me.

I've come to understand my role. On some level, I provide the context for them to shine. I also know my role is the steward of the songs, and the center point, the artist that the stuff all revolves around. But I really try to honor that.

What is hard to remember when you're in the middle of it is that when you get through to the other side, you always walk away with a gift. If you can stand in there and not walk away from it, you get transformed by it.

You have to listen to what resonates within your own gut. You find your direction there. Your voice comes out.

A gourmet meal without a glass of wine just seems tragic to me somehow.

And in fact, I think the more we start to worship perfection the more soul leaks out of art.

I can't even say I've begun yet, but I'm trying on the idea that there is a book in my future.

If you say that you're all about a certain something, and look back and see that the choices that you've made don't reflect that, then there's something for you to look at.

Anyway, our family went into complete crisis mode. I have two older brothers, and we rallied as a family.

That's the great paradox of living on this earth, that in the midst of great pain you can have great joy as well. If we didn't have those things we'd just be numb.

I really think that's what music and art is about. It's another way to connect to the divine. It's a real pure way of touching that deeper reality beneath our life.

That's Tommy, this great producer who comes in contact with people and must have a mental library of personnel who are great for this and great for that, and he brought this whole group of musicians to the project that I'd never worked with before.

Every musical movement that is big enough has to produce some good musicians who wouldn't have had the incentive to start playing without it.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

We were brash young fellows'. I was always hanging with the older crowd anyway. The musicians were the Hip Cats, and I was hanging with them anyway. I Just started out real early.

You can have all sorts of relationships, but there's something with musicians working together where you can have relationship that can just continue to grow in a beautiful way.

Most musicians count at the beginning, and never count and talk to their musicians after that. They only talk to them at the end of the song. But I would count with them and talk.

It's my fault in many cases because I don't initiate the contact to talk with a lot of other musicians.

Musician jokes are a kind of joke that usually have to do with how much money someone makes. Musicians are always starving, so they're really mean to each other about who makes what.

What 'jazz' means to me is the worst kind of working conditions, the worst in cultural prejudice. The term 'jazz' has come to mean the abuse and exploitation of black musicians.

We wanted to guide the musicians, so we could create our own sound. We would never let the band just go in and play the chord sheets. We were very focused on what we had in mind for these productions.

I don't take compliments very easily. I think most musicians suffer from low self-esteem to some extent.

I'm always going to get more of a charge playing Chicago than I will Duluth or some place like that. Just because of the history and the people there are way more knowledgeable than a lot of other cities. It's an amazing music scene with some great bands and great musicians.

Watch MTV and you can see what the music scene is like in England. The Spice Girls? Not a lot of creativity in the commercial area. There are still great musicians in England, but not a lot being heard that much.

Success breeds volume, and it's just amazing how many young writers, artists, and musicians there are in town.

At the art college in Edinburgh someone arranged for some London groups to come up and play. I was in a supporting band, with Bernie Green I think. Derek Bailey was one of the visiting musicians. He seemed to like my playing and asked me to come down to London.

Out of doing all that experimentation with sound I decided I wanted to do it with live musicians. To take repetition, take music fragments and make it live. Musicians would be able to play it and create this kind of abstract fabric of sound.

But, I would be naive not to recognize the number of musicians who tell me they have been influenced by me and sight me - as well as Alex and Neil - as a musician who has been a positive influence on their playing.

We're not spokespeople, we're musicians.