It's rare that you cut out something that is really good. You screen all of it, and when the audience doesn't respond, you cut out whatever is holding the story down.

You just can't make any movie and it will be good now. This is a really a difficult time to be in films.

I think a lot comes from having the experience of doing stand-up comedy. It allows you to figure out the psychology of an audience; what things are funny and not.

In rare instances you have to give up what you thought was a great scene.

We've seen so many films now, that you have to be on par with the best films that have preceded you. You just can't make any movie and it will be good.

My brothers can be a little out of control sometimes and so somebody has to be able to keep them focused.

I go through a whole process with the actors first, building and creating characters, then I encourage them to sort of live in that character when they're in the screen.

I enjoy the character interplay. Sometimes the audience is not laughing, but smiling, and that is almost just as good because it keeps them ready to laugh.

It's the teenage and university crowd, so we give them lots of sex jokes and gross humour.

Creativity is the answer. I always prefer the creative solution to an expensive solution.

You can kind of feel when things are going to work out.

We felt like we had done as much as you can do with the slasher genre. We were trying to find the next group of scary movies that were ripe for parody.

I have been a director who has starred, participated on both sides of the filmmaking process.

There are two phases to a movie. First you shoot the movie, and then you make the movie. Generally, post-production is longer than filming.

I'm not on all the time. I like to have fun and be funny, but I'm much more of a thinker.

You do what it takes. It was on me to deliver.

Just making a good movie is hard to do.

This is really a difficult time to be in films.

I'm just calm under fire. I'm not intimidating at all.

It's rare that you cut out something that is really good. You screen all of it, and when the audience doesn't respond, you cut out whatever is holding the story down.

The pressures having grown up in this business can be really rough. And it is a testament to you that you have remained focused and NOT lost your mind.

I prefer the smaller budget versus the bigger budget because the mentality that goes along with big budget filmmaking doesn't really suit me; the mind-set that money is the answer.

I put the cameras on her and told her to be obnoxious as she could possibly could be. She was.

Slot machines are like crack for old people.

I like to have fun and be funny, but I'm much more of a thinker.

You never really know until you put the movie in front of an audience. I am a big advocate of screenings, which are getting harder and harder to do nowadays.

I always prefer the big laugh. That is always the objective, especially with a film like Scary Movie 2.

All I need is a camera and I'll make things happen.

We do nods to Charlie's Angels and Mission Impossible because they are popular with our fan base.

I throw it all in there, Kung Fu, blaxploitation, horror.

I put heavy emphasis on the characters.

So, I love you because the entire universe conspired to help me find you.

I believe in a higher power. I believe in inspiration.

I inherited my weight problem from my mum. She was always on diets. If there was a box of chocolates in the house, she'd eat half a chocolate, then put the other half back. She loved me, but she did encourage me to diet in my teens.

The best fantasy does not offer an answer to our lives, it is an offering that acknowledges enough of the truth to resonate and add to the understanding about the human condition.

I'd gotten the message in my home, starting with my grandfather, that real work, the kind that makes you sweat and gets your hands dirty, is a respectable, necessary thing. But I wanted to write - and writing didn't qualify. Whenever I told my parents I dreamed of becoming a writer, they said, 'Great, but what are you going to do for work?'

One could say that Osama bin Laden and these non-nation-state fighters with religious purpose are very similar to those kind of atypical revolutionaries that helped to cast off the British crown.

When I first met Antonin Scalia, I was a small child with one brown ponytail atop my head. Which is odd, because I was a full-grown woman, and my hair was short and blond. Still, sitting on the black leather sofa in his chambers, I remember shrinking.

Growing up is such a barbarous business full of inconvenience and pimples.

The emphasis of the Bible is on the work of the Redeemer, not on the work of the redeemed.

We have a president for whom English is a second language. He's like 'We have to get rid of dictators,' but he's pretty much one himself.

In my own work, I don't have favorite characters, but I have characters that I relate to the most. And I relate the most to Simon from 'The Mortal Instruments,' and also Tessa from 'The Infernal Devices.' They're more sort of bookish and shy characters.

'I Am Number Four' definitely borrows from a whole bunch of genres and has a whole bunch of different themes throughout. And I think if it was just one stale two-dimensional thing then it would be kind of boring. And I think they did a fantastic job.

The biological factors underlying race differences in sports have consequences for educational achievement, crime and sexual behavior.

I read two mysteries a day when I was a kid. All of Agatha Christie, all of 'Sherlock Holmes.' I've seen every single British detective show ever made.

If I had it to do over, I might have finished school first, then devoted all my time to StumbleUpon instead of dividing my time between the two. In the end, however, it was probably good to take the time I did.

I buy records from all across the board. I get kind of a hybrid of influences in my own music.

I do play the guitar, and I can sing, but just enough to carry a tune.

The Supreme Court of the United States... has validated the Nazi method of execution in... concentration camps, starving them to death.