Revising a screenplay is much more frustrating than revising a song because you have to read through the entire work again while you are changing stuff. It is a lot easier to edit a song.

Big shows are more like events and small shows are more like traditional gigs.

A performance is only as good as the audience you are playing to. A lot of times you feed off of the audience, and we always try to give them all we've got and sometimes you don't get a lot back, but we've never been dead whenever we've performed.

I heard the Bloc Party record Japan before it came out in the UK as they are on the V2 record label. I think it has a great vibe and has great songs. I also think the Kings of Leon are right up my street.

The story behind every song is individual to itself.

The Millennium Stadium thing was for the Tsunami concert. It was a thing that I think every band in the country would have liked to be a part of at the time that it happened.

Like all bands, the first two albums are always the ones most written about, and the most covered. When a band gets to their third of fourth album, the story of the band has already been told.

To remain relevant though, I think making great records is the key.

The song Dakota was first written in Paris. I was doing a promo trip. It was snowing and the hotel room was really cold and boring and for some reason I just had a go of the guitar and the song came pretty quick.

Ewan McGregor and Charley Boorman came to see our show, We all had a drink before they set off on their travels, and we kept in touch.

When you are on tour in the UK it takes a few hours to get anywhere. A lot of the time you can have a beer, close your eyes for two minutes, and then you are there. In the U.S. it is much more like a road trip as all the cities are so spread apart.

The press will naturally come and go as it has done with all artists, from David Bowie to Neil Young to U2.

Avril Lavigne sold a massive amount of albums and she has to top that with her next release. We have four great albums behind us, and it's not going to be as hard to live up to that.

It's better for the listener to interpret their own meanings to the music.

I don't have a special place or ritual for writing songs, basically I write songs whenever an idea hits me, in my hotel room, on the road, in the plane.

I'm not a betting man.

Revising a screenplay is much more frustrating than revising a song because you have to read through the entire work again while you are changing stuff. It is a lot easier to edit a song.

Japan is quite weird because they wait for you to say something before they respond. You can literally hear a pin drop, they don't make a sound until you say something to the crowd.

We changed every lead in our whole system, and to this day we still don't really know why it did it. We think wires were touching and faulting. That was it really, but it didn't make it any easier.

We didn't really want to be an overnight success as that brings with it its own problems.

I like to open for a band as it brings on sort of a challenge and it makes things more interesting. It reminds me of when we were just starting out because we would open for other bands in the beginning.

When I first knew I was having children, I thought I wanted boys, but then I thought I'd be better with girls. I'm quite sensitive, and you get more cuddles with girls. And they like their dads.

Whether I'm telling stories in songs or if directing is the next step, being a storyteller is what I like doing.

I just wrote one song at a time. Kinda like an alcoholic. One day at a time.

Then, in that hour of deliverance, my heart spoke. Does not such a country, and such defenders of their country, deserve a song?

If you give it good concentration, good energy, good heart and good performance, the song will play you.

But in the finished art of the song the use of words has no connection with the use of words in poetry.

I guess a good song is a good song is a good song, ya know.

In the past 3-4 years I've developed a habit of keeping numerous small cassette recorders in my house and in a bag with me so that I'm able to commit to tape memory song ideas on a constant basis.

I don't ask for the meaning of the song of a bird or the rising of the sun on a misty morning. There they are, and they are beautiful.

The band set up in January and just started rehearsing. If there was a song, we'd just rehearse it as a band, and it would get arranged as a band, and it got changed around a lot.

Peace Train is a song I wrote, the message of which continues to breeze thunderously through the hearts of millions of human beings.

I love listening to Radio Head's 'Everything in its Right Place' because it's all major chords, it makes you feel really good. It's soothing, it's got a beautiful voice, crazy textures. When I'm down I listen to that song and it really makes me feel good.

I've always wanted to sing, just as I've always known that one day I would have my own niche in the annals of song. It was a feeling I had.

I have eighteen titles in the German language. I had a number one song in 1965.

Listen kid, take my advice, never hate a song that has sold half a million copies.

There's a lot of rage... you have to express it somehow. If I didn't express it in song, I'd become incredibly violent.

I do not mind having written the song at all. I just wish that I had written it in a different key, as the high d is hard to play. I am glad that I wrote something that brought joy to millions of people.

It's like, it's up to the people to fall in love with the song. The record company can only do so much.

People assume that the meaning of a song is vested in the lyrics. To me, that has never been the case. There are very few songs that I can think of where I remember the words.

I guess you could write a good song if your heart hadn't been broken, but I don't know of anyone whose heart hasn't been broken.

A song has to become as much a part of you as a tailored suit.

A so-called happy marriage corresponds to love as a correct poem to an improvised song.

Most musicians count at the beginning, and never count and talk to their musicians after that. They only talk to them at the end of the song. But I would count with them and talk.

In an age of incompetence, I've been able to last in this crazy business. I actually know how to play my ax and write a song. That's my job.

The only thing that's a little tricky about it is sometimes people assume that if it's a new song, it's a reflection of what you're feeling or going through now.

When I write a song, it's all about the riff - the riff first, then the words come later.

There's not one Tin Pan Alley song on my record.

Song Sung Blue took a lot of compressing and refining, and it has one of my favorite lyrics.