It's about finding great artists and being part of their careers.

It might be a huge hit, it might not; but you learn something doing it.

I'm continuing to produce and will start a new record soon, as well.

The whole process of this record was an education for me as a musician.

There's artists that I'm working with on a new label of mine. Foxy Nova and Supa Nova.

I think that in order for music to be heard in a lot of different situations you have to always consider that.

I enjoy music that is commercial.

I don't necessarily want people to know all my intimate feelings about Tracey.

The most exciting thing for all of us is movies and movie stars.

Unfortunately, a lot of executives aren't like producers, and can't hear the diamond in the rough.

I usually prepare a track and then I work with the artist when it's time to do the vocals.

It's about finding great artists and being part of their careers.

When I was in top 40 bands, I always had to learn new material and new styles.

I don't go to that many Broadway shows, so I can't really say anything.

Commercial music, for the most part, is popular music and you always have to keep that in mind.

You can find a diamond in the rough a lot of times.

I think that whenever there's a good script we try to make that happen, but it's all based off of a good story, a good script, but I don't believe you should do it just because it's African-American.

I would say that I've been lucky. Being blessed and not really ever giving up.

I could easily not be the person that people know.

The Internet is a whole new world opening up.

There are people that bring artists to me to look at it and it's a question of whether I like their music and their look and if I think there's something they have that makes them different and commercial.

It's like spicy food - sometimes you have to tone it down so more people can enjoy it.

The reality is, some people don't want you to change or go anywhere different.

But a lot of the old fans are listening to a lot of the younger music. So I gotta keep moving forward, and they'll move forward too.

I still write the same way and have the same perspective.

But I found a lot of artists at the Cedar Bar were difficult for me to talk to.

Journeys, like artists, are born and not made. A thousand differing circumstances contribute to them, few of them willed or determined by the will-whatever we may think.

I got to sit down with people who I admired, and have conversations with some of the greatest thinkers and artists and performers. It's a huge privilege for me to be a journalist.

I don't believe in art. I believe in artists.

David Cronenberg knows what we actors do as artists.

The truth is, we haven't really figured out yet how artists are going to thrive in modern mass societies. We're all experiments.

Many of the artists who have represented Negro life have seen only the comic, ludicrous side of it, and have lacked sympathy with and appreciation for the warm big heart that dwells within such a rough exterior.

A great thing happening now in art is that artists are using the figure, the body, clothing, life.

The number of contemporary artists who appeal to me is infinitesimal.

I have to plead basic ignorance of most new jazz artists here.

Music is art, art is life, and we are who we are, and all of these aforementioned women, unless they should choose not to, will be performing well into the next many decades because they are great artists.

Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think.

Artists are like everybody else.

When artists make art, they shouldn't question whether it is permissible to do one thing or another.

My proudest achievement has been the success of the shows and artists I have been involved with, because they were made in Britain.

The refusal to rest content, the willingness to risk excess on behalf of one's obsessions, is what distinguishes artists from entertainers, and what makes some artists adventurers on behalf of us all.

I didn't want to save art - I respected the older artists too much to think art needed saving. But I knew it was finished, even though, at that time, I didn't know what I would do.

Music is more emotional than prose, more revolutionary than poetry. I'm not saying I've got the answers, just a of questions that I don't hear other artists asking.

Lesser artists borrow, great artists steal.

I've never understood why artists, who so often condescend to the cliches of their own culture, are so eager to embrace the cliches of cultures they know nothing about.

I want to run for the Senate from Tennessee. Not now, but when I'm 50, when music dies down a little bit. I know lots of artists and actors have those delusions of grandeur, but ever since I was a kid, it's been of interest to me.

Let's look at people as artists and try to support them; just because Picasso painted a couple of bad paintings, that's no reason to say he's a lousy painter.

Idol has pretty much taken me out of my recording and out of my choreography. I have managed to slip in some choreography jobs. And I've been writing songs for other artists.

Great artists are people who find the way to be themselves in their art. Any sort of pretension induces mediocrity in art and life alike.