Certainly, it seems true enough that there's a good deal of irony in the world... I mean, if you live in a world full of politicians and advertising, there's obviously a lot of deception.

I'm a writer who likes to be influenced.

As for political poetry, as it's usually defined, it seems there's very little good political poetry.

Some of the French surrealists at the beginning of the war had come over to New York and they brought out this magazine. It was a big, glossy magazine full of surrealist things.

Once I start writing about something, it goes off rather fast, and sometimes details which might be interesting such as what the room looked like or what somebody said that was not exactly on the same subject tend to get lost.

I was excited by what my painter friends were doing, and they seemed to be interested in our poetry too, and that was a wonderful little, fizzy sort of world.

Politics is there the way men and women are there, the way the Atlantic Ocean is there. Sometimes I've written about politics specifically, I mean about politics as it's understood on television and in newspapers.

I got married, other people went off. We had sort of another public-we were our entire readership for many years, and we were very excited by each other.

Certainly, it seems true enough that there's a good deal of irony in the world... I mean, if you live in a world full of politicians and advertising, there's obviously a lot of deception.

Maybe there are three or four really good poets in a generation.

It's enormously cheering to get a good review by someone who seems to understand your work.

I wonder if I ever thought of an ideal reader... I guess when I was in my 20s and in New York and maybe even in my early 30s, I would write for my wife Janice... mainly for my poet friends and my wife, who was very smart about poetry.

The subject matter of the stories on the surface... there seem to be a number of stories about travel.

It's a well known thing that ordinary perceptions can have a strange aspect when one is travelling.

Picasso said once when being interviewed that one should not be one's own connoisseur.

It seems everything is so full of possibilities one can hardly take it all in.

It takes a long time to publish a book.

I never thought of myself as a New York poet or as an American poet.

As I look over my work, I mean every time I look over my early work, I see, yes, I could do that then and then I could do that and that... That may be the hardest thing for a writer, at least for a poet, to tell what the identity of his work is.

I love painting and music, of course. I don't know nearly as much about them as I know about poetry. I've certainly been influenced by fiction. I was overwhelmed by War and Peace when I read it, and I didn't read it until I was in my late 20s.

I certainly have the feeling that I'm the same person even though I've changed a great deal.

When you finish a poem, it clicks shut like the top of a jewel box, but prose is endless. I haven't experienced an awful lot of clicking shut!

I was born in Cincinnati, Ohio. My family was not nationally known as being a literary family, though my mother and my mother's side of the family in general were interested in literature.

I've had trouble with criticism, I guess. It's hard to know what role criticism plays in either encouraging poets or in getting other people to read them.

I was influenced by surrealist poetry and painting as were thousands of other people, and it seems to me to have become a part of the way I write, but it's not.

If you want to know how much I love and care for you, count the waves.

There is no such thing as a Mass Mind. The Mass Audience is made up of individuals, and good advertising is written always from one person to another. When it is aimed at millions it rarely moves anyone.

Religious advertising is undergoing a dramatic conversion.

In our factory, we make lipstick. In our advertising, we sell hope.

The simplest definition of advertising, and one that will probably meet the test of critical examination, is that advertising is selling in print.

In advertising, not to be different is virtual suicide.

It is not the purpose of the ad or commercial to make the reader or listener say, 'My what a clever ad.' It is the purpose of advertising to make the reader say, 'I believe I'll buy one when I'm shopping tomorrow'.

Young people are threatened... by the evil use of advertising techniques that stimulate the natural inclination to avoid hard work by promising the immediate satisfaction of every desire.

I saw a subliminal advertising executive, but only for a second.

I have learned that trying to guess what the boss or the client wants is the most debilitating of all influences in the creation of good advertising.

Advertising is totally unnecessary. Unless you hope to make money.

Advertising is the art of making whole lies out of half truths.

It is not unprofessional to give free legal advice, but advertising that the first visit will be free is a bit like a fox telling chickens he will not bite them until they cross the threshold of the hen house.

More traffic means more advertising dollars.

An advertising agency is 85 percent confusion and 15 percent commission.

Much of the messy advertising you see on television today is the product of committees. Committees can criticize advertisements, but they should never be allowed to create them.

In advertising, I was frustrated by having to deal with the client. It was the only time I really worked in a proper office, and I didn't like it-simple as that.

Magazines and advertising are flogging the idea that you have to keep changing things and get something new. I think that's balls - evil. But obviously that's your livelihood.

I can't say the advertising model is obsolete yet but it doesn't make a lot of sense in the long range.

Advertising says to people, 'Here's what we've got. Here's what it will do for you. Here's how to get it.'

The headline is the 'ticket on the meat.' Use it to flag down readers who are prospects for the kind of product you are advertising.

They say that Madison Avenue will only pay high dollars in advertising if they get the 18-35 age range.

I'm not in the advertising business, but I think it would be very nice if people went to see the film Hamlet, because it was made with love and integrity.

Why, I ask, isn't it possible that advertising as a whole is a fantastic fraud, presenting an image of America taken seriously by no one, least of all by the advertising men who create it?