Telling your story out loud is the way human beings communicate. We don't normally think up words, translate how to spell them and then move our fingers up and down over this randomly arranged set of keys to make the same letters appear on a screen.

I think that somebody with the resources and innovation and the idea is going to come out of nowhere and come up with a successful space travel program.

The people who make policy decisions should damned well know what they are talking about before they make the decisions. There is nobody who is an expert on cloning who would be afraid after seeing Attack of the Clones.

I always had this non-stop drive. I had to keep sending stories out and every once in awhile I'd get something accepted or get the little trickle of positive feedback.

Over the years, I've trained myself to speak using the same language I would use if I were typing: meaning using full sentences in the way that paragraphs and scenes are arranged.

I'm talking to you and it's basically a direct communication, whereas if I'm writing a letter to you and you read the letter, there are like 12 extra deconstruction and reconstruction steps in the communication.

I wanted the feel in these books to be like an epic fantasy, with kings, queens, dukes and court politics, but of course like what I was explaining before, about making the science make sense, you have to make the politics make sense, too.

There is grand romance in The Lord of the Rings. It's an important part of epic literature.

I mean, I wasn't stupid. I knew we'd make money and sell a lot of Dune books.

I don't think the author should make the reader do that much work to remember who somebody is.

If you look at the British royal family and take away the scandals and the goofy stuff that's going on, people love to have this king to look up to - the royals are like celebrities.

If you had an alien race that looked like insects, then they would build robots to look like themselves, not to look like people.

My dad is a bank president and my mom was an accountant and they didn't think that seeking the life of a freelance writer was very practical, you see. Of course, I was just as determined to do it.

I did several interesting jobs, working in restaurants, I worked at a lab rat farm, feeding and watering all these rats. Then I got a full-time job as a technical writer for a large scientific research laboratory.

If I could go back in time and tell my younger self that eventually that I'd become very successful writing Dune books after Frank Herbert's death, I would have laughed myself silly, I think, at how strange that prospect would be.

I sold my very first novel when I was 24 or 25 years old.

One of the things that was kind of shocking for humans... was to come to terms with was the fact that, hey, we may not be the center of the universe.

Dune is the bestselling science fiction book of all time. It's something you really need to read in your lifetime. If you're going to read The Lord of the Rings, which everyone should, then you have to read Dune, too.

Do you want Columbus to go across the ocean, or do you want to put a message in a bottle and hope that it lands somewhere? I'd rather have actual people be there. Whether they look like Americans or like the inhabitants of some other country, depends on who has the most drive.

The great secret behind classified projects is that most of them are so utterly boring and uninteresting that James Bond wouldn't even take a second look at them.

Each book will have a lot of cliffhangers, because I like that.

Every spare second I would write, somehow. On my lunch hour, too.

We sat around on a hotel balcony with a bottle of wine and tried to figure out how you would go about blowing up a planet. That's the kind of conversations science fiction writers have when they get together. We don't talk about football or anything like that.

I had a minor in Russian history, and this was at the time when the big Cold War was going on.

I always turn in my books on time, so you can always count on a book coming out when it's supposed to.

I got to spend all of my time every day at work reading and editing papers about cutting-edge technical research and getting paid for it. Then I'd go home at night and turn what I learned into science fiction stories.

Wouldn't you like to have an augmented memory chip that you could plug into your head so you don't have to look everything up and remember everything?

My total year's income from working as hard as I possibly could from writing went from like $30 one year to about $70 the next year. And it made me realize that maybe you couldn't really pay the rent that way.

I think now I'm up to something like 85 different titles that I've published.

I want to make it so that so many things happen... that you didn't expect would happen in this series, that you realize that you have to read every one of them.

It was like there was a pile of kindling that was in the back of my imagination just waiting there. Once I lit it, it just flared up and I kept getting ideas and ideas.

We wanted to write the first prequels as a story that anyone could pick up.

In a certain sense, this guy - who is one of the most evil people in the book - he's not really that bad at running the show, because he knows what he's doing, he's smart and he's got the big picture in mind. He's like the Godfather.

Of course you don't make any noise in space, because there's no air.

I've had the same, full-time assistant and typist for eight or nine years now. She's read everything I've written, she types everything and does a good job, translates it and makes comments.

Telling your story out loud is the way human beings communicate. We don't normally think up words, translate how to spell them and then move our fingers up and down over this randomly arranged set of keys to make the same letters appear on a screen.

Sure, President Bush can say that the U.S. government won't fund stem cell research, but believe me, Japan is applauding. Because they will just do it first and get all the patents.

Lives of great men oft remind us as we o'er their pages turn, That we too may leave behind us - Letters that we ought to burn.

Critics are sentinels in the grand army of letters, stationed at the corners of newspapers and reviews, to challenge every new author.

I get letters from readers who say that they have always hated reading, but somebody suggested one of my books, they actually finished the book and enjoyed it, and they're going on to read another book. I'm thrilled that they have figured out that reading is fun.

I like the storytelling and reading the letters, the long-distance dedications. Anytime in radio that you can reach somebody on an emotional level, you're really connecting.

Out all of these zillions of letters, one of the first ones that came was, as it turned out from Johnny Carson within the last five or six weeks of his life. I had worked with him. He lost a son who had worked for me.

I started getting letters from college in the tenth grade.

You know these love letters mix with whisky, just don't light a match when you kiss me.

Writings scatter to the winds blank checks in an insane charge. And were they not such flying leaves, there would be no purloined letters.

But for a few phrases from his letters and an odd line or two of his verse, the poet walks gagged through his own biography.

My readers at that time were still men of letters; but there had to be other people waiting to read my poems.

I have asked myself once or twice lately what was my natural bent. I have no doubt at all: It is to look at each day for the evil of that day and have a go at it, and that is why I have never failed to have an acute interest in each morning's letters.

Walking is the natural recreation for a man who desires not absolutely to suppress his intellect but to turn it out to play for a season. All great men of letters have therefore been enthusiastic walkers.