I'm going to insult a whole industry here, but it seems like TV is for people who can't do film. I'm not talking about actresses; I'm talking about lighting people. Lighting on TV is just so... it's sinful, it really is.

Beauty has a lot to do with character.

I'd rather have huge success and huge failures than travel in the middle of the road.

Today I see beauty everywhere I go, in every face I see, in every single soul.

Perfection is boring. If a face doesn't have mistakes, it's nothing.

I'm going to insult a whole industry here, but it seems like TV is for people who can't do film. I'm not talking about actresses; I'm talking about lighting people. Lighting on TV is just so... it's sinful, it really is.

Today I choose life. Every morning when I wake up I can choose joy, happiness, negativity, pain... To feel the freedom that comes from being able to continue to make mistakes and choices - today I choose to feel life, not to deny my humanity but embrace it.

Soon I realized that if beauty equalled forgiveness, I was never going to be forgiven.

I'm very passionate about what I do.

There are two types of people in the world: people who are passionate about things, and people who've had their passion punched, beaten, or whatever out of them.

I also have this incredible love for women.

When I was growing up, the men in my life were abusive; women were the ones I ran to for comfort.

I spent much of my life hiding.

Beauty is about perception, not about make-up. I think the beginning of all beauty is knowing and liking oneself. You can't put on make-up, or dress yourself, or do you hair with any sort of fun or joy if you're doing it from a position of correction.

Life is too short to spend hoping that the perfectly arched eyebrow or hottest new lip shade will mask an ugly heart.

That's why I began doing makeup in the first place: I was hoping that through helping people see the beauty in themselves, I could try and find it in me.

Yes, but everyone is beautiful to someone.

I think the responsibility lies with the fashion world as a collective. We have to demand more variety.

Another thing that's pathetic is this rule that you have to look ugly to get respect as an actress. Jessica Lange had to make herself look really bad to prove that she had amazing talent.

The faces I see in the modeling industry can get dull.

Growing up, my ideals were Barbra Streisand, Cher, and my mom.

Fear is the most debilitating emotion in the world, and it can keep you from ever truly knowing yourself and others - its adverse effects can no longer be overlooked or underestimated. Fear breeds hatred, and hatred has the power to destroy everything in its path.

Fights with my father were really quite brutal. I would not live his vision. I would not become who he wanted me to be. Everything I did was criticized. I would spend three months drawing something and show him, and he would look up from his paper and just look back down. I got no approval from him for anything I did that was creative.

I don't use 'always do this,' 'never say that' and I never give advice because I'm not the end-all, be-all authority.

I was absolutely lost in love and life when I did my drawings. Time stood still.

It's our hearts and brains that we should exercise more often. You can put on all the makeup you want, but it won't make your soul pretty.

While traveling around the world, I've had the opportunity to work with every living beauty icon. I've learned to appreciate idiosyncrasy. The fact is, there is really no such thing as 'normal' - everybody's different, and that is the essence of their beauty.

I never went wrong by being myself.

Perfection is boring. If a face doesnt have mistakes its nothing.

There are no rules when it comes to makeup!

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I have a movie coming out called Spun, which will be at the Toronto Film Fest.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.

And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.

A good film script should be able to do completely without dialogue.