Any nude is a something you setup in front of the camera.

I think the digital camera would record that information too fast for me.

If you're not going to tell something if you're not going to expose something it's real easy to go in and photograph from behind the camera and not expose any of your weaknesses.

We all take from our artistic endeavors what we as individuals need, to make the process unique and fulfilling to ourselves.

To me, that is the essence of me as a photographer. It is those ideas, working with them, formulating them and eventually putting them down on paper, photographing them and then going on to the next step.

My son does a little photography, but he's not involved the way I was.

I tried painting for a short time and realized that I was not a child prodigy at painting.

No matter how fast I could do it with the digital camera I don't think I would get the same thing out of it. The passion I have for formulating an idea stands alone. It is the important essence of what I do.

If no one wants to jump into a Kim Weston and drive it down the street. That's fine with me I don't care. I know my work is good and I know it's serious work.

Growing up, I didn't give my grandfather's photography a second thought. I wasn't involved in his work, except that I helped my dad print his negatives.

Well, now I'm an old photographer and I still don't sell.

I didn't want to travel. I didn't want to leave my family. I heard all these stories from Dad about not having Edward around when he was young, and I didn't want that to happen.

Uncle Brett had a definite vision that he was after, I don't think having a famous father affected him much.

I think all photographers fit their vision to their personality.

A lot of my work comes from my life experiences.

I was always confident in my art and in myself as an artist.

In front of the camera I look and I see visually what I've created.

What I had to prove was that I had a dedication and a desire and a passion to do the work and everything else would fall in place because I have a vision that I want to portray and it did and I do it. I don't sell anything.

Being a shy person, I always felt strange outside with my camera.

I'm not photographing the model in the classic sense; the model is playing a part in my photographs. It's more like theater. I always work with models I know, and I let them participate in deciding how to act their part.

I felt no pressure that my grandfather was famous and my uncle was famous.

As an artist you have to have a certain amount of arrogance.

My surprises come usually once I start rolling and photographing.

Any nude is a something you setup in front of the camera.

I photographed rocks and trees and tide pools and nudes and all that stuff for years and years. Until 20 years ago when I found that I could do it in the studio and never have to travel.

Galleries, and they're all the same, and rightly so, they sell work.

You work on an idea, your first interpretation is very raw and you work it and you work it and it gets polished and polished. It gets to a certain level and then it comes down off that peak.

I just love photographing. I don't do it for anyone else.

I don't know, the older I get, the more complicated I think I get, which is a hindrance.

The darkroom is just the means to an end.

That's not to say that some day I won't go outside again, but I'm having a great time working on this process.

I don't need the money I generate from photography to support myself.

The gallery is generating work for the masses.

I don't think at that time I realized how important it was and how important it was for me to be here and carry on that legacy in our family of being a photographer.

It doesn't matter what you do, as long as you're fulfilling that inner need, and for me the need is more the process than the finished product. My photographs are stories of the process.

The great thing about this thing we call art is that it has no rules.

There was an inquiry just last week about the new Bette Midler show, and I just didn't want to do that.

I think, as an actress, it is amazing to shock your audiences.

I don't think I really have any wisdom. Stay out of trouble. Good luck. Stay away from women because they will burn you, haha.

I'm still like a butterfly going from one job to another job. But it's quite lovely - I hope to keep this freedom, to have fun.

You don't need a science degree to understand about science. You just need to think about it.

A Christianity that is in conflict with the Scriptures isn't Christianity at all.

We live in a material world, not a dramatic one. And truth resides not in melodrama, but in the precise measure of material things.

After watching my first World Series in 1977, I wanted to be Reggie Jackson. I bought a big Reggie poster. I ate Reggie candy bars. I entered a phase during which I insisted on having the same style of glasses Reggie had: gold wire frames with the double bar across.

I have a big thing with eye contact, because I think as soon as you make eye contact with somebody, you see them, and they become valued and worthy.

My real training as an actor was when I started doing theatre.

The first time I ever heard professional actors delivering lines that I wrote was completely surreal and was just a gigantic moment in my life. It was just a little bit mind-blowing and completely strange to have something that had been on my computer being said out loud.

This type of gathering is unprecedented. The time has come for Christians to publicly affirm our Jewish roots distinctions and oneness in Jesus Christ.

I had to do a Northern England accent once, and I didn't have much time, so I went and pored through YouTube. There are all sorts of resources out there. The Internet has made that much more affordable. Don't break your neck to spend your money.