Well, now I'm an old photographer and I still don't sell.

I think the digital camera would record that information too fast for me.

If you're not going to tell something if you're not going to expose something it's real easy to go in and photograph from behind the camera and not expose any of your weaknesses.

We all take from our artistic endeavors what we as individuals need, to make the process unique and fulfilling to ourselves.

To me, that is the essence of me as a photographer. It is those ideas, working with them, formulating them and eventually putting them down on paper, photographing them and then going on to the next step.

My son does a little photography, but he's not involved the way I was.

I tried painting for a short time and realized that I was not a child prodigy at painting.

No matter how fast I could do it with the digital camera I don't think I would get the same thing out of it. The passion I have for formulating an idea stands alone. It is the important essence of what I do.

If no one wants to jump into a Kim Weston and drive it down the street. That's fine with me I don't care. I know my work is good and I know it's serious work.

Growing up, I didn't give my grandfather's photography a second thought. I wasn't involved in his work, except that I helped my dad print his negatives.

Well, now I'm an old photographer and I still don't sell.

I didn't want to travel. I didn't want to leave my family. I heard all these stories from Dad about not having Edward around when he was young, and I didn't want that to happen.

Uncle Brett had a definite vision that he was after, I don't think having a famous father affected him much.

I think all photographers fit their vision to their personality.

A lot of my work comes from my life experiences.

I was always confident in my art and in myself as an artist.

In front of the camera I look and I see visually what I've created.

What I had to prove was that I had a dedication and a desire and a passion to do the work and everything else would fall in place because I have a vision that I want to portray and it did and I do it. I don't sell anything.

Being a shy person, I always felt strange outside with my camera.

I'm not photographing the model in the classic sense; the model is playing a part in my photographs. It's more like theater. I always work with models I know, and I let them participate in deciding how to act their part.

I felt no pressure that my grandfather was famous and my uncle was famous.

As an artist you have to have a certain amount of arrogance.

My surprises come usually once I start rolling and photographing.

Any nude is a something you setup in front of the camera.

I photographed rocks and trees and tide pools and nudes and all that stuff for years and years. Until 20 years ago when I found that I could do it in the studio and never have to travel.

Galleries, and they're all the same, and rightly so, they sell work.

You work on an idea, your first interpretation is very raw and you work it and you work it and it gets polished and polished. It gets to a certain level and then it comes down off that peak.

I just love photographing. I don't do it for anyone else.

I don't know, the older I get, the more complicated I think I get, which is a hindrance.

The darkroom is just the means to an end.

That's not to say that some day I won't go outside again, but I'm having a great time working on this process.

I don't need the money I generate from photography to support myself.

The gallery is generating work for the masses.

I don't think at that time I realized how important it was and how important it was for me to be here and carry on that legacy in our family of being a photographer.

It doesn't matter what you do, as long as you're fulfilling that inner need, and for me the need is more the process than the finished product. My photographs are stories of the process.

The great thing about this thing we call art is that it has no rules.

I did work out every day. I needed it to have the endurance to do what needed to be done and not get hurt. I have such a new respect for action stars now.

Many are needed to plant and water what has been planted now that the faith has spread so far and there are so many people... No matter who plants or waters, God gives no harvest unless what is planted is the faith of Peter and unless he agrees to his teachings.

It's funny, 'cause it seems like just yesterday that I was the youngest player just starting out. But now there are young players all over the league, and they'll ask me questions about playing overseas or finding an agent.

I want to have babies one day but not right now. When I do it I want to do it really well. I want it to be my best project in life.

I'm getting a wider circle of fans now. More women, more middle class people.

I am now convinced that theoretical physics is actually philosophy.

It is too maddening. I've got to fly off, right now, to some devilish navy yard, three hours in a seasick steamer, and after being heartily sick, I'll have to speak three times, and then I'll be sick coming home. Still, who would not be sick for England?

Although Alchemy has now fallen into contempt, and is even considered a thing of the past, the physicain should not be influenced by such judgements.

The kinds of shows that seem to work now, the comedy shows, are those which require very little attention. They're superficial and I like articulate comedy.

I'm a more mature actress now.

Before and during the first phase of the war his administration repeatedly maligned the UN but now, that Iraq has turned into a quagmire, it is asking the UN for help.

They haul you up there for, you know, week after week in this kind of star chamber proceeding. Then at the end of it they say, well, we found nothing, but now it's time for special counsel.

I have in hands, now, specimens of bottom from t he Gulf Stream, obtained by Lieutenant Craven, and I can say that they are among the most interesting that I have ever seen.