You find the most important thing that really grabs you, and put it right up top. Don't bury the lead. Put it at the top. Best thing to do. Never go wrong that way. It's an immutable law of journalism. It just always works.

But music raises a lot of issues. Music is something that matters to people a lot, and they put a lot of passion into it. And I think when you have an area like that, you're gonna find a lot of issues coming up.

It's gonna be short if it's news; put it at the top. Style's not an issue, just make it news.

I was in college for two years, and just hated it in the '60s.

I worked for a newspaper in Europe for, I lived in Europe for about seven years, so I worked in this sort of a yellow journalism kind of a thing, it was like a scandal sheet.

Well, in features, and in writing especially, it's often the style of the writer comes in.

Well, a lead is the most important thing about the story.

And so popular culture raises issues that are very important, actually, in the country I think. You get issues of the First Amendment rights and issues of drug use, issues of AIDS, and things like that all arise naturally out of pop culture.

If your audience is young, it'd be youth culture, if your audience is older, it'd be older people, if it were senior citizens, it'd be senior citizen issues. So you try and hit the target audience.

Rewriting is a large part of the whole job. And get rid of stuff that's not working. Just pare it down until it's a beautiful thing you can hand in, probably late, to your editor.

You find the most important thing that really grabs you, and put it right up top. Don't bury the lead. Put it at the top. Best thing to do. Never go wrong that way. It's an immutable law of journalism. It just always works.

I think television often has dismissed younger people. They figure, well, they're not really watching news, that's not our audience.

And I think a good writer's gonna make it interesting. From the first paragraph it will all be interesting. Just work at it and work at it and work at it.

I don't find music being less important than, like, politics.

I spent time in, like, criminal courts, and covering murder trials for papers.

I came over here and worked for rock magazines, and I worked for Rolling Stone, which has a very high standard of journalism, a very good research department.

I know what the structure of the language is.

If you ask questions that interest you, you'll get answers that interest your audience.

So you shouldn't really flatter yourself that they want to be your buddy. They don't. Generally. They want you for some reason or other, and you just have to fend that off all the time.

Some of the most important stories don't lend themselves to television treatment.

Unless you're doing a feature piece, which is going to be longer, and you have more time to get into stuff.

And you can't really cover people critically that you're friends with.

Well, news is anything that's interesting, that relates to what's happening in the world, what's happening in areas of the culture that would be of interest to your audience.

Television's not going read stories to you.

And the most important thing you can do is learn to edit yourself. And then go back and rewrite.

Whomever you're going to interview, you have to be interested in what it is you want to know from them. You have to be interested in the subject.

Television's very dependent on images. That's not what news is.

And that's very important, too, 'cause a lot of people just assume everyone's a Democrat, or everyone's a Republican or whatever, and they're not. And that's a really important thing to adhere to.

It's not a good thing to be friends with people you're covering. There's just no point in doing it. It's tempting, but they're not going to consider you their friend anyway. They just know that you're somebody that can do something for them.

So, yeah, I think it had a major effect. I think in franchising younger people, it was just an idea that's never been trotted out before, but it makes perfectly good sense.

So no one should rely on television either for their knowledge of music or for news. There's just more going on. It's an adjunct to the written word, which I think is still the most important thing.

My favorite thing is still journalism. I'm almost 50. This has been my life ever since I was in college.

I suggest that what we want to do is not to leave to posterity a great institution, but to leave behind a great tradition of journalism ably practiced in our time.

The difference between literature and journalism is that journalism is unreadable and literature is not read.

I don't think Fox News or Rush Limbaugh need Clinton it turns out. I think there's a hunger out there for - whether it's on the left or right - a more lively and provocative type of political journalism. I think Salon and Fox on the other side have both benefited from that.

Surely the glory of journalism is its transience.

If anyone was talking about journalism in the '50s - it was Edward R.Murrow.

In general, science journalism concerns itself with what has been published in a handful of peer-reviewed journals - Nature, Cell, The New England Journal of Medicine - which set the agenda.

The Defense Department's plan to ban newspaper reporters from pool coverage of military operations is incredible. It reveals the administration to be out of touch with journalism, reality and the First Amendment.

Screenplays I didn't really care about, journalism, travel books, getting my writer friends to write about their dreams or something. I just determined to write the books I had to write.

I fooled some of the most brilliant people in journalism.

Journalism as theater is what TV news is.

Environmental concern is now firmly embedded in public life: in education, medicine and law; in journalism, literature and art.

The biggest problem in rock journalism is that often the writer's main motivation is to become friends with the band. They're not really journalists; they're people who want to be involved in rock and roll.

Journalism is a kind of profession, or craft, or racket, for people who never wanted to grow up and go out into the real world.

Stanford had no journalism program so I just learned by doing, effectively.

I am deeply interested in the progress and elevation of journalism, having spent my life in that profession, regarding it as a noble profession and one of unequaled importance for its influence upon the minds and morals of the people.

Good journalism, I think, represents life and if you try to organize something too neatly it usually blows up in your face and doesn't really happen the way you want it to.

Journalism is in fact history on the run.