It's not a good thing to be friends with people you're covering. There's just no point in doing it. It's tempting, but they're not going to consider you their friend anyway. They just know that you're somebody that can do something for them.

But music raises a lot of issues. Music is something that matters to people a lot, and they put a lot of passion into it. And I think when you have an area like that, you're gonna find a lot of issues coming up.

It's gonna be short if it's news; put it at the top. Style's not an issue, just make it news.

I was in college for two years, and just hated it in the '60s.

I worked for a newspaper in Europe for, I lived in Europe for about seven years, so I worked in this sort of a yellow journalism kind of a thing, it was like a scandal sheet.

Well, in features, and in writing especially, it's often the style of the writer comes in.

Well, a lead is the most important thing about the story.

And so popular culture raises issues that are very important, actually, in the country I think. You get issues of the First Amendment rights and issues of drug use, issues of AIDS, and things like that all arise naturally out of pop culture.

If your audience is young, it'd be youth culture, if your audience is older, it'd be older people, if it were senior citizens, it'd be senior citizen issues. So you try and hit the target audience.

Rewriting is a large part of the whole job. And get rid of stuff that's not working. Just pare it down until it's a beautiful thing you can hand in, probably late, to your editor.

You find the most important thing that really grabs you, and put it right up top. Don't bury the lead. Put it at the top. Best thing to do. Never go wrong that way. It's an immutable law of journalism. It just always works.

I think television often has dismissed younger people. They figure, well, they're not really watching news, that's not our audience.

And I think a good writer's gonna make it interesting. From the first paragraph it will all be interesting. Just work at it and work at it and work at it.

I don't find music being less important than, like, politics.

I spent time in, like, criminal courts, and covering murder trials for papers.

I came over here and worked for rock magazines, and I worked for Rolling Stone, which has a very high standard of journalism, a very good research department.

I know what the structure of the language is.

If you ask questions that interest you, you'll get answers that interest your audience.

So you shouldn't really flatter yourself that they want to be your buddy. They don't. Generally. They want you for some reason or other, and you just have to fend that off all the time.

Some of the most important stories don't lend themselves to television treatment.

Unless you're doing a feature piece, which is going to be longer, and you have more time to get into stuff.

And you can't really cover people critically that you're friends with.

Well, news is anything that's interesting, that relates to what's happening in the world, what's happening in areas of the culture that would be of interest to your audience.

Television's not going read stories to you.

And the most important thing you can do is learn to edit yourself. And then go back and rewrite.

Whomever you're going to interview, you have to be interested in what it is you want to know from them. You have to be interested in the subject.

Television's very dependent on images. That's not what news is.

And that's very important, too, 'cause a lot of people just assume everyone's a Democrat, or everyone's a Republican or whatever, and they're not. And that's a really important thing to adhere to.

It's not a good thing to be friends with people you're covering. There's just no point in doing it. It's tempting, but they're not going to consider you their friend anyway. They just know that you're somebody that can do something for them.

So, yeah, I think it had a major effect. I think in franchising younger people, it was just an idea that's never been trotted out before, but it makes perfectly good sense.

So no one should rely on television either for their knowledge of music or for news. There's just more going on. It's an adjunct to the written word, which I think is still the most important thing.

Being a publicist is like management in a lot of ways - you're their friend, you're their mother, you're their confidante.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Depending on what day of the week it is and what time of the month it is, I'm a good friend or not a good friend. I'm more or less a good mom or not a good mom, more or less a good mate or not a good mate. That's just life, whether or not you're public.

In every tyrant's heart there springs in the end this poison, that he cannot trust a friend.

My desk, most loyal friend thank you. You've been with me on every road I've taken. My scar and my protection.

It is not often that someone comes along who is a true friend and a good writer.

That friend a great man's ruin strongly checks, who rails into his belief all his defects.

The best compliment to a child or a friend is the feeling you give him that he has been set free to make his own inquiries, to come to conclusions that are right for him, whether or not they coincide with your own.

The friend is the man who knows all about you, and still likes you.

When a man's best friend is his dog, that dog has a problem.

For there is no friend like a sister in calm or stormy weather; To cheer one on the tedious way, to fetch one if one goes astray, to lift one if one totters down, to strengthen whilst one stands.

I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.

Every murderer is probably somebody's old friend.

I never considered a difference of opinion in politics, in religion, in philosophy, as cause for withdrawing from a friend.

We are bound to lose Ireland in consequence of years of cruelty, stupidity and misgovernment and I would rather lose her as a friend than as a foe.

Everyone calls himself a friend, but only a fool relies on it; nothing is commoner than the name, nothing rarer than the thing.

I have a friend in New York who's a stylist and I went over to her place because she's got a lot of clothes. I basically ended up wearing most of it. So it's all stuff that I brought over.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.