The reason can only be this: heroic poetry depends on an heroic age, and an age is heroic because of what it is, not because of what it does.

It seems difficult, sometimes, to believe that there was a time when sentiments now become habitual, sentiments that imply not only the original imperative of conduct, but the original metaphysic of living, were by no means altogether habitual.

The Border Ballads, for instance, and the Robin Hood Ballads, clearly suppose a state of society which is nothing but a very circumscribed and not very important heroic age.

No poet will ever take the written word as a substitute for the spoken word; he knows that it is on the spoken word, and the spoken word only, that his art is founded.

The world knows of a vast stock of epic material scattered up and down the nations; sometimes its artistic value is as extraordinary as its archaeological interest, but not always.

Traditional matter must be glorified, since it would be easier to listen to the re-creation of familiar stories than to quite new and unexpected things; the listeners, we must remember, needed poetry chiefly as the re-creation of tired hours.

But the development of human society does not go straight forward; and the epic process will therefore be a recurring process, the series a recurring series - though not in exact repetition.

There is only one thing which can master the perplexed stuff of epic material into unity; and that is, an ability to see in particular human experience some significant symbolism of man's general destiny.

The balance of private good and general welfare is at the bottom of civilized morals; but the morals of the Heroic Age are founded on individuality, and on nothing else.

By the general process of epic poetry, I mean the way this form of art has constantly responded to the profound needs of the society in which it was made.

An epic is not made by piecing together a set of heroic lays, adjusting their discrepancies and making them into a continuous narrative.

The epic poet has behind him a tradition of matter and a tradition of style; and that is what every other poet has behind him too; only, for the epic poet, tradition is rather narrower, rather more strictly compelling.

With several different kinds of poetry to choose from, a man would decide that he would like best to be an epic poet, and he would set out, in conscious determination, on an epic poem.

Poetry is the work of poets, not of peoples or communities; artistic creation can never be anything but the production of an individual mind.

It is more difficult to keep the attention of hearers than of readers.

The first epics were intended for recitation; the literary epic is meant to be read.

That is to say, epic poetry has been invented many times and independently; but, as the needs which prompted the invention have been broadly similar, so the invention itself has been.

Epic poetry exhibits life in some great symbolic attitude. It cannot strictly be said to symbolize life itself, but always some manner of life.

The epic poet collaborates with the spirit of his time in the composition of his work. That is, if he is successful; the time may refuse to work with him, but he may not refuse to work with his time.

For the stage displays the first vigorous expression, as the natural thing and without conspicuous restraint, of private individuality.

But the gravest difficulty, and perhaps the most important, in poetry meant solely for recitation, is the difficulty of achieving verbal beauty, or rather of making verbal beauty tell.

If epic poetry is a definite species, the sagas do not fall within it.

The reason can only be this: heroic poetry depends on an heroic age, and an age is heroic because of what it is, not because of what it does.

If epic poetry is a definite species the sagas do not fall within it.

Epic poetry exhibits life in some great symbolic attitude. It cannot strictly be said to symbolize life itself but always some manner of life.

An epic is not made by piecing together a set of heroic lays adjusting their discrepancies and making them into a continuous narrative.

The first epics were intended for recitation the literary epic is meant to be read.

For the stage displays the first vigorous expression, as the natural thing and without conspicuous restraint, of private individuality.

But the age of chivalry is gone. That of sophisters, economists, and calculators has succeeded; and the glory of Europe is extinguished forever.

I grew up with art from the innocent age of ten - with art, but with no sense of identity.

Death comes not to the living soul, nor age to the loving heart.

I'm very pleased to be here. Let's face it, at my age I'm very pleased to be anywhere.

For example, UNICEF works with governments to change legislation such as in India where a law was passed raising the age of compulsory school completion to keep children in school and away from the workplace for longer.

I figured out it was a social thing, what women were allowed to do. At a very young age, I decided I was not going to follow women's rules.

I wish I knew at 14 not to put much thought into what other people my age said to me, cause we were all looking for the answers. So I wish I knew that other people really don't know any more than you do!

I believe very firmly that gay people of every stripe and age should be role models for all children, and that means interacting with them.

Donner likes what he does and enjoys being on a set. He doesn't have to do it, its not like he has to make the rent. When I get to be his age and still enjoy what I'm doing like him, I'd be lucky.

Does age matter? Time doesn't matter.

I realised from a very early age that God gave me a gift, and that gift was to run, and I wanted to use it to the best of my ability.

Looking back, I think we were all quite mature, surprisingly responsible. In earlier wars, boys of our age had just gone off to raise hell or enlist or both, but we stayed dutifully at our desks doing tomorrow's homework.

This is the patent age of new inventions for killing bodies, and for saving souls. All propagated with the best intentions.

Interest is the spur of the people, but glory that of great souls. Invention is the talent of youth, and judgment of age.

For me, having a child is a really great responsibility because you've got something there that is depending on you for information and love until a certain age when it goes to school.

I don't think at my age... you can start ruling people out in politics.

I figured my body always would be able to repair itself. I think all of us believe that - until you begin to age and get hit with deteriorating joints.

Another principle is, the deepest affections of our hearts gather around some human form in which are incarnated the living thoughts and ideas of the passing age.

I read. It's also nice for me to get involved in schoolwork, which is a totally different world than acting. It makes me feel like I am doing things that normal people are doing at my age.

When you're my age and you see a story, you better go for it pretty quickly. I'd just like to get a few more novels under my belt.

Hollywood is sexist and age-ist, and that covers all the bases, I guess.