Epic poetry exhibits life in some great symbolic attitude. It cannot strictly be said to symbolize life itself, but always some manner of life.

It seems difficult, sometimes, to believe that there was a time when sentiments now become habitual, sentiments that imply not only the original imperative of conduct, but the original metaphysic of living, were by no means altogether habitual.

The Border Ballads, for instance, and the Robin Hood Ballads, clearly suppose a state of society which is nothing but a very circumscribed and not very important heroic age.

No poet will ever take the written word as a substitute for the spoken word; he knows that it is on the spoken word, and the spoken word only, that his art is founded.

The world knows of a vast stock of epic material scattered up and down the nations; sometimes its artistic value is as extraordinary as its archaeological interest, but not always.

Traditional matter must be glorified, since it would be easier to listen to the re-creation of familiar stories than to quite new and unexpected things; the listeners, we must remember, needed poetry chiefly as the re-creation of tired hours.

But the development of human society does not go straight forward; and the epic process will therefore be a recurring process, the series a recurring series - though not in exact repetition.

There is only one thing which can master the perplexed stuff of epic material into unity; and that is, an ability to see in particular human experience some significant symbolism of man's general destiny.

The balance of private good and general welfare is at the bottom of civilized morals; but the morals of the Heroic Age are founded on individuality, and on nothing else.

By the general process of epic poetry, I mean the way this form of art has constantly responded to the profound needs of the society in which it was made.

An epic is not made by piecing together a set of heroic lays, adjusting their discrepancies and making them into a continuous narrative.

The epic poet has behind him a tradition of matter and a tradition of style; and that is what every other poet has behind him too; only, for the epic poet, tradition is rather narrower, rather more strictly compelling.

With several different kinds of poetry to choose from, a man would decide that he would like best to be an epic poet, and he would set out, in conscious determination, on an epic poem.

Poetry is the work of poets, not of peoples or communities; artistic creation can never be anything but the production of an individual mind.

It is more difficult to keep the attention of hearers than of readers.

The first epics were intended for recitation; the literary epic is meant to be read.

That is to say, epic poetry has been invented many times and independently; but, as the needs which prompted the invention have been broadly similar, so the invention itself has been.

Epic poetry exhibits life in some great symbolic attitude. It cannot strictly be said to symbolize life itself, but always some manner of life.

The epic poet collaborates with the spirit of his time in the composition of his work. That is, if he is successful; the time may refuse to work with him, but he may not refuse to work with his time.

For the stage displays the first vigorous expression, as the natural thing and without conspicuous restraint, of private individuality.

But the gravest difficulty, and perhaps the most important, in poetry meant solely for recitation, is the difficulty of achieving verbal beauty, or rather of making verbal beauty tell.

If epic poetry is a definite species, the sagas do not fall within it.

The reason can only be this: heroic poetry depends on an heroic age, and an age is heroic because of what it is, not because of what it does.

If epic poetry is a definite species the sagas do not fall within it.

Epic poetry exhibits life in some great symbolic attitude. It cannot strictly be said to symbolize life itself but always some manner of life.

An epic is not made by piecing together a set of heroic lays adjusting their discrepancies and making them into a continuous narrative.

The first epics were intended for recitation the literary epic is meant to be read.

For the stage displays the first vigorous expression, as the natural thing and without conspicuous restraint, of private individuality.

The pool is terrible, but that doesn't have much to do with my record swims. That's all mental attitude.

After the first miscarriage, I tried to take the attitude that it was my body's way of telling me that this pregnancy wasn't meant to be.

Any time I need to get a serious attitude adjustment, I put on one of their records, and there are examples there for all time to keep us honest and keep us reaching; they'll never be eclipsed.

What sculptors do is represent the essence of gesture. What is important in mime is attitude.

The Stones are a different kind of group. I realized that when I joined them. It's not really so much their musical ability, it's just they have a certain kind of style and attitude which is unique.

Modern Orthodoxy has a highly positive attitude toward the State of Israel. Our Ultra-Orthodox brethren recognize only the Holy Land, but not the state.

I need that aggressive attitude to play my music and more men have that attitude than women.

The war changed everybody's attitude. We became international almost overnight.

There does not seem to be that collegiality I referred to, there seems to be much more of a them versus us attitude, rather than we all have a role to play in this process so let's get on with it.

A great attitude does much more than turn on the lights in our worlds; it seems to magically connect us to all sorts of serendipitous opportunities that were somehow absent before the change.

Being black is not a matter of pigmentation - being black is a reflection of a mental attitude.

That's what I love from metal, and that's what I love from hip-hop. That's what I love from any music that's hard, that's got an edge to it-The attitude in it.

I have always detested any departure from reality, an attitude which I relate to my mother's poor mental health.

We have become aware of the responsibility for our attitude towards the dark pages in our history. We have understood that bad service is done to the nation by those who are impelling to renounce that past.

There are a lot of movies I'd like to throw away. That's not to say that I went in with that attitude. Any film I ever started, I went in with all the hope and best intentions in the world, but some films just don't work.

You cannot control what happens to you, but you can control your attitude toward what happens to you, and in that, you will be mastering change rather than allowing it to master you.

Success or failure depends more upon attitude than upon capacity successful men act as though they have accomplished or are enjoying something. Soon it becomes a reality. Act, look, feel successful, conduct yourself accordingly, and you will be amazed at the positive results.

Although as a sailor I despised politics - for I loved my sailor's life and still love it today - conditions forced me to take up a definite attitude towards political problems.

I was impressed by Hendrix. His attitude was brilliant. Even the way he walked was amazing.

Success or failure in business is caused more by the mental attitude even than by mental capacities.

It remains to consider what attitude thoughtful men and Christian believers should take respecting them, and how they stand related to beliefs of another order.