ABBA: The Movie; I got a lot of grief for working on that.

A film that is bleached tends to have a more realistic quality.

I am always more interested in performance and character depiction, and my direction says as much.

But I notice that there is a lack of darkness in my movies and I don't know where that comes from.

I was always attracted by the European way of life, but I am deeply Swedish.

Cinema has become a global economy, totally international.

I always try to preserve my cinematographic style, even while I work in the US. I wish to always be European.

I made all their videos, apart from the last two, so if you ever see an Abba video on TV then it's my stuff.

But now I wish I could back to Stockholm to make international films there.

I love mixing amateurs and professionals.

I love improvising.

I always need a couple of highlights to really spark the passion for a project.

I can't go back and label myself as an outcast because I was a pretty well-adjusted kid, but I can certainly relate to the feeling of being an outsider.

Kevin, as the whole cast is, just wonderful people and great people, and people who are attracted to this kind of material and accepting the idea of going to Newfoundland and knowing the kind of lack of amenities.

ABBA: The Movie; I got a lot of grief for working on that.

My father would tell anyone who would listen that this dentist thing he was doing was not his passion; cinematography was.

It's just, for me, the natural standard: a woman should be able to decide over her own body.

I discovered the 7th art at home when I was kid, through Charlie Chaplin's movies and those of my father who shot documentaries. He was my biggest influence. So I took his camera and started shooting.

I got to work with my wife, Lena Olin, for the first time, which was great. I thought it might be difficult in some way to talk to one's wife in a different way but it was so not forced.

Many of the comedies I had made in Sweden were slightly based on semi-autobiographical experiences, so adapting novels was a very different experience.

My films do have characters who have trouble escaping the world around them.

My key interest in choosing scripts is character-driven stories, because there are so many stories that sacrifice character for plot.

It was important on The Shipping News to have my house far enough away from each location so I had this time in the morning to think about my shots and still remain open to surprises once I got to the set.

I imagined that it might be awkward to talk to your wife about her performance, so going into it I was a little nervous. But doing it was actually a wonderfully inspiring experience.

To see my wife getting inspired from my notes and thoughts, going in the direction I wanted, and have her surprise me with wonderful choices was a real treat.

I love involving actors at all levels - and they have to know that I want to hear their contributions, with dialogue, with story suggestions, with script changes, whatever.

My father was an amateur filmmaker who shot 8mm color documentaries.

I think I avoid stepping into sentimentality by trying to be as truthful as possible with performances.

I'm on this diet where you're supposed to eat only fish and meat.

I feel the need to work with my wife, Lena Olin, again.

I really want to have actors contribute their own ideas, with phrasings and ideas on all levels.

We may not commit a lesser Sin under pretence to avoid a greater, but we may, nay we ought to endure the greatest Pain and Grief rather than commit the least Sin.

During my grief, I realised there was nothing I could do for my mother, but I did have a child.

Excess of grief for the dead is madness; for it is an injury to the living, and the dead know it not.

Grief has limits, whereas apprehension has none. For we grieve only for what we know has happened, but we fear all that possibly may happen.

When a child can be brought to tears, and not from fear of punishment, but from repentance he needs no chastisement. When the tears begin to flow from the grief of their conduct you can be sure there is an angel nestling in their heart.

Verse is not written, it is bled; Out of the poet's abstract head. Words drip the poem on the page; Out of his grief, delight and rage.

I believe that imagination is stronger than knowledge. That myth is more potent than history. That dreams are more powerful than facts. That hope always triumphs over experience. That laughter is the only cure for grief. And I believe that love is stronger than death.

There is a kind of euphoria of grief, a degree of madness.

When Michael died I was tipped over the edge. I was beyond grief.

This book, conceived in sorrow, composed in grief, and constructed at the brink of despair, contains my mind's best thoughts, and my soul's triumph over the powers of darkness.

For me as an American, the most painful aspect of this is that I believe that that administration has taken the events of 9/11 and has manipulated the grief of the country and I think that's reprehensible.

My heart burnt within me with indignation and grief; we could think of nothing else. All night long we had only snatches of sleep, waking up perpetually to the sense of a great shock and grief. Every one is feeling the same. I never knew so universal a feeling.

And remember, it's also very funny, because side by side with grief lies joy.

Grief changes shape, but it never ends.

Therefore I do pray and entreat you in the name of Jesus Christ to do so much as to make my being here in Japan known to my poor wife, in a manner a widow and my two children fatherless; which thing only is my greatest grief of heart and conscience.

Grief is a normal and natural response to loss. It is originally an unlearned feeling process. Keeping grief inside increases your pain.

All human wisdom works and has worries and grief as reward.

Pity speaks to grief More sweetly than a band of instruments.