I feel the need to work with my wife, Lena Olin, again.

A film that is bleached tends to have a more realistic quality.

I am always more interested in performance and character depiction, and my direction says as much.

But I notice that there is a lack of darkness in my movies and I don't know where that comes from.

I was always attracted by the European way of life, but I am deeply Swedish.

Cinema has become a global economy, totally international.

I always try to preserve my cinematographic style, even while I work in the US. I wish to always be European.

I made all their videos, apart from the last two, so if you ever see an Abba video on TV then it's my stuff.

But now I wish I could back to Stockholm to make international films there.

I love mixing amateurs and professionals.

I love improvising.

I always need a couple of highlights to really spark the passion for a project.

I can't go back and label myself as an outcast because I was a pretty well-adjusted kid, but I can certainly relate to the feeling of being an outsider.

Kevin, as the whole cast is, just wonderful people and great people, and people who are attracted to this kind of material and accepting the idea of going to Newfoundland and knowing the kind of lack of amenities.

ABBA: The Movie; I got a lot of grief for working on that.

My father would tell anyone who would listen that this dentist thing he was doing was not his passion; cinematography was.

It's just, for me, the natural standard: a woman should be able to decide over her own body.

I discovered the 7th art at home when I was kid, through Charlie Chaplin's movies and those of my father who shot documentaries. He was my biggest influence. So I took his camera and started shooting.

I got to work with my wife, Lena Olin, for the first time, which was great. I thought it might be difficult in some way to talk to one's wife in a different way but it was so not forced.

Many of the comedies I had made in Sweden were slightly based on semi-autobiographical experiences, so adapting novels was a very different experience.

My films do have characters who have trouble escaping the world around them.

My key interest in choosing scripts is character-driven stories, because there are so many stories that sacrifice character for plot.

It was important on The Shipping News to have my house far enough away from each location so I had this time in the morning to think about my shots and still remain open to surprises once I got to the set.

I imagined that it might be awkward to talk to your wife about her performance, so going into it I was a little nervous. But doing it was actually a wonderfully inspiring experience.

To see my wife getting inspired from my notes and thoughts, going in the direction I wanted, and have her surprise me with wonderful choices was a real treat.

I love involving actors at all levels - and they have to know that I want to hear their contributions, with dialogue, with story suggestions, with script changes, whatever.

My father was an amateur filmmaker who shot 8mm color documentaries.

I think I avoid stepping into sentimentality by trying to be as truthful as possible with performances.

I'm on this diet where you're supposed to eat only fish and meat.

I feel the need to work with my wife, Lena Olin, again.

I really want to have actors contribute their own ideas, with phrasings and ideas on all levels.

Any judge who allows an adulterer with a live-in girlfriend to terminate the life of his wife should be impeached.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

A good husband makes a good wife.

The most profound, tangible influence in my life has been my wife, Monique. I don't know that I would even be alive were it not for her, and I certainly would not be the person that I am today.

So I decided to form a production company with my wife and our partner Diane.

I have known more men destroyed by the desire to have wife and child and to keep them in comfort than I have seen destroyed by drink and harlots.

Rude contact with facts chased my visions and dreams quickly away, and in their stead I beheld the horrors, the corruption, the evils and hypocrisy of society, and as I stood among them, a young wife, a great wail of agony went out from my soul.

When they were small and my wife really had no other responsibilities, except taking care of the family and all of us, it wasn't that big a deal. It was fun. Hey, we're going to Moscow. We're going to Italy. We're going to Toronto. We're going to New York.

Nothing flatters a man as much as the happiness of his wife; he is always proud of himself as the source of it.

I don't think my wife likes me very much, when I had a heart attack she wrote for an ambulance.

I met David Smith through my former wife, Cornelia, who'd studied with him.

My wife and two children traveled with me on locations all last season.

The comfortable estate of widowhood is the only hope that keeps up a wife's spirits.

Behind every successful man is a woman, behind her is his wife.

A friend never defends a husband who gets his wife an electric skillet for her birthday.

I immediately called the command center of the Department of Justice to let them know that my wife was on a plane that had been hijacked. I mainly wanted them know there was another hijacked plane out there.

I love being a mother. I loved being a daughter, a sister, a wife. I love being a woman with men. I love having given birth.

As an alcoholic, you have no appreciation for your wife or your children's feelings, but I'm making up for that now. I'm winning my children's trust back.